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Stanford Research into the Impact of Tobacco Advertising

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Disclaimers – img23547

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Some electronic cigarette (eCig) manufacturers have voluntarily added warning labels to product packages and advertising images. However, since the eCig industry is not yet mandated to include warning labels, there is a lack of uniformity in the warning labels, which could potentially be very confusing to consumers.

For instance, Mark Ten eCig, which is manufactured by Altria, has a black box warning label on eCig packages. A black box warning in pharmaceutical products is analogous to death. The warning label, describes nicotine as “very toxic.” In fact, it is surprising to note that the warning on the eCig product is more stringent than the government mandated warning label that Altria has on the package of its combustible tobacco product. The warning label on Green Smoke eCig website, a brand also owned by Altria, is far less threatening. It just states that nicotine is “addictive.”

Warning labels included by most eCig brands are generally mild. Eonsmoke’s warning is: “SURGEON GENERAL'S WARNING: Quitting Smoking Now Greatly Reduces Serious Risks to Your Health. NOT TO BE SOLD TO MINORS!” Blu eCig’s has already adopted the proposed warning label proposed by the FDA, which states, “WARNING: This product contains nicotine derived from tobacco. Nicotine is an addictive chemical.”

Warning labels were first required on cigarettes by the Federal Cigarette Labeling and Advertising Act of 1965, and the Tobacco Control Act expanded FDA’s authority to also prohibit false and misleading labeling and advertising for cigarettes, such as claims that a product reduces harm.

Cigalikes – img16980

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There are two different styles of e-cigarettes available in the market. E-cigs that look like technologically advanced pens and smart phones and e-cigs that look and feel much like a traditional cigarette. It is under this latter category that brands such as NJOY, Premium Ecigs, Play Vapor and Real Feel belong.

For many heavy smokers, every detail of the smoking experience from the way the cigarette feels in their hand, to the taste and smell of the product, to the way it burns the throat, to how they ash it contributes to their smoking pleasure. Some studies have shown that if these sensations are removed that smoking satisfaction decreases.

In tempting these heavy smokers to switch over to e-cigs, many eCig brands are trying to mimic as much of the taste and feel of conventional cigarettes as they can. For instance both Real and NJOY are so closely designed to imitate a traditional cigarette that they include a faux gold ring, cartridge color and a tip that resembles glowing embers. NJOY and Metro eCigs are also designed to be the same size as a conventional cigarette. NJOY manufacturers are also working to get the eCig to weigh the same as a conventional cigarette.

For many heavy smokers, eCigs miss the mark because they don’t produce a throat hit, the burn at the back of your throat when you smoke. While eCig manufacturers are getting better at imitating this feature of conventional cigarettes too, for the moment it still isn’t there.

Nicotine – img16982

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Electronic cigarettes, which are often advertised as an alternative to conventional cigarettes and sometimes advertised as a cessation product, are available in a variety of nicotine levels. Based on the nicotine level of the eCig, a single eCig can have as much nicotine as a whole pack of cigarettes. It is the highly addictive nature of nicotine that makes smokers crave another cigarette and keeps many from quitting.

The nicotine in eCigs is usually mixed with solvents such as propylene glycol and glycerin. To this base solution is added a number of sweetened flavorings such as peach schnapps, root beer, cotton candy, and chocolate to make the product more palatable to its consumers. The liquid nicotine is available to consumers as prefilled cartridges or small refill bottles (think of this in terms of printer ink refills).

Many ads for liquid nicotine highlight the pleasant fruity taste of the liquid. For instance, an ad for NicQuid contains the image of circle sliced up and each segment filled with lushly colored fruits and vegetables. Another ad for NicQuid contains no image of liquid nicotine solution. Instead the central image is of a glass of strawberry and peach smoothie and the title “Southern Freeze”. These images are obviously intended to subliminally convey the healthfulness of the product. An ad for NicVape contains the image of small bottles of liquid nicotine and fresh fruits slicing through the water. This image is very similar to ads used by the food industry to promote flavored waters and electrolytes. Again the image is used to connote the freshness of the product and its purity.

Bottles and cartridges of vape juice are usually labeled according to their nicotine content per milliliter. Products labeled as “extra strong/very high” contain 36mg of nicotine, “strong/high” contain 24 mg of nicotine, “regular/medium” contain 16 mg of nicotine, “light/ low” contains 11 mg of nicotine, “ultra light/very low” contains 8 mg of nicotine or “zero/no nicotine” if they are nicotine free.

While it is true that eCigs deliver nicotine with much lower levels of many of the toxins found in conventional cigarette products, since it is not yet regulated by the FDA the chemicals found in these products and the purity of the nicotine vary widely. Some recent studies have also found that there was a significant difference between the advertised and true levels of nicotine in the cartridges and refill solutions. A study1 also found traces of nicotine in products labeled as “no nicotine.” The lack of regulation and wrongly labeled products can mislead consumers looking to kick their smoking addiction by vaping eCigs.

References:
1. Goniewicz ML, Kuma T, Gawron M, Knysak J, Kosmider L (2012) Nicotine Levels in Electronic Cigarettes. Nicotine Tob Res Apr 22.

No Nicotine – img19435

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Most electronic cigarettes (eCIgs) and vape juices are available in a variety of flavors in a range of nicotine strengths from 0 mg/ml to astoundingly high levels of 56 mg/ml. These e-liquids and eCigs are marketed online with bright and colorful images and dispensed in similarly colorful bottles. It is quite evident that these are designed to appeal to teens. The numerous sweet flavored varieties are also attractive to younger children.

Many of the brands which produce “nicotine-free” devices advertise themselves as an alternative to traditional combustible cigarettes as well as a cessation product. For instance, Novus, which brands itself as a tobacco free, nicotine free, all natural alternative to traditional cigarettes, promotes itself with the following tagline: “When you Crave a smoke….but not the nicotine… Novus twigs satisfy. Try the NOVUS System! A new approach to going “Cold Turkey.”

Other ads suggest that the nicotine-free devices are healthier than traditional combustible products. An ad for Phantom Smoke has a scantily dressed woman, sitting provocatively on a red wheelchair. The slogan accompanying the ad says, “No Nicotine No Tar No Tobacco.” Interestingly, the way in which the woman’s leg is positioned across the wheelchair also creates the word “NO.”

While the no-nicotine eCigs are healthier than traditional cigarettes or the nicotine containing eCigs, public health advocates are concerned that vaping these products could lead to youth initiation. In addition, a recent study found that even some of the solutions labeled “nicotine-free” contained trace amounts of the addictive substance.1

1. Goniewicz ML, Kuma T, Gawron M, Knysak J, Kosmider L (2012) Nicotine Levels in Electronic Cigarettes. Nicotine Tob Res Apr 22.

Marijuana – img19815

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Electronic cigarette devices are proving to be a popular way to smoke cannabis since it provides pot users a more discreet way to smoke their product. Catering to this market, many manufacturers have developed cannabis flavored liquids and cannabis oil. Some eCig manufacturers have fabricated their devices to accept dry herbs as well. An example of this is the Discreet Vape brand, which as the name suggests offers pot users the luxury of discretion.

The use of marijuana among teenagers has been increasing steadily over the past decade and most teens of today do not see regular use of marijuana as harmful. The sale of marijuana eCigs along with the innumerable You Tube videos instructing users on how to doctor an eCig for marijuana use provides teens the opportunity to use the product discreetly in places where its use is prohibited.

High Nicotine Flavors – img23695

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Electronic cigarette liquid (ejuice) is available in a variety of nicotine strengths ranging as high as 36 mg/ml and even 54 mg/ml. Nicotine levels of 16mg/ml are usually advertised by the electronic cigarette industry as “full flavored” while nicotine levels of 36 mg/ml are described as “super high” or “unfiltered”.

Super high nicotine concentrations are available in youth appealing flavors such as Peppermint Party, Banana Split, Marshmallow, Tutti Fruti Gumballs, My Birthday Cake, Carnival Cotton Candy, Totally Toffee, Strawberrylicious, Chocolate, and Energy Drink. These e-liquids are marketed online with bright and colorful images and dispensed in similarly colorful bottles. It is quite evident that these are designed to appeal to teens. The numerous sweet flavored varieties are also attractive to younger children.

As measured by Calafat and co-workers, Marlboro has 0.92 mg nicotine per cigarette. A 10 cc bottle of 36mg/ml chocolate e-liquid has the nicotine equivalent of 391 cigarettes. This volume of concentrated nicotine is sufficient to kill a sizable number of kindergartners.

The Centers for Disease Control and Prevention warns on its website that the fatal human dose has been estimated to be about 50 to 60 mg for a 150 pound adult. The lethal dose in a child is a small fraction of this.

The development of Advanced Personal Vaporizers, or Mods, has also dramatically increased the volume of vapor inhaled per puff, which further increases potential nicotine absorption. The large clouds of exhaled vapor raises the risk of second hand nicotine exposure.

1. Centers for Disease Control and Prevention. Nicotine. Centers for Disease Control and Prevention, May 1994. Web. 26 June 2014.

2. Calafat AM, Polzin GM, Saylor J. et. Al Determination of tar, nicotine, and carbon monoxide yieds in the mainstream smoke of selected international cigarettes. Tob Control 2004; 13: 45-51

Music – img16989

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Many e-cigarette (eCig) companies are using music as a medium of promotion and taking advantage of music’s ability to target select demographics and create strong cultural and emotional connections. By holding promotional events in nightclubs and sponsoring musical events for those 18 and older, eCig companies are simultaneous able to fend off criticism about targeting teenagers while at the same time marketing their product to the youth demographic at these events as an urban party essential.

Blu eCigs, a leading sponsor of music events, has sponsored at least half a dozen high profile musical festivals and parties in 2013 including the Governors Ball Music Festival, SXSW, Bonnaroo Music Festival, and the Sasquatch Music Festival. Speaking the language of music on its website, Blu has links to its sponsored events, images of consumers partying at these events, and interesting articles on the culture of music. It also has several videos of the events and over hundreds of photos of individuals enjoying themselves at the events. Other eCig brands too have sponsored musical events although none of them to the extent of Blu eCigs. NJOY sponsored 2013’s Coachella Music Festival and Bloog sponsored a 3-day musical event at Camp Bisco.

Apart from creating strong cultural ties with teenagers through these sponsorships, the events also serve as an opportunity to gain more consumers as eCig companies often offer “free samples” to consumers attending these events. According to a report by a group of Senators, in 2013, the six leading eCig manufacturers distributed free samples at atleast 348 events. 1

By popularizing cigarettes in the party environment, the tobacco industry is seeking to liken eCigs to drinks, something to use have fun with during a party. This social accessory image of the eCigs misleads teens by making them think that the product is safe. Of course, what the eCig marketing companies fail to promote is the nicotine addiction that use of eCigs promote.

1. Gateway to Addiction? A Survey of Popular Electronic Cigarette Manufacturers and Marketing to Youth. Available at http://www.durbin.senate.gov/public/index.cfm/pressreleases?ID=06acef25-48b0-4d9a-857a-74f7b4fcd4d5

Auto Racing – img19437

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The growing popularity of e-cigarettes has led its manufacturers to leave no stone unturned
in marketing to consumers. Taking a page out of the tobacco advertising playbook used in the mid 20th century, e-cigarette (eCig) manufacturers are using celebrity endorsements to drum up enthusiasm for their products and hook teenagers. With celebrities endorsing eCigs, billed as the “healthier alternative to traditional cigarettes,” smoking or in this case vaping of eCigs has become a fashion statement once again.

As there are no marketing restrictions on eCigs, slick television ads of celebrities puffing away on their personal vaporizers frequently bombard the airwaves. In Blu’s campaign, Stephen Dorff and Jenny McCarthy urge people to take back their independence with the slogan “Rise from the Ashes.” The Blu ads featuring Dorff are so popular that he has become synonymous with the brand. In a recent interview, he said that people come up to him all the time and ask about the Blu e-cigarette. “I’m like the Blu man group,” Dorff said in the interview. In the ad featuring McCarthy, black and white shots of her exhaling smoke, highlight the blue tip of Blu eCigs and make the entire experience look cool. In the ad, she goes on to say the best part of her e-cigarette is that she can use it ‘‘without scaring that special someone away’’ and can avoid kisses that ‘‘taste like an ashtray’’ when she’s out at her favorite club. Ads for eCig manufacturer NJOY feature rocker Courtney Love, in an expletive-laced ad, in which supporters of indoor smoking bans are portrayed as “stuffy” and “stuck-up,” while
the rocker is portrayed as free-spirited and independent. eCig companies have even photoshopped ysteryear celebrities such as Marilyn Monroe, James Dean, John Lennon using their products in ads.

Apart from direct endorsements by celebrities, there have also been subtle attempts by
celebrities to promote eCigs in movies and television shows. In an appearance on the David
Letterman show, Katherine Heigl was seen vaping a Smokestik and proclaiming that she was
addicted to the product, but it “wasn’t bad for you”. When CBS’s Two Broke Girls accosted their new, noisy upstairs neighbor, they were greeted at the door by Jennifer Coolidge with an eCig in
hand. Sean Penn was seen vaping an Njoy while talking about his work at Haiti at the Clinton Global
Initiative.

Much like big tobacco in the past, eCig companies are exploiting their association with Hollywood. eCig manufacturers waste no opportunity in posting pictures of celebrities and films that use their products through their social media channels and websites. For instance, Blu eCig’s Facebook page has a picture of Leonardo DiCaprio smoking what they claim is a Blu eCig while filming Django Unchained. Blu eCig’s website asks its customers to take a look at a film called “Plurality” because of the use of their eCig in the film and provide a web link to the film’s trailer as well as a synopsis.

The insidious practice by big tobacco companies to use celebrity endorsements and testimonials for hawking their products was the norm during the 1920s to 1960s. The practice ended only in 1964 when the FDA banned it.

1. Eliott, S. (2013, August 29). E-Cigarette Makers’ Ads Echo Tobacco’s Heyday. New York Times.
Available at http://www.nytimes.com/2013/08/30/business/media/e-cigarette-makers-ads-
echo-tobaccos-heyday.html.

2. Johnson, G.A. (2013, October 16). Stephen Dorff: Actor a hot commodity in ads, films. San
Francisco Chronicle. Available at http://www.sfgate.com/movies/article/Stephen-Dorff-Actor-a-
hot-commodity-in-ads-films-4901477.php

Socials – img19439

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Many electronic cigarette (eCig) advertisements under this theme highlight the social aspects of vaping. As is well established, there is a camaraderie established among groups of smokers huddled together outside or even a smoker asking for a cigarette or light indoors. It is this social connection that eCig advertisers are promoting.

eCig ads under this theme promote the notion that the use of the electronic device could help individuals 1) be the center of attention, 2) foster new friendships, and 3) create kinship and brotherhood.

For instance, a Vype ad shows four young women at a restaurant. Three of the women in the ad are seen animatedly talking, two of them with eCigs in their hand. One woman is shown staring down at the phone in her hand. The tagline below reads, “Break the ice tonight”. It is apparent that the ad is encouraging the use of an eCig as a conversation starter. A Facebook post for this ad says “Stay indoors this Friday and use your Vype as a conversation starter.”

Veppo eCigs even launched a Veppo Social eCig that as the name suggests aids individuals in having a good time uninterrupted. The Veppo website announced the Veppo social as an eCig that allows an individual to satisfy their “craving without leaving your laughter” behind. An ad for this product shows couples having a good time at a bar. The tagline reads, “Stay in the Movement.”

In an increasingly networked era, many eCig companies (eg.Smokio) allow for eCig users to share their data and usage on their social networking sites. For instance, Blu eCigs launched a “smart pack” that alerts users of Blu to others users of the eCig within 50 meters. The reusable packs, which serve as a charger for the cigarettes, can be set to exchange information about their owners, like contact information on social networking sites, that can be downloaded onto personal computers.

A widespread tobacco industry marketing strategy has been the sponsorship of social events and promotion of free cigarettes at bars, clubs, and college parties. This strategy encourages youth to take up smoking. eCig companies, most notable among the majors- Blu eCigs, sponsor a number of events. Blu eCigs even has free photo booths and the company’s social media pages are filled with albums of individuals at these events having a good time.

Skoal – img18923

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Smokeless tobacco product use and promotions are on the rise in the United States. Several factors have contributed to the growth in the smokeless tobacco market including availability of flavors, attractive pricing and availability to use anywhere.1

Skoal, which is owned by US Smokeless Tobacco Co., is the third most popular smokeless tobacco product in the US with a market share of 19.8%. Skoal is available in several flavors apart from natural tobacco including mint, wintergreen, peach, vaniall, berry, apple, and cherry. Internal tobacco documents show that as early as 1968, Skoal representatives understood the appeal of flavors among adolescents. A meeting summary quotes a Skoal representative commenting on the addition of candy flavoring to skoal. “Cherry Skoal is for somebody who likes the taste of candy, if you know what I mean.” “Starter” products are the first step on the so-called “graduation” process from beginner-strength to stronger smokeless products.”2

Skoal ads commonly appealed to sociability, masculinity, and individuality. The ads were marketed towards males. Even when the ads included women, the female models were there to attract men. Examples of such ads include the 12 pages of advertising that Skoal purchased in Playboy that had scantily dressed female models lying on cans of skoal.

A content analysis of Skoal ads found that many of the ads emphasized pleasure and were targeted to young boys. These ads featured young men relaxing by a campfire or taking thrill rides on ATVs – themes and images likely to appeal to teenage boys. The message of these ads were that in order to have fun you need to chew skoal.2 The Skoal ads appeared in recent issues of publications popular among young men and teen boys, including Sports Illustrated, Car and Driver and Maxim.

1. Delnevo, Cristine D., et al. “Examining market trends in the United States smokeless tobacco use: 2005–2011.” Tobacco Control 23.2 (2014): 107-112.
Tobacco Free Kids.(1997) Tobacco-Free Kids Questions U.S. Tobacco Decision to Remove Skoal Name from Rock Concert Ads. Available at http://www.tobaccofreekids.org/press_releases/post/id_0105

Copenhagen – ing19004

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Copenhagen is a brand of smokeless tobacco owned by Altria. Similar to other brands of chewing tobacco, advertisements for Copenhagen are primarily aimed at rugged, outdoorsy men and young boys. The ads feature rural and outdoor settings, men in cowboy hats, or macho men taking on tough tasks. An example includes a Copenhagen ad featuring an image of a cowboy working in the rain. “Some men never compromise. They Cope.” Another ad features the rough hands of a man dipping into a can of Copenhagen. The text reads, “”Real men know you don't just count the years, but make the years count.”

Red Man – ing14547

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The Red Man brand of chewing tobacco was first introduced to the US in 1904. Promotional activities tied-in with rural and outdoor sporting events was a main stay of Red Man’s marketing strategy. From 1952 to 1955, Red Man produced a series of baseball cards, the only tobacco company to do so after 1920. The sets are valuable due to the appearance of top players including Stan Musial, Yogi Berra and Willie Mays.1 Red Man also sponsored other sporting events such as Red Man All-American Pulling Series,” a tractor pulling competition and the “Red Man All-American Bass Championship”, a fishing competition.

1. Wikipedia. (2017). Red Man. Available at https://en.wikipedia.org/wiki/Red_Man

Grizzly – ing20915

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In 2015, 25.3% of high school students reported current use of any tobacco product and 6% reported use of smokeless tobacco. Among middle school students, 7.4% reported use of any tobacco product and 1.8% reported use of a smokeless tobacco.1

Grizzly, owned by Reynolds American Inc, has the largest market share of moist smokeless brands.2 It is the most popular brand of moist snuff among adolescents.3Grizzly products are available in natural, mint, and wintergreen flavors. The 1.2-ounce Grizzly Long-Cut Wintergreen rang up the most dollar and unit sales in large chain stores. 2

Most Grizzly ads are targeted at men. The ads refer to outdoor adventures such as hunting and fishing. Use of models are limited in these ads. The main focus of the ad is on the Grizzly cans and the accompanying slogan. In this section, you will find Grizzly ads targeted at teens that send the message that you can’t be a real man without chewing Grizzly. Example includes, “May cause the urge to act like a man,” and “Coasters are for people who put their drink down.”

Recently, Grizzly has run a series of advertisements with the tagline “tellin’ it like it is.” This series of ads uses sarcastic phrases as advice about how to be “manly” or “macho.” Examples of ads from this campaign include, “Out here, firewood does not come pre-bundled.” Another ad states, “Women have shoes. Men have miter saws.”

1. Singh T, Arrazola RA, Corey CG, et al. Tobacco Use Among Middle and High School Students — United States, 2011–2015. MMWR Morb Mortal Wkly Rep 2016;65:361–367. DOI: http://dx.doi.org/10.15585/mmwr.mm6514a1.
2. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
3. Tobacco Free Kids. (2015). Still Seeking Replacements: How Big Tobacco Targets Kids Today. Available at http://www.tobaccofreekids.org/microsites/replacements/assets/2015_03_17_marketing_report.pdf

Snus – ing5870

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Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Papers – ing7726

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The first commercial rolling papers were produced in 1660 by the Lacroix family after Frenchman Lacroix allegedly traded a bottle of Champagne for rolling papers that French soldiers were transporting from Spain; following that, in the year 1736, the Lacroix Rolling Paper company was founded.1

Today, rolling paper is made from a variety of materials, including wood pulp, rice-based paper, hemp (e.g. pure hemp papers by Joker), flax seed (e.g. white cigarette papers by Chesterfield), and other plant-based materials.2 These products are often advertised for possessing certain characteristics like “slow burning” (e.g. King size Joker), a wide selection of sizes (e.g. Mucha Job cigarette paper), and a “Do-it-yourself” capability (e.g. Job’s Adams Apple). Additionally, many of them employ similar marketing strategies as do cigarette packages, featuring celebrities like Bob Marley, sex appeal, elegant type print, and makeshift paintings. In fact, the evolution of these cigarette paper advertisements can be seen through several motifs including its artistic modes and use of female figures. For example, in the first two Mucha Job advertisements, the women painted are done so in the Classical Art Nouveau style popular of the 1890’s, a style of international art that employs decorative and architectural aspects; markedly, no written text is apparent on the prints. Overtime, however, the prints illustrate women in more dynamic colors, like in the 1897 Vintage print with a woman in yellow and white stripes; by the mid-to-late 1900’s, it became commonplace for cigarette paper ads to feature images of real female models posing with cigarettes and in sexually suggestive manners, instead of merely depicted them in hand drawings and paintings. Advertisements also focused on celebrities, a clean style, and other features like brand mascots.

1. The History of Rolling Papers. (2017). Rolling Paper Depot. Retrieved June 2, 2017, from https://www.rollingpaperdepot.com/pages/The-History-of-Rolling-Papers.
2. The Best Materials for Rolling Papers. (2017). Rolling Paper Depot. Retrieved June 2, 2017, from https://www.rollingpaperdepot.com/pages/The-Best-Materials-for-Rolling-Papers.

Growers – img33967

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Regulation of marijuana farming varies by state and county, with some allowing a certain number of plants, some allowing as many as one needs for personal use, and individual counties banning growth altogether. The state with the largest amount of marijuana production is California, with over 3 times the amount of growing of the next largest states, Tennessee and Kentucky. To parallel this growth in interest, magazines such as “High Times” have turned their attention towards articles and ads that promote the cannabis growing subculture. In addition, hundreds of websites and books, like The Cannabis Grow Bible, are available with guides on how to start growing.

Advertisements targeted towards growers are generally either selling specific seeds so that users can grow their favorite strain at home or selling more general agriculture appliances, like fertilizers, lighting systems for indoor growth, hydroponics, and more. Marijuana seeds can be purchased at most dispensaries, and at seed banks. Buzzwords used in seed advertisements are different than those used in typical cannabis ads. Key words include “feminized, “autoflowering,” and “high yield,” which refer to the reliability and outcome of the seed growth rather than the quality of the cannabis.

https://www.cropkingseeds.com/why-not-buy-marijuana-seeds-from-your-local-dispensaries/

https://www.drugscience.org/Archive/bcr2/domstprod.html

https://www.royalqueenseeds.com/33-feminized-cannabis-seeds

Cigars – ing5772

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Cigars are often advertised directly to men, and, indeed, are represented as highly masculinized and often genteel. An ad from the Cigar Institute of America in 1963, for example, lets men know that if they “wear a cigar,” they will “look smart.” Masculinity is sometimes approached through sexualization of the cigar, as in the Don Diegos ad from the 1990s featuring a woman sucking on a cigar or the Celesitino Vega ad from the same period, which features a Hawaiian surfer posing at the beach with a giant, phallic surfboard painted to resemble a cigar. Other times, masculinity is portrayed through a more reserved route, as in the 1950s ad from the Cigar Institute of America, which claims that “In the eyes of his own family, every father is a success. And the father who knows cigars knows a very special kind of success.” The family unit and the fatherly figure are referenced often in cigar ads.

In addition, cigars are seen as a means to celebrate. An ad for Antonio y Cleopatra cigars says, “When a moment is worth remembering enjoy a cigar that’s hard to forget.” In the same vein, pink or blue candy cigars are often given to a new father to celebrate the birth of a child.

Beyond these approaches, many cigar ads focus on throat ease, since unlike cigarette smoke, cigar smoke cannot be inhaled due to its high alkalinity. Though these ads advertise health benefits for cigar smoking – Girard says its smoke is mild, so doctors recommend it, and Mell-O-Well calls its smoke “the health cigar” — cigar smoking is associated with higher incidences of oral cancers than cigarette smoking, and nicotine is absorbed in higher levels as well. Still, and ad for White Owl cigars tells you to switch to cigars or pipes “when you can’t give up smoking.” The main reason? No need to inhale. Most misleading, perhaps, is a 1964 ad from the Cigar Institute of America, which proclaims, incorrectly, “Cigar smokers start young and stay young!”

Cigarillos – ing14493

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The mid 1960’s saw an uptick in the little cigars market. These smaller cigars included flavors apart from tobacco(e.g., cherry, were milder than traditional cigars, and found a market among women. 1

Many of the advertisements in this section emphasize the mildness of the cigar and are targeted to women. In this section, you will come across a series of Tiparillo advertisements. In 1966, Tiparillo launched an advertising series “Should a gentleman offer a Tiparillo to a lady?” While these advertisements were targeted at women, the ads focused more on female acceptance of cigars than use of the product. None of the women in the advertisement are actually seen using the product. A decade later, Tiparillo ran another advertising campaign, this one focused on female use of the product. In this series of advertisements for Tiparillo, the text suggest that times have changed as women have started to enjoy smoking the mild tasting cigar. Another brand, Wolf Brother’s Cherry Little Cigar even had a line in its advertising copy, “She’ll like them too.”

In 1971, RJR introduced its first little cigar, Winchester, which quickly became the largest selling brand of little cigars. The cigars were of the size and shape of cigarettes and contained a “filter tip” that “could easily be inhaled.” In one of its advertisements, a woman with a cowboy hat, her hair pulled around her face to create a mustache, is holding a Winchester cigar. The advertising text suggests that smoking the mild cigar is masculine.

Tobacco industry documents show that tobacco companies used flavors to mask the harshness of natural tobacco and target adolescents. In 2009, the US Food and Drug Administration prohibited the use of characterizing flavors (e.g., cherry, honey) except for mint in cigarettes.2 However, the use of such flavors in cigars, cigarillos and little cigars were not banned by the FDA. The availability of flavors among little cigars and their attractive pricing are making these cigars attractive to teenagers. In 2014, 63.5% of middle and high school students surveyed reported smoking a flavored mini cigar.3

1. Kostygina G, Glantz SA, Ling PM. Tobacco industry use of flavours to recruit new users of little cigars and cigarillos. Tob Con. 2016; 5:66–74.
2. U.S. Food and Drug Administration. Press Announcement: Candy and Fruit Flavored Cigarettes Now Illegal in United States; Step is First Under New Tobacco Law. Published September 22, 2009. Retrieved from http://www.fda.gov/NewsEvents/Newsroom/PressAnnouncements/ucm183211.htm.

1. Centers for Disease Control and Prevention. Smoking & Tobacco Use: Cigars. Available at: http://www.cdc.gov/tobacco/data_statistics/fact_sheets/tobacco_industry/cigars/.

Sweet Cigars – ing11076

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There are different types of cigars available in the US- large cigars, cigarillos, and little cigars. Cigarillos are short and narrow cigars that are manufactured in a plethora of flavors ( e.g., peach, mango, cherry, grape, blueberry, wine, & white wine) that are attractively packaged and named to appeal to youth.

In 2009, the Food and Drug Administration banned the use of characterizing flavors, except for menthol, in cigarettes.1 However, the ban did not extend to other flavored tobacco products including mini cigars and cigarillos. Declines in cigarette consumption were undermined by increases in the use of flavored tobacco products.2

A recent study found alcohol flavors being marketed by 88 unique cigar & cigarillo brands. The major 5 tobacco companies (Imperial Tobacco, Philip Morris, Swedish Match, Scandinavian Tobacco Group and Swisher International) produce 15 brands of flavored cigars & cigarillos.2 The use of flavors increases the appeal of the tobacco product by decreasing the harsh taste of tobacco thereby making it easier for an individual to initiate with the product.3

Swisher, Inc., a leading manufacturer of cigarillos, offers a variety of chocolate, strawberry, peach, grape, and other flavored little cigars under the name “Swisher Sweets.” Phillies Cigarillos, another brand, also comes in a number of flavors. At one time, the brand even had a flavor called “Sugarillos” for “when sweet isn't sweet enough.” 4

With their colorful packages and store placement near candy, studies have shown that kids often mistake the shiny packages for candy. Apart from attractive flavors and names, cigar companies target youth through attractive pricing and packaging. Swisher Sweets often come in packages of two sticks for 99 cents, an attractive price for adolescents with limited discretionary funds. Among all flavored cigars, Swisher Sweets accounted for a preponderance of unit sales (52.6 million unit sales, 77.8% of total).4

References:

1. Food and Drug Administration (FDA). Regulations restricting the sale and distribution of cigarettes and smokeless tobacco to protect children and adolescents. Final Rule Fed Regist 2010;75:13225–3
2. Kostygina G, Glantz SA, Ling PM. Tobacco industry use of flavours to recruit new users of little cigars and cigarillos. Tob Con. 2016; 5:66–74.
3. Jackler RK, VanWinkle CK, Bumanlag IM, Ramamurthi D. (2017) Alcohol-Flavored Tobacco Products. Tob Con. [In print]
4. American Cancer Society.(2008) Big tobacco's guinea pigs: how an unregulated industry experiments on america's kids and consumers. Retrieved from https://www.industrydocumentslibrary.ucsf.edu/tobacco/docs/xkgm0222
5. CSP Daily News (April 15. 2016). Cigarette Convenience Store Sales Data from Year-End 2015. Retrieved from : http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-cigars-2016. Accessed on September 1, 2016.

Lady's Cigars – ing0783

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When one thinks of a cigar, one doesn’t usually think of a woman. In fact, cigarettes were originally created as a woman’s version of a cigar, since cigars were considered completely unladylike. Tobacco companies stretched the boundaries of advertisements with this series of ads targeting women or using the feminine mystique in selling their cigar products. Cigar ads featuring women are usually highly sexualized or romanticized, or speak to women’s liberation movements. Generally, they objectify women in order to advertise cigars to men.

Cigarette Holders – ing5821

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Old Hollywood movies often make use of cigarette holders to connote an aura of glamour for certain characters, and indeed, this glamorous connotation has been extended into modern times with the popular 1960s Disney adaptation of “101 Dalmations” (Cruella de Vil’s cigarette holder is absolutely part of her character). An ad from 1976 for Gilette fashion Cricket lighters features the slogan “Far Out Fire” next to the image of a woman lighting her cigarette, resting on its own cigarette holder. Interestingly, these holders were not just for show. Our ad collection reveals their use as filters and health protectants for worried smokers. De-Nicotea, for example, boasts that their filter “makes ANY cigarette less irritating!” while the Klickit cigarette holder claimed it could “do away with scratchy throat.” The early “Tobacco Yellow” cigarette holder was “guaranteed to remove 66.66% of the tar – and to improve the taste of any cigarette.” The holder, like so many tobacco products or paraphernalia, was able to adapt with the times. It can simultaneously be “healthful” and sexy.

Pipes – ing11104

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Pipes and loose pipe tobacco are often advertised directly to men, and, indeed, are represented as highly masculinized and often genteel. Yello-bole pipes, for example, advertises for “The All-Male taste,” and Flying Dutchman pipe tobacco claims that their tobacco will allow men to “lead women around by the nose.” Further, one ad for Tuxedo tobacco implies that smoking a pipe is a pleasure offered only to men, while a famous actress sighs, “The fragrance of pipe tobacco makes me wish I were a man.”

Beyond the masculinity approach, many pipe ads focus on throat ease, since unlike cigarette smoke, pipe smoke cannot be inhaled due to its high alkalinity. Though these ads advertise health benefits for pipe smoking – Kaywoodie claims that “pipe smokers live longer” and the Medico pipe claims it “gives you pleasure and peace of mind” – pipe smoking is associated with higher incidences of oral cancers than cigarette smoking, and nicotine is absorbed in higher levels as well.

Blunts & Wraps – ing42580

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Blunts, which became popular in the 1800s, was named after the appearance of their “broad and rounded tip.” Originally manufactured in Philadelphia, the first blunt cigar was distinct from other cigars because it was rolled using only one leaf; other cigars were typically rolled with multiple leaves, and had characteristically “tapered and pointed tips.”

Over time, the term “blunt” has come to describe any cigar wrapped in a continuous wrap, whether or not it was using a whole leaf. Increasingly, blunts and blunt wraps have became popular with the “roll-your-own” crowd, spurring a host of different varieties in the industry; these included: platinum and double platinum layers, sweet and savory flavors (i.e. “Chicken and Waffle” by Royal Blunts, “Chocolate Chip Cookie Dough” by Juicy), colored and transparent paper, thin and thick wrappers, and artificial versus “natural leaf” materials (e.g. “Triple Master” by Blunt Master).

It is also apparent that blunt varieties have been targeted towards specific audiences, such as ice cream lovers and individuals who like convenience and portability. For instance, the brand Kings used common images of ice cream cones and their flavors (e.g. French Vanilla, Mint Chocolate Chip) to advertise their line of cigarillos; similarly, Royal Blunts advertised its “Baller’s Choice” perforated cigarillos for those who wanted to spend the least amount of effort rolling their own products.

1. History of Cigar Wraps. (2017). Rolling Paper Warehouse . Retrieved May 31, 2017, from https://www.rollingpaperwarehouse.com/HISTORY-OF-CIGAR-WRAPS_ep_54.html.

African American – img35564

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In 2013, of the 29.8% of African American adults who reported “current use” (i.e. smoking in the past month), 7.5% of African American adults reported use of cigars. In fact, while cigarette consumption in America is declining, snuff and cigar has increased, prompting researchers to specifically address concerns about youth perceptions and smoking behaviors particularly amongst minority populations.1

Historically, tobacco companies have targeted advertising and promotional activities in minority communities; census tracts with a higher proportion of African American families and individuals have significantly higher tobacco retailer density. Furthermore, researchers in recent years have found that illicit sales to minors are much more common in African American neighborhoods, and that stores in these neighborhoods are less likely to request age identification for the purchase of tobacco products; exterior advertising for little cigars and cigarillos are also higher in many of these neighborhoods.2

Advertisements in this theme feature prominent “the everyday Dad.” For instance, an ad for White Owl features a dad smoking his cigar and enjoying a book with his two children on either side of him. The ad’s slogan says , White Owl is, “the cigar that Daddy smokes!”Ads by El Producto include testimonials from everyday professionals on the natural mildness of the cigar.

1. Dauphinee, A, et al. (2013). “Racial differences in cigarette brand recognition and impact on youth smoking,” BMC Public Health, 13:170, Retrieved May 31, 2017 from https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3586353/

2. Rodriguez, D, et al. (2017). “Predictors of tobacco outlet density nationwide: a geographic analysis,” Tobacco Control, Retrieved May 31, 2017 from https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3431432/

3. Bach, L. (2017). Tobacco Company Marketing to African Americans .Campaign for Tobacco-Free Kids . Retrieved May 31, 2017, from https://www.tobaccofreekids.org/research/factsheets/pdf/0208.pdf.

4. Yerger V, Pearson C, Malone RE. (2001). When is a cigar not a cigar? African American youths' understanding of “cigar” use. American Journal of Public Health , 91: 316-7.

Children – img35588

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Children have played a huge role in tobacco advertising over the decades, and images of children fulfill multiple purposes for tobacco advertisers. Depictions of children with their mothers or fathers in cigarette advertisements reinforce the respectability of smoking as a part of normal family life.

In an advertisement for Dutch Masters Cigars, the image is a warm one of a cheerful boy happy in the embrace of his father. The text of the advertisement reads, “A son’s hug… a daughter’s kiss… what is so dear to a father’s heart as his family’s love.” For Father’s Day, Dutch Masters also had cigar packs with the image of a father and son printed on it. In another advertisement for Dutch Masters, the image is of a young boy playing in the backyard of his suburban home. On one hand he is carrying a toy truck, while the other hand is carrying a string of empty Dutch Master cartons. In the background, you see his younger sister on the swing.
In yet another ad by the cigar maker, this one Christmas theme, a dad is sitting around smoking his cigar while his children (boy and girl) are setting up a toy city. Empty Dutch Master boxes are used to build the homes and garages. The text of the advertisement notes, “As soon as dad hands over another empty Dutch Masters box, one more house will start to rise. And this is a building boom that dad’s happy to help along-because he finds consistent pleasure in a full box of Dutch Masters.”

The images of youngsters tends to send a reassuring message to consumers about the healthfulness of the product, representing purity, vibrancy, and life concepts which can be dangerous when tied to tobacco products. Use of children are an obvious ploy to attract females to smoking as part of the industry’s campaign to expand the pool of women smokers.

Sex Appeal – img35634

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The tobacco industry, including cigar companies, have for long used sex appeal to gain the attention of consumers.

In this section, you will see a lot of advertisements for Tiparillo cigars. The professional women in the advertisements (e.g., biologist, dentist, librarian etc) are presented as sexual objects. For instance, in the “Should a gentleman offer a Tiparillo to a violinist,” advertisement that appeared in Playboy magazine, the woman is seen intently gazing at the camera, with her silk shirt open and her cleavage exposed. The text that accompanies the advertisement is highly sexual in nature. A part of the advertisement reads, “Well, should you offer? After all, if she likes the offer, she might start to play. No strings attached.”

In another advertisement in the series, identical twins with pronounced cleavage are seen gazing at the camera. The green of their sweaters and the background is a subliminal nod to the menthol flavored Tiparillo. The open cigar pack with the phallic shaped cigar is pointed at the mouth of one of the twins. By portraying women in a sexual manner, the professionalism of the women is weakened and the women are nothing more than an object for male pleasure.

Although advertisements with sex appeal are primarily targeted at men, they also manipulate young women into believing that a certain brand of cigarette might make her sexier and more attractive to men.

Healthy Cigars – img38184

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In the first half of the 20th century, tobacco companies were forthright with their health claims, featuring doctors hawking cigarettes or cigars in many of their ads. Consumers who saw these ads were made to feel that they would be following the doctor s orders to achieve health or fitness if they were to smoke the cigarettes advertised. Today, these nefarious health claims in tobacco ads are no longer so obvious; now, often words like pleasure or alive are keywords which indicate healthfulness. Doctors are no longer represented hawking cigarettes in ads, but the past audacity of tobacco companies is just as relevant in modern times.

At the time when many of these ads were printed, the public was worried about throat irritation due to smoking, and tobacco companies hoped that support from physicians would ease general concern. The none-too-subtle message was that if the doctor, with all his expertise, recommended a brand, then it must be safe.

In this theme, brands depict doctors hawking tobacco products in order to present the brand as healthful rather than harmful. An ad for Girard cigars has the image of a physician with a cigar in his hand accompanied by the following text, “Yes, I am a doctor. And I advise the smokers among my patients to smoke Girard cigars. In fact, I smoke them myself!..” The ad continues that the tobacco in Girard is “free from ill effects on the heart, the nerves or the digestion.” An ad by Thompson’s Mell-o-well has a physician recommending the brand of cigars to “any who are interested in regaining or keeping physical fitness.” It is ironic that in the process, they all manage to reveal the negative potential of tobacco by providing the consumer with the concept of an unhealthy cigarette or cigar in the first place.

Sports – img38245

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The relationship between cigars and sports was first introduced to the public more than 25 years ago when a national sports magazine featured a variety of advertisements on sports-related cigar boxes drawn from the National Cigar History Museum collection.

Increasingly in the decades that followed, prominent athletes began making public claims that correlated positive sportsmanship and winning titles to smoking cigars and cigarettes. This attracted tobacco companies like Philies to market products including their “Miracle Mild” cigars for the full range of sports fanatics: young, old, major league stars, and college basketball players alike; examples of this can be found in numerous Phillies advertisements that playoff of the 1960’s baseball culture. One of their advertisements strategically position “Miracle Milds” alongside statistics showing the top batting scores of the National League, suggesting a correlation between the nation’s top players and their cigar product. Furthermore, Phillies prided itself on being “America’s No. 1” for “Year ‘Round Sports Programs,” riding on the backs of popular news channels to elevate their message (e.g. National Broadcasting Company – NBC).

 Cigar companies used celebrity endorsements to promote their products. Michael Jordan, arguably the biggest star in basketball history, was pictured with a cigar in hand on the cover of Sports Illustrated in 1993. Similarly, former NBA Coach Red Auerbach, the powerful figure who guided the Boston Celtics to a nine out of ten championship win between 1949 and 1966, practiced a very public habit of smoking a cigar after each winning game that this image eventually evolved into a symbol of victory in the history of sports. Brands such as Te-amo in the past invited their fans to celebrate athletes’ victories with even a special free cigar offer (i.e. Dana Quigley’s 2001 SBC Senior Open and Te-Amo Cabinet Selection Cigar.

More Doctors Smoke Camels – img0002

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One common technique used by the tobacco industry to reassure a worried public was to incorporate images of physicians in their ads. The none-too-subtle message was that if the doctor, with all of his expertise, chose to smoke a particular brand, then it must be safe. Unlike with celebrity and athlete endorsers, the doctors depicted were never specific individuals, because physicians who engaged in advertising would risk losing their license. (It was contrary to accepted medical ethics at the time for doctors to advertise.) Instead, the images always presented an idealized physician – wise, noble, and caring – who enthusiastically partook of the smoking habit. All of the “doctors” in these ads came out of central casting from among actors dressed up to look like doctors. Little protest was heard from the medical community or organized medicine, perhaps because the images showed the profession in a highly favorable light. This genre of ads regularly appeared in medical journals such as the Journal of the American Medical Association, an organization which for decades collaborated closely with the industry. The big push to document health hazards also did not arrive until later.

The ads in this particular theme are all from a single R. J. Reynolds campaign which ran from 1940 to 1949 and claimed that “More Doctors smoke Camels.” In the majority of these advertisements, the “More Doctors” campaign slogan was included alongside other popular Camel campaigns such as “T-Zone (‘T for Throat, T for Taste’),” “More people are smoking Camels than ever before,” and “Experience is the Best Teacher.” In this way, Camel was able to maintain consistency across its advertisements.

Within the “More Doctors” campaign, a story can be told through a series of advertisements. The story documents a young boy’s journey following in his father’s footsteps into the field of medicine. In the first ad of this series, an obstetrician tells his little boy, “Now Daddy has to go to another ‘birthday party,’ son” as he leaves his son’s party to deliver a baby. Next, a doctor tells his grown-up boy, “It’s all up to you, son,” as the young man decides whether or not to follow a career in medicine. Then, the young medical student, class of ’46, is joined by his father, class of ’06 during a lecture. Later, the young man is an “interne,” not quite on his own yet. Finally, he is seen opening up his very own private practice in the company of his adoring wife. This storyline, though not explicit, works to further portray the doctor as a family man and a determined, committed, self-sacrificing individual.

In an attempt to substantiate the “More Doctors” claim, R.J. Reynolds paid for surveys to be conducted during medical conventions using two survey methods: Doctors were gifted free packs of Camel cigarettes at tobacco company booths and them upon exiting the exhibit hall, were then immediately asked to indicate their favorite brand or were asked which cigarette they carried in their pocket.

20,679 Physicians – img0101

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As the “More Doctors Smoke Camels” campaign theme demonstrates, one common technique wielded by the tobacco industry to reassure a worried public was to incorporate images of physicians in their ads. The none-too-subtle message was that if the doctor, with all of his expertise, chose to smoke a particular brand, then it must be safe. Unlike with celebrity and athlete endorsers, the doctors depicted were never specific individuals, because physicians who engaged in advertising would risk losing their license. (It was contrary to accepted medical ethics at the time for doctors to advertise.) Instead, the images always presented an idealized physician – wise, noble, and caring – who enthusiastically partook of the smoking habit. All of the “doctors” in these ads came out of central casting and were simply actors dressed up to look like doctors. Little protest was heard from the medical community or organized medicine, perhaps because the images showed the profession in a highly favorable light. This genre of ads regularly appeared in medical journals such as the Journal of the American Medical Association, an organization which for decades collaborated closely with the industry. The big push to document health hazards also did not arrive until later.

Most notable in this theme are the “20,679 Physicians” advertisements, which ran from 1928 to 1932 and claimed that physicians found Lucky Strike cigarettes “less irritating.” The campaign began with a smaller number of physicians listed, as our ads demonstrate: An ad from 1927 claims that 9,651 doctors answered “yes” to an arbitrary survey question released by the American Tobacco Company regarding protection of the throat. Another ad from 1927 lists 11,105 physicians as supporters. These “exact” numbers made the claim appear more reliable. Also included in this theme are two contemporaneous Chesterfield ads from 1931, one of which depicts a doctor actually prescribing Chesterfield cigarettes to a patient. These Chesterfield ads present no survey data. However, they attempt to trick careless consumers who quickly scan the ad by listing the total number of pharmacists (110,108) and the total number of physicians (152,503) in the U.S.A. These numbers have nothing to do with Chesterfield cigarettes, but at a quick glance they appear to reflect the numbers of pharmacists or physicians in support of Chesterfield cigarettes.

Throat Doctors – img0111

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It was common in the late 1920s and early 1930s for tobacco companies to enlist “throat specialists” as endorsers of their products. The public was worried about throat irritation due to smoking, and tobacco companies hoped that support from physicians, especially otolaryngologists (ear, nose, and throat doctors) would ease general concern. The none-too-subtle message was that if the throat doctor, with all of his expertise, chose to smoke a particular brand or to recommended a particular brand, then it must be safe. Unlike with celebrity and athlete endorsers, the doctors depicted were never specific individuals, because physicians who engaged in advertising would risk losing their license. It was contrary to accepted medical ethics at the time for doctors to advertise, but that did not deter tobacco companies from hiring handsome talent, dressing them up to look like throat specialists, and printing their photographs alongside health claims or spurious doctor survey results. These images always presented an idealized physician – wise, noble, and caring. This genre of ads regularly appeared in medical journals such as the Journal of the American Medical Association, an organization which for decades collaborated closely with the industry. The big push to document health hazards also did not appear until later.

In this theme, otolaryngologists urge consumers to “give your throat a vacation” with Camels in 1931, and as late as 1950, the throat specialists are pictured examining a smoker for her “Camel 30-day mildness test.” In a 1930 advertisement, Robert Ripley, of “Ripley’s Believe it or Not” fame, performs a cigarette test on “a group of throat specialists” and digs up “certified proof” that they prefer Old Golds. From 1948 to 1952, a number of actors dressed as otolaryngologists, identified by the head mirror, recommend De-Nicotea filters for a “less irritating” smoke. Chesterfield jumps on the band wagon in 1952, and even Kool’s Willie the Penguin dresses up in otolaryngologist garb and poses in front of a diploma awarded to “Doctor Kool” in 1938. All of these brands used the specialized field of otolaryngology to present their cigarettes as healthful rather than harmful. It is ironic that they all manage to reveal the negative potential of cigarettes in the process by admitting, through their use of doctors and medical claims, that there are health concerns surrounding cigarettes to begin with.

Doctors Hawk Cigarettes – img0131

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In the first half of the 20th century, tobacco companies were forthright with their health claims, featuring doctors hawking cigarettes or cigars in many of their ads. Consumers who saw these ads were made to feel that they would be following the doctor’s orders to achieve health or fitness if they were to smoke the cigarettes advertised. Today, these nefarious health claims in tobacco ads are no longer so obvious; now, often words like “pleasure” or “alive” are keywords which indicate healthfulness. Doctors are no longer represented hawking cigarettes in ads, but the past audacity of tobacco companies is just as relevant in modern times.

At the time when many of these ads were printed, the public was worried about throat irritation due to smoking, and tobacco companies hoped that support from physicians would ease general concern. The none-too-subtle message was that if the throat doctor, with all of his expertise, recommended a particular brand, then it must be safe. Unlike with celebrity and athlete endorsers, the doctors depicted were almost never specific individuals, because physicians who engaged in advertising would risk losing their license. It was contrary to accepted medical ethics at the time for doctors to advertise, but that did not deter tobacco companies from hiring handsome talent, dressing them up to look like doctors, and printing their photographs alongside recommendations. These images always presented an idealized physician – wise, noble, and caring. This genre of ads regularly appeared in medical journals such as the Journal of the American Medical Association, an organization which for decades collaborated closely with the industry. The big push to document health hazards also did not appear until later.

In this theme, countless brands depict doctors hawking tobacco products in order to present the brand as healthful rather than harmful – An early Old Gold ad shows a doctor lighting a woman’s cigarette as a “prescription for pleasure” (1938), Viceroy depicts doctors recommending the Viceroy brand (1950, 1953), and countless depictions of doctors recommend Ricoro, Gerard, or other brands of cigars. It is ironic that in the process, they all manage to reveal the negative potential of tobacco by providing the consumer with the concept of an unhealthy cigarette or cigar in the first place.

Nurses – img0146

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Along with doctors and dentists, nurses presented yet another health professional that had the potential to reassure consumers worried about the ill health effects of smoking. The none-too-subtle message was that if the nurse, with all of her expertise and her dedication to helping patients, chose to smoke a particular brand of cigarettes or even recommended a particular brand, then it must be safe.

As women began taking up the habit of smoking during the early 20th century, so did nurses in large numbers. It is interesting to note, however, that whereas the number of doctors who smoked plummeted drastically in the 1950s and 1960s when conclusive data linked smoking to lung cancer, smoking remained common among nurses. To this day, smoking is more prevalent among nurses than doctors in the United States. The Nurses’ Health Study shows that 8.4% of nurses smoked in 2003, whereas comparable data from 2005 from the Association of Medical Colleges reveals that only 1% of doctors smoke (1).

1. “Nurses’ Health Study shows nurses smoke more than doctors.” Nursing Times. 26 Nov 2008. .

Dentist Recommends – img0162

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Along with doctors and nurses, dentists presented yet another health professional that had the potential to reassure consumers worried about the ill health effects of smoking. Whereas otolaryngologists (ear, nose, and throat doctors) could assure “mildness” for throats, the recommendation from a dentist might indicate fewer cosmetic mouth side effects for the advertised brands. The none-too-subtle message was that if the dentist, with all of his expertise in oral care, chose to smoke a particular brand or recommended a particular brand, then it must be safe. Dentists were seen as experts not only in suffering throats, but also in such side effects as yellowed teeth, bad breath, and oral cancer. Well-known early victims of oral cancer include Sigmund Freud (1856-1939), who developed cancer of the palate after years of smoking 20 cigars a day; U.S. President Ulysses S. Grant (1822-1885), who passed away from tongue cancer; and U.S. President Grover Cleveland (1837-1908), who suffered from cancer of the palate in 1893. Though President Cleveland successfully had the cancer surgically removed, he ultimately died of a heart attack 15 years later.

Hospitalized Patients – img6772

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Many tobacco ads featured injured, hospitalized patients receiving tobacco products which supposedly cured them, healed them, or provided them with relief. Though this association between cigarettes and healing was not always stated explicitly, it was always implied through thoughtful strategy. When a doctor or nurse provided the patient with the product, it was given even more of a medicinal connotation.

Guard Your Throat – img2629

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When the general public began to grow more concerned about the ill effects of smoking in the first half of the twentieth century, the tobacco industry worked intensively on its advertising copy in order to reassure smokers as to the healthfulness and safety of cigarettes. The audacity of the industry was such that industry powerhouses weren’t satisfied with simply denying health concerns. Instead, they actually claimed health benefits. Brand X, Y, or Z claimed its cigarettes were “good for the throat,” provided “extra protection,” or could be smoked as a “prevention” against throat illness. Across the board, tobacco brands touted these ludicrous, false health claims.

The primary health concerns presented in the advertisements in the first half of the twentieth century revolved around non-fatal conditions like coughing and throat irritation. This approach served to lessen any fear regarding serious health concerns by choosing to instead concentrate on the less frightening side effects of smoking. For these ads, Big Tobacco employed an advertising technique known as “problem-solution” advertising; the advertisement provides the problem (coughing due to smoking, for example), as well as the solution (smoke brand X). Of course, the “solution” is deceptive, and many companies were ordered by the Federal Trade Commission (FTC) to discontinue printing certain advertisements. However, it wasn’t until 1938 that the Federal Trade Commission (FTC) was officially granted the power to regulate advertising that was “unfair or deceptive” to consumers. Before that time, the FTC regulated advertisements insofar as they would harm competitors rather than consumers . The 1940s and 1950s saw great strides in regulation on health claims, but it also saw quick-witted tobacco companies able to alter a word here or there in order to avoid regulation. Tobacco companies claimed throat protection well into the 1950s.

Your Adam's Apple – img2672

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This series of Lucky Strikes ads ran from May to October of 1931 and featured images of beautiful female starlets. The celebrities reached for their throats while claiming that Lucky Strike “expels harsh irritants.” The ads urged consumers to “consider your Adam’s Apple!!” which indicates that though women endorse the product, the ads may be targeting men; however, the ad defines “Adam’s Apple” as the larynx, containing the vocal cords, which indicates that Lucky Strike may consider this appeal to target both genders. An arrow pointing to the woman’s throat claims that Luckies are “always kind to your throat.” Most ridiculously of all, the copy text claims that the “harsh irritants” in cigarettes are somehow miraculously removed during the toasting process; when the irritants are removed, Lucky Strike supposedly sells the irritants to “manufacturers of chemical compounds.”

Famous Voices – img2684

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In the 1920s, tobacco companies began enlisting hundreds of celebrities to endorse their products. In these advertisements, movie stars, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country. The 1920s and 1930s were the heyday of celebrity endorsement, with celebrities hawking everything from cigarettes to soap, from pantyhose to cars. However, it seems that no company was as prolific in its celebrity ad copy as Lucky Strike.

Famous voices – ranging from radio commentators and broadcast journalists to singers and actors – were vital components of celebrity testimonial campaigns for cigarette companies; the emphasis on healthy, clear voices in the singers’ line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous voice entrusted his source of revenue to a cigarette brand, then the brand must not be so bad! “If it’s good enough for Arthur Godfrey, it’s good enough for me,” a consumer might decide. It is ironic, of course, that these ads also worked to reveal the possible side effects of smoking by providing a problem (irritated throats, for example) and a solution (smoke our brand). Still, this “problem-solution” advertising was very popular at the time, and worked to position one brand as the exception to the problem rule or as the least problematic of all cigarette brands. It also worked to mask more serious health side effects by trivializing problems.

Stars were also used to attract a younger crowd. Stars were glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite. It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Singers & Performers – img2703

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In the 1920s, tobacco companies began enlisting hundreds of celebrities to endorse their products. In these advertisements, movie stars, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country. The 1920s and 1930s were the heyday of celebrity endorsement, with celebrities hawking everything from cigarettes to soap, from pantyhose to cars. However, it seems that no company was as prolific in its celebrity ad copy as Lucky Strike.

Singers were vital components of celebrity testimonial campaigns for cigarette companies; the emphasis on healthy, clear voices in the singers’ line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous singer entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! “If it’s good enough for Frank Sinatra, it’s good enough for me,” a consumer might decide. It is ironic, of course, that these ads also worked to reveal the possible side effects of smoking by providing a problem (irritated throats, for example) and a solution (smoke our brand.) Still, this “problem-solution” advertising was very popular at the time, and worked to position one brand as the exception to the problem rule or as the least problematic of all cigarette brands. It also served to trivialize health side effects of smoking, masking more serious side effects in the process.

Stars were also used to attract a younger crowd. Stars were glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite. It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Johnny Calls for Philip Morris – img2736

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Philip Morris’ famous spokesperson of over 40 years, Johnny Roventini (1910-1998), began his career as, reportedly, “the smallest bellhop ever.” Coming in at under 4 feet tall, Roventini resembled a child in stature, later gaining him and Philip Morris popularity among children and adults alike. While working as a bellhop, Roventini was approached by two Philip Morris marketing executives who heard his voice and knew he was an advertising gold mine. They asked for him to “call for Philip Morris” for one dollar. Johnny, unaware that Philip Morris was a cigarette brand, called out loudly for him. Immediately, the marketing executives saw the promise in Johnny, and enlisted him as the first ever living trademark in their new advertisement campaign. He later appeared on the TV show “I Love Lucy” alongside stars Lucille Ball and Desi Arnaz, both of whom endorsed Philip Morris in 1959.

Throughout his career as spokesperson, “Little Johnny” made appearances at countless events, ranging from supermarket grand openings to public school fairs. He booked so many events in his first year touring that Philip Morris was forced to hire more actors to play the part of Johnny. There are rumored to have been at least ten Johnny Juniors who helped facilitate Johnny’s public appearances; however, Philip Morris kept quiet about these actors, preferring everyone to believe there was only one Johnny. The most well-known Johnny Junior was Albert Altieri (1916-2002), a 3-foot-7 inch bellhop. He was hired 2 years after Roventini at the age of 19. When Altieri passed away from a heart attack at the age of 86, CNN printed his obituary which read, “The second half of a duo famous in American advertising for yelling ‘Call for Philip Morris’ has died.” It appears that Philip Morris was successful in keeping quiet the existence of the other Juniors. Two of the other Johnny Juniors mentioned in the UCSF Tobacco Legacy Archives include Leon Polinsky and Buddy Douglas.

Throat Scratch – img2775

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In the 1950s, like many cigarette brands, Pall Mall released a campaign intended to ease public concern over the health risks of smoking. This extensive campaign, released in newspapers in June of 1949 and later in magazines, ran until 1954. Its ads featured the slogan “Guard Against Throat Scratch” and advertised a “smooth” cigarette which “filters the smoke and makes it mild.” The term “mild” was a code word meant to indicate a “healthier” cigarette (“mild” was seen as the opposite of “harsh”). The simplicity of these ads, printed in black, red, and white, not only saved Pall Mall on printing charges, but also provided the ads with an authoritative command; they have no frills and appear very straightforward. Additionally, the hues provided a spotlight for the red Pall Mall package. The meaningless diagram included in the advertisement, “The Puff Chart,” compares the longer Pall Mall cigarette to a leading regular-length cigarette. The Puff Chart was meant to be a “scientific” diagram that claimed that the longer length of the Pall Mall cigarette allowed Pall Mall to filter out more smoke. In 1950, the Federal Trade Commission (FTC) began cracking down on the false health claims in cigarette advertising, issuing cease-and-desist orders for many cigarette advertisement campaigns. As of 1950, it was investigating Pall Mall’s “Throat Scratch” campaign; at the time, the FTC investigators had decided that king-size cigarettes, like Pall Mall, contained “more tobacco and therefore more harmful substances” than are found in an ordinary cigarette. “Throat Scratch” disappeared in 1954, along with many other brands’ health tactics. Many scholars attribute the cessation of false health claims in cigarette advertising to be a direct result of a collusion among tobacco companies, rather than resultant of FTC mandate, though the FTC did release a draft of its Cigarette Advertising Guide in 1954 (1).

1. Solow, John. “Exorcising the Ghost of Cigarette Advertising Past: Collusion, Regulation, and Fear Advertising.” Journal of Macromarketing. 2001. 21:135.

T-Zone – img2905

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From 1943 to 1952, the R.J. Reynolds Tobacco Company ran a series of advertisements for Camel cigarettes which encouraged consumers to try Camels for great taste and throat comfort. These untruthful claims presented Camels as the most healthful cigarette while admitting that most cigarettes would cause throat irritation – just not Camels! This assertion was outright deceptive. They dubbed the inhaling area the “T-Zone.” Their slogan? “T for Taste, T for Throat. Camels will suit you to a ‘T.’” The majority of the T-Zone ads include an image of a beautiful, young woman (sometimes a man) smiling a white-toothed grin (as opposed to the yellow teeth which result from smoking), with a block-letter “T” traced over her mouth and throat area. The ”T-Zone” campaign was often combined with the “More Doctors Smoke Camels” campaign and the “30-day taste test” campaign, a trifecta of manipulative ad techniques.

Why be Irritated? – img2927

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From 1945 to 1946, Old Gold ran a humorous ad campaign featuring the slogan, “Why be Irritated? Light an Old Gold!” The ads depicted an irritating situation of everyday life as a metaphor for throat irritation; Both, according to the ad, could be relieved by smoking an Old Gold. In a pamphlet entitled “The Lorillard Story,” handed out to all P. Lorillard employees in 1947, the author explains that this campaign was designed to “keep many a disgruntled and disappointed smoker in good humor” during the wartime shortage on cigarettes, while also keeping “the product name before the public” (1).

The ads in this campaign tout apple “honey” as the humectant (the agent used to keep the tobacco leaves from drying out) for Old Gold’s tobacco. Apple honey – reportedly discovered through a partnership between Old Gold and the U.S. Department of Agriculture in 1943 – was Old Gold’s solution to overcoming the wartime shortage of humidifying agents. Of course, the use of apple honey also allowed for the consumer to make the subconscious leap to Old Golds being “honey for the throat.” This effect, coupled with the slogan, “Why be Irritated?” contributed to Old Gold’s ability to present its brand as healthful without directly making false health claims.

1. Fox, Maxwell. The Lorillard Story. 1947:49

Not a Cough in a Carload – img2959

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When P. Lorillard first introduced the Old Gold brand in 1926, the company advertised the brand under the slogan “Not a Cough in a Carload.” Our collection of Old Gold ads runs the “Not a Cough in a Carload” slogan in some capacity up until 1934. The slogan contends that in every train car full of Old Gold tobacco leaves (in every “carload”), not one cough could be found. Of course, the slogan can also be interpreted that in a carload of people – each smoking Old Golds – not a single person would be coughing. Either way, the ambiguous slogan undoubtedly served to reassure a worried public as to the healthfulness and safety of cigarettes, and in particular the healthfulness and safety of the Old Gold brand. This advertising technique is known as “problem-solution” advertising; it provides the problem (coughing due to smoking) and the solution (smoke Old Golds). Of course, the “solution” is deceptive. No cigarette is healthful, and no cigarette reduces throat irritation or coughing. False health claims such as this abound in tobacco advertisements throughout the decades, but “Not a Cough in a Carload” was one of the most pervasive.

Despite being one of the most recognizable advertisement slogans in the nation at the time, the “Not a Cough in a Carload” slogan was often intermingled with other themes, ranging from “They Gave a New Thrill” to “Old Gold Weather” in an attempt to provide consistency among ads. Many of the “Not a Cough in a Carload” advertisements include celebrity testimonials or take the form of cartoons. The comics included at the end of this theme collection were all illustrated by Clare Briggs between 1927 and 1928. The comics were already well-known in American culture, and when they began to be used toward cigarette advertising, they were a huge success for Old Gold, appearing in approximately 1,500 American newspapers nationwide. Briggs’ popularity within Lorillard was so vast that the company named another of its brands in honor of the illustrator: Briggs Smoking Tobacco.

Print – img36882

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JUUL has minimally used traditional channels used by tobacco advertisers such a magazines, newspapers, billboards, radio, and television. In 2015, JUUL chose a single magazine to launch their advertising campaign. It was VICE magazine, a glossy pop culture focused publication which markets itself to advertisers as “#1 youth media company.” Contrary to their stated purpose, JUUL chose VICE to launch its initial campaign to fulfill its mission of reaching “adult smokers.” The full page advertisements on the inside of the cover page were colorful and showed 20-something models in playful poses. Beginning in late summer of 2018 JUUL began to run full page newspaper advertisements on the switch theme.

Do you inhale? – img1314

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To inhale or not to inhale? Is that the question? The ads in this theme certainly imply it is, but in an era when most adults smoked, those who didn’t inhale from their cigarettes were often ridiculed as “sissies.” According to Lucky Strike’s 1931 ad campaign, “every smoker inhales— knowingly or unknowingly.” With this claim, Lucky does not mean to insist that smokers should quit; Rather, Lucky claims that its cigarettes are the only brand safe enough to inhale. Additionally, Lucky explains that the “purifying [toasting] process removes certain impurities” so as to “safeguard those delicate membranes!” While this Lucky Strike ad campaign was short-lived, lasting only one year from 1931 to 1932, it strongly influenced the cigarette industry.

Ten years later, in 1942, Philip Morris followed in Lucky’s footsteps. Using their beloved spokesperson, Little Johnny, Philip Morris printed ads with a variation on the “Do You Inhale” theme, featuring slogans ranging from “You can’t help but inhale” to “Inhale? Sure, all smokers do!” Some of the Philip Morris print advertisements and television commercials of the era went as far as to borrow the exact phrase used by Lucky Strike a decade earlier: “Do you inhale?” The inhalation theme would continue in Lorillard’s 1949 ad campaign for Embassy cigarettes, which touted a “milder smoke” that allowed smokers to “inhale to your heart’s content!”

It was untrue that either Lucky Strike or Philip Morris was “safe” to inhale, but both brands were right about one thing: the tobacco contained in American cigarettes is easily drawn into the lungs. The tobacco smoke in cigarettes has a relative low alkalinity (with a pH of about 5.3) compared to the high alkalinity of pipes and cigars (with a pH of about 8.5). The higher the smoke’s alkalinity, the more difficult it is for a smoker to inhale – the smoke becomes too irritating, and the lungs are unable to accept the smoke at all. With cigarettes, smokers are able to inhale the harmful smoke, which is still irritating, and absorb the carcinogens and nicotine at a higher level. Many of today’s proponents of anti-cigarette litigation call for alkalinity levels in cigarettes to be raised in order to lessen the amount of irritants inhaled.

To Your Heart's Content – img1339

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In 1949, on the heels of Lucky Strike’s 1931 ad campaign, “Do You Inhale?” and Philip Morris’ 1942 campaign, “Inhale? Sure, all smokers do,” P. Lorillard released a campaign for Embassy urging smokers to “Inhale [Embassy] to your heart’s content!” Lorillard claimed that Embassy’s extra length provides “extra protection.” The faulty concept was that because the cigarette was longer, it was able to better filter out toxins, since it took more time for the smoke to reach the smoker’s throat due to the long length through which it had to travel. In 1950, the Federal Trade Commission (FTC) investigators had decided that king-size cigarettes, like Embassy, contained “more tobacco and therefore more harmful substances” than are found in an ordinary cigarette.

Lorillard’s particular choice of cliché, “to your heart’s content,” was misleading at best . The phrase was meant to impart a sense of happiness and healthfulness. Of course, inhaling would not have made anyone’s heart content; Instead, smoking has been recognized as a major cause of coronary artery disease, responsible for an estimated 20% of deaths from heart disease in the United States. Most ironically in the context of this advertisement campaign, a smokers’ risk of developing heart disease is thought to greatly increase as his or her cigarette intake increases.

For Digestion Sake – img1349

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From 1936-1937, and then occasionally in 1938 and in 1939, Camel ran the “For your digestion’s sake, smoke Camels” campaign, which insisted that Camels helped speed digestion by increasing alkalinity – perhaps the strangest health claim in all of tobacco advertising history. The digestion advertisements employed an array of techniques, ranging from celebrity and athlete testimonial to youth appeal through a claim to “modernity.” Claims like “They never get on your nerves” and “They are gentle on your throat” implied that other cigarettes produced these negative side effects, but that Camels were different. Camel claimed to have based its digestion “facts” on studies conducted by Dr. A.L. Winsor of the Graduate School of Education at Cornell University. By 1951, the Federal Trade Commission (FTC) issued a cease-and-desist order prohibiting R.J. Reynolds from portraying Camels as aiding “digestion in any respect” (1). In the same FTC report, the FTC ruled that “smoking cannot be considered under any circumstances as beneficial to any of the bodily systems.” Considering that the digestion advertisements hadn’t run for over a decade, the FTC mandate might be seen as too little too late.

1. R.J. Reynolds Tobacco Co. v. FTC, 192 F.2d 535 7th Cir. 1951