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Stanford Research into the Impact of Tobacco Advertising

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Alternative – img25520

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Electronic Cigarette (eCig) companies are aware that the desire to cut down or quit tobacco smoking motivates a large fraction of their customers. As a cessation tool, eCigs appear to be marginally better than patches and other quitting methods, but still have limited effectiveness of less than 10%.1 A recent Lancet study found that 7.3% of tobacco users quit smoking on eCigs compared with 5.8% with nicotine patches. 2A cross sectional population study also showed superiority of eCigs over other forms of nicotine replacement. By contrast, a study from UCSF study showed no cessation effectiveness for eCigs.3

The FDA does not permit eCig companies to market their products as a smoking cessation device until the product is proven as “safe and effective,” much like nicotine patches that make such therapeutic claims. Nevertheless, eCig brands falsely advertise as smoking cessation aids. An eCig vapor juice company marketed from China even falsely bears the FDA label.

Companies skirt the edges of these limits with slogans that are proxies for quitting such as “smoking alternative,” “switch,” “change,” “it works!”, “kiss tobacco goodbye,” and “kick some ash.” A number of brand names imply that eCigs are an alternative to combustible tobacco product. Examples range from the more direct AlternaCig and AltStick to the less obvious Smokeless Image, which suggests that it is a smokeless replica of a traditional cigarette.

Some eCig companies also use slogans that emphasize the their product is a “healthier” alternative to smoking. Smoke Stik, which brands itself as an “alternative to smoking” advertises itself as a “clean alternative to traditional cigarette smoking.” eCig Wizard suggests its an alternative by using the slogan, “fresh start.”

It must be brought to people’s notice that eCig company claims of being “healthy”, “safe” or an “effective cessation tool” are disingenuous and have not been proved by scientific rigor. Deeming regulations proposed by the FDA in the early part of 2014 will regulate overt and implied claims made by eCig companies “reduced risk” of their product. Unfortunately, it is expected that eCig companies much like tobacco companies have for over a century will find new and creative ways to circumvent these regulations and continue to market their product as healthy and safe.

1. Bullen C, Howe C, Laugesen M, et al. Electronic cigarettes for smoking cessation: A randomised controlled trial. Lancet. 2013;382(9905):1629-37. PMID:24029165

2. Brown J, Beard E, Kotz D, Michie S, West R. Real-world effectiveness of e-cigarettes when used to aid smoking cessation: a cross-sectional population study. Addiction. 2014. PMID: 24846453

3. Grana RA, Popova L, Ling PM. A longitudinal analysis of electronic cigarette use and smoking cessation. JAMA Intern Med. 2014;174(5):812-3. PMID:24664434

Light, Mild & Fresh – img18343

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Much like tobacco companies in the past electronic cigarette (e-cig) companies are using descriptors such as “light,” “mild” and “fresh” to reassure smokers concerned about the health risks of smoking that the electronic device is a healthy and safe alternative. This was a marketing strategy successfully employed by the tobacco companies from the 1950s till 2010 (when a law prohibited the use of light, mild, low descriptors) to prevent tobacco cessation.

Although scientific studies have demonstrated no health benefit in switching to low-tar cigarettes (e.g., light, low, mild cigarettes) many smokers continue to believe that these products are better for their health. However, what most smokers do not realize is that they change they subconsciously change their smoking behavior in order to get the same “target” nicotine level. 1 Other studies show that use of low-tar cigarettes actually delays cessation efforts. 2

Examples of e-cig companies that use reassuring descriptors and brand names include E-Lites, Go-Lites, Vapourlites, EZlite and mild e-vaporizer. In addition to these reassuring brand names, e-cig companies also use visual images containing symbols of health, pleasure and social desirability to promote the image of the electronic device being a healthy and safe alternative to smoking. For instance, an ad for E-Lites is of the image of a fit man climbing a mountain. The tagline accompanying the ad is “ Self Belief. It’s powerful and in the right hands it can lead to amazing things.” An another ad for the company is of a person jumping off a steep cliff. The accompanying text reads, “Self Belief. It’s a powerful thing. You need it to climb Mount Kilimanjaro….. You need it to try something revolutionary. Like switching from tobacco to E-lites.

In addition to words and positive images, pack colors have also been shown to communicate concepts of freshness, and lightness to consumers with white, silver or light blue on cigarette packs signifying a lighter and, therefore, safer cigarettes.3 Many e-cig companies including Go-Lites and Fresh smoke employ blue and white packs respectively.

1. Shopland D R, Burns D M, Benowitz N L, Amacher R H. eds. Risks associated with smoking cigarettes with low machine‐measured yields of tar and nicotine (Smoking and Health Monograph 13). Bethesda, MD: National Cancer Institute, 2001.
2. Tindle H A, Rigotti N A, Davis R B. et al Cessation among smokers of “light” cigarettes: results from the 2000 national health interview survey. Am J Public Health 2006. 961498–1504.1504
3. 24. Wakefield M, Morley C, Horan J K. et al The cigarette pack as image: new evidence from tobacco industry documents. Tob Control 2002. 11(Suppl 1)I73–I80.I80

No Toxins – img18398

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E-cig companies frequently use positive imagery and slogans that shift the attention away from the negatives of smoking. All the ads under this theme promote the benefits of vaping an e-cigarette (e-cig) including claims of no toxins in the exhaled vapor.

An ad for Nicocure promotes the product as “smoking without the side effects.” An ad for e_Health cigarettes promotes a list of positives of vaping an e-cig including, “No Burning. No Tar. No Cancerous Substances. No Ashtrays. No Horrible Smells, No Air Pollution.” An for Tru Smoke e-cigs asks consumers to “enjoy the look, feel and pleasure of smoking without the harmful effects of tobacco.”

Brand names take on a pre-eminent role in communicating to potential consumers something of value about a company. As is the case with the majority of products on the market, many brands of e-cigarettes (e-cigs) are named in order to send particular messages to consumers. Examples of this include Tru Smoke, Clean Smoke, AiR and Clearette. All these brands communicate to potential smokers that they are a healthful and intelligent choice.

Pure & Clean – img18401

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Brand names take on a pre-eminent role in communicating to potential consumers something of value about a company. As is the case with the majority of products on the market, many brands of e-cigarettes (e-cigs) are named in order to send particular messages to consumers.

Many brands of e-cig companies use variations of the word “Pure” in their ad brand names (e.g. Pure, Pure Smoke, Clean Smoke, Purity, and Puro). The choice of the brand names also extends to these companies' efforts to ease any health concerns of worried smokers. In this case it is clear that the brand name is intended to convey to potential users that the product is pure and therefore healthy and safe to use.

The color palette of the e-cig box as well as the ad is also used to communicate a message to consumers. Consumer perception studies have shown that consumers understand lighter colors such as white, silver or light blue on cigarette packs to signify safer cigarettes. Similarly, the blue color palette is often used to signify freshness and purity.

E-cig companies frequently use positive imagery and slogans that shift the attention away from the negatives of smoking. For example, an ad for Pure Smokeless contains the image of a wave of water accompanied by the following text, “smooth tasting vapor cigarettes.” The ad is intended to convey to consumers that the product is as safe as water. By advertising their product as “pure” and “containing no additives,” these brands are positioning themselves as a “healthy” alternative.

Reassuring Names – img18495

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Brand names take on a pre-eminent role in communicating to potential consumers something of value about a company. As is the case with the majority of products on the market, many brands of e-cigarettes (e-cigs) are named in order to send particular messages to consumers.

Many brands of e-cig companies use variations of the word “smart” in their ad brand names (e.g. Tru, intellicig, smart e-cigarette, Pure, and Pure Smokeless). The choice of the brand names also extends to tobacco companies' efforts to ease the health concerns of worried smokers. This includes using names that promote the purity of the product as well as applauding the intelligence of the consumer for choosing the digital product over a conventional combustible cigarette.

E-cig companies frequently also use positive imagery and slogans that shift the attention away from the negatives of smoking- the implied message is that you would be smarter/more intelligent to use an e-cig that a convention cigarette. Thus an ad for Veppo has the image of Albert Einstein accompanied by the following text, “Weak People Smoke. Strong people Smoke Less. Intelligent People Vape.” An ad for Vaposs e-cig has the image of a money smoking a combustible cigarette and a macho man smoking a cigarette. An ad for Pure Smokeless contains the image of a wave of water accompanied by the following text, “smooth tasting vapor cigarettes.” The brand names and messages are intended to convey to consumers that they can depend and trust the brand.

Smarter – img24481

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Brand names take on a pre-eminent role in communicating to potential consumers something of value about a company. As is the case with the majority of products on the market, many brands of e-cigarettes (e-cigs) are named in order to send particular messages to consumers.

Many brands of e-cig companies use variations of the word “smart” in their ad brand names (e.g. intellicig, smart e-cigarette, Kanger e-smart). The choice of the brand names also extends to tobacco companies' efforts to ease the concerns of worried smokers In this case it is clear that the brand name is intended to convey to potential users that they are smart/smarter for picking the digital product over conventional cigarettes.

E-cig companies frequently also use positive imagery and slogans that shift the attention away from the negatives of smoking- the implied message is that you would be smarter/more intelligent to use an e-cig that a convention cigarette. Thus an ad for Veppo has the image of Albert Einstein accompanied by the following text, “Weak People Smoke. Strong people Smoke Less. Intelligent People Vape.” Visual images containing symbols of health, pleasure and social desirability also convey images of a healthful product. An ad for Vaposs e-cig has the image of a money smoking a combustible cigarette and a macho man smoking a cigarette. The brand names and messages are intended to convey to consumers that they can depend and trust the brand.

Berries – img17678

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The e-Cigarette (e-cig) industry zealously claims to target only adults and established smokers. As much as e-cig companies deny it, the plethora of vape juices in alcoholic or sweetened flavors and sugary names serve to make these products appealing to children and teenagers who are curious to experiment with tobacco products and are taken in by false notions of the “safe nature” of e-cigs.

E-cigs and ejuice are available in a number of fruit flavors including banana, watermelon, pineapple, and grape. In addition to these flavors, many ejuices are available in exotic flavors such as passion fruit, mango and lychee as well as in a cocktail of fruit flavors. The fruit flavored additives in the vape juice help mask the bitterness of tobacco and the nicotine serves to addict teens. Advertisements for fruit flavored e-cigs and ejuices include bright backgrounds that seek to draw all the attention to the fruits. Images of fruits slicing through water much helps convey a sense of freshness and purity to the product. If not for the brand name or the image of ejuice bottle by the side of the fruit, it would be easy to mistake many of the ads under this theme for ads by the food industry.

Flavored cigarettes and flavored tobacco have long been held to be gateway product for children and teens. There is now growing concern that the use of flavored e-cigs by youth could lead to them experimenting with regular cigarettes. A recent study from the Centers for Disease Control and Prevention reported that rates of e-cig use among U.S. youth more than doubled from 2011 to 2012, with 10 percent of high school students admitting to having used e-cigs. Almost 76% of youth who had tried an e-cig had also tried a regular cigarette. Altogether, in 2012 more than 1.78 million middle and high school students nationwide had tried e-cigs1.

With the Federal Drug Administration proposing not to ban flavors in e-cigs, advocates fear that flavored e-cigs will serve to entice a new generation of kids to become addicted to nicotine based products. Some public health advocates are calling flavored e-cigs and vape juices the “Trojan horse” of nicotine addiction.

1. Centers for Disease Control and Prevention (2013). E-cigarette use more than doubles among U.S. middle and high school students from 2011-2012. Retrieved from http://www.cdc.gov/media/releases/2013/p0905-e-cigarette-use.html

Spices & Nuts – img17704

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E-cigs and vapor liquids are available in a number of appealing flavors including spice and nut flavors. The flavored additives in the vape juice help mask the bitterness of tobacco and the nicotine serves to addict teens.

The most commonly advertised spices in e-cig ads include clove, cinnamon, pumpkin spice, and gingseng. Vapor juices are also available in almond, pecan, and hazelnut flavors. Many of the ads seem to be photostock images of spices and nuts to which the image of a bottle of vapor juice has been added. The flavors promoted also include some sweet dessert flavors. For instance, Kali’s Coconut Burfi, which combines coconuts, cardamom and cinnamon, is an extremely popular dessert in India that is often made during the festival season. Similarly, Rama’s Ras Malai, a combination of rose petals, almond and milk, is a very popular dessert in India.

Flavored cigarettes and flavored tobacco have long been held to be gateway products for children and teens. There is now a growing concern that the use of flavored e-cigs by youth could lead to them experimenting with regular cigarettes. A recent study from the Centers for Disease Control and Prevention reported that rates of e-cig use among U.S. youth more than doubled from 2011 to 2012, with 10 percent of high school students admitting to having used e-cigs. Almost 76% of youth who had tried an e-cig had also tried a regular cigarette. Altogether, in 2012 more than 1.78 million middle and high school students nationwide had tried e-cigs1. The widespread use of flavored e-cigs by teens have some public health advocates calling it the “Trojan horse” of nicotine addiction.

With the Federal Drug Administration opting not to ban flavors in e-cigs, advocates fear that flavored e-cigs will serve to entice a new generation of kids to become addicted to nicotine based products.

1. Centers for Disease Control and Prevention (2013). E-cigarette use more than doubles among U.S. middle and high school students from 2011-2012. Retrieved from http://www.cdc.gov/media/releases/2013/p0905-ecigarette-use.html

Meat & Pizza – img18277

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A patently obvious device used by e-cigarette (e-cig) companies to attract teens is the promotion of youth-oriented flavors. In its flavored product lines, e-cig manufacturers have far exceeded the flavorings used by the combustible tobacco industry. Almost every flavor addictive available in the market is available as a vapor juice including pizza, bacon and meat.

Flavored cigarettes and flavored tobacco have long been held to be gateway products for children and teens. There is now a growing concern that the use of flavored e-cigs by youth could lead to them experimenting with regular cigarettes. In a recent study, researchers at UCSF who analyzed data from the 2011 and 2012 National Youth Tobacco Survey found that adolescents who used e-cigs were more likely to smoke cigarettes and less likely to quit smoking1. In another study by the Centers for Disease Control and Prevention found rates of e-cig use among U.S. youth more than doubled from 2011 to 2012, with 10 percent of high school students admitting to having used e-cigs. Almost 76% of youth who had tried an e-cig had also tried a regular cigarette. Altogether, in 2012 more than 1.78 million middle and high school students nationwide had tried e-cigs2. The use of flavored e-cigs by teens seems so widespread that some public health advocates are calling it the “Trojan horse” of nicotine addiction.

With the Federal Drug Administration opting not to ban flavors in e-cigs, advocates fear that flavored e-cigs will serve to entice a new generation of kids to become addicted to nicotine based products.

1. UCSF: E-cigarettes: Gateway to Nicotine Addiction for U.S. Teens, Says UCSF Study. Available at https://www.ucsf.edu/news/2014/03/112316/e-cigarettes-gateway-nicotine-addiction-us-teens-says-ucsf-study

2. Centers for Disease Control and Prevention (2013). E-cigarette use more than doubles among U.S. middle and high school students from 2011-2012. Retrieved from http://www.cdc.gov/media/releases/2013/p0905-ecigarette-use.html

Tobacco – img24487

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In its flavored product lines, e-cig manufacturers have far exceeded the flavorings used by the combustible tobacco industry. Almost every flavor addictive available in the market is available as a vapor juice. With many e-cig manufacturers allowing consumers to pick and mix their own flavorings, the possibilities are almost endless.

e-cigs and vapor juices are available in a number of flavors including tobacco flavor. Wanting to borrow from the prestige of well-established combustible tobacco brands such as Marlboro and Camel, a number of e-cig companies offer Camel and Marlboro flavored vapor juices. In addition to naming their vapor juices after these established brands, the advertising of these products also imitates the original brand ads. These tobacco flavored vapor juices also make for an easier transition for committed, brand loyal, smokers who are looking to vape.

Flavored cigarettes and flavored tobacco have long been held to be gateway products for children and teens. There is now a growing concern that the use of flavored e-cigs by youth could lead to them experimenting with regular cigarettes. A recent study from the Centers for Disease Control and Prevention reported that rates of e-cig use among U.S. youth more than doubled from 2011 to 2012, with 10 percent of high school students admitting to having used e-cigs. Almost 76% of youth who had tried an e-cig had also tried a regular cigarette. Altogether, in 2012 more than 1.78 million middle and high school students nationwide had tried e-cigs1. The use of flavored e-cigs by teens seems so widespread that some public health advocates are calling it the “Trojan horse” of nicotine addiction.

1. Centers for Disease Control and Prevention (2013). E-cigarette use more than doubles among U.S. middle and high school students from 2011-2012. Retrieved from http://www.cdc.gov/media/releases/2013/p0905-ecigarette-use.html

Socializing – img24515

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As the dangers of smoking become too hard to ignore and the manipulative ways of the tobacco industry come to light, electronic cigarettes (e-cigs), which contain no tobacco and produce no second hand smoke, are on the verge of becoming the new norm. They are being positioned as the best, socially acceptable, smoking alternative for someone addicted to nicotine.

To promote the social acceptability of e-cigs, advertisements under this theme allude to the freedom to vape an e-cig anywhere without guilt or fear of health consequences. A Veppo Social ad shows two couples having a good time at a club with their e-cig. Veppo e-cig claims its product helps keep the consumer “ in the conversation, inside and in the moment.” An ad for Fin has an image of empty bar stools at a diner with the caption “Welcome Back.” The ad is a clear call to smokers that it is acceptable to vape an e-cig indoors. An ad for Blu vapor lounge shows a number of teens having fun at a Blu sponsored musical event. Some e-cig retailers have even created green “e-cig smoking” okay signs to be displayed in public areas and indoor spaces to indicate to consumers that it is acceptable to vape in that particular area.

Some of the ads under this theme also have images of consumers vaping in front of young children. For instance an ad for Regal e-cigs shows a father with a beer in one hand and an e-cig in another toasting his son during a family brunch. The text of the ad reads, “Find out how James can Smoke Anywhere. Learn More.” An ad for Flavor Vapes, which is inspired by Mad Men and the style of the 1960s, has a woman blowing e-cig vapor into a baby carriage and an ad for Eversmoke contains the image of a woman vaping in front of two young children. The headline of the ad reads, “The Better Smoking Choice. Keep Yourself and Family Healthy.” The images of individuals vaping in front of young children is intended to send a clear signal to consumers about the “guilt-free” nature of the product as well as showcase the absence of second hand smoke with its attendant ill effects. The use of children in e-cig ads is also not surprising. In the 1940s, it was a common ploy used by the cigarette industry to reaffirm the respectability of the product and send a reassuring message to consumers. This time too, it is no different.

For young non-smokers as well as social smokers, e-cigs are also positioned as socially attractive devices. Blu e-cigs recently launched a “smart pack” that alerts users of Blu to others users of the e-cig within 50 meters. The reusable packs, which serve as a charger for the cigarettes, can be set to exchange information about their owners, like contact information on social networking sites, that can be downloaded onto personal computers. The e-cig pack is a new age way to promote social smoking in an era of social networking.

Valentine's Day – img22712

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The electronic cigarette (e-cig) industry has taken every opportunity to associate itself with holidays and cultural symbols, which bring to mind happy times and celebration. Cherished patriotic and cultural icons can be found in a number of e-cig ads. Among the innumerable examples are George Washington, Mt. Rushmore, British royalty, the US flag, the Statue of Liberty, soldiers, astronauts, Santa Claus, and even the beloved family pet.

Events such as Valentine’s Day, Mother’s and Father’s Day, Cinco de Mayo, Thanksgiving, and Christmas are all promoted through discounts and contests. An ad by Green Smoke for Valentine’s Day has an e-cig positioned behind chocolate dipped strawberries. The slogan for the ad reads, “Give your Lover The Valentine’s Day Gift of a Lifetime.” Many ads celebrating Father’s Day and Mother’s Day contain messages of the healthfulness of the product and seek to encourage users to switch from traditional cigarettes to the electronic device. An NJOY ad, timed for Father's Day, contains the image of a father and son sitting beside each other on a paddleboat. The text of the ad read “some traditions shouldn't be passed down. Switch today.”

Our collection also includes several advertisements of Santa Claus enjoying an e-cig. E-cigs have also been displayed as stocking stuffers, Christmas ornaments, and as reindeers.

Digital Names – img19530

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A strong brand name is invaluable in marketing a product and creating trust among the intended target audience. Most brands carefully choose brand names and logos that speak to their strength, as well as provide the company a competitive edge.

Many electronic Cigarette (e-cig) manufacturers have digital names not only to differentiate themselves from combustible cigarette products but to serve as a reminder that they are less harmful and more sophisticated technology. By marketing e-cig as the hot new gadget with innovative technology, e-cig companies have a strategy that goes beyond the usual freedom and health claim. This sub-theme of e-cig commercials is focused on e-cig companies using high-tech/digital culture as inspiration in naming their products and companies in order to reach this market and use this marketing angle. For instance, the e-cig brand name “Tesla” subliminally communicates the message that like the environmentally friendly, “zero emission car,” the vapor from the Tesla e-cig is safe. The brand names DigiCig, Magnum Volt and Innovapetion are a reminder individuals of the high-tech nature of the e-cig and the innovativeness of the product. Some of these attempts to imitate the tech industry are more obvious, such as the iSmok electronic cigarette, a product/company name clearly intended to evoke the popular Apple products. Another blatant example is an accessory named the “Tesla” sold by the company iVape (which, in itself, is another imitation of the “i” Apple product line). There are many “2.0” references, with “Smoking 2.0” a common motif amongst these product/company names, as they intend to evoke an advancement, or an innovation, in order to position their e-cig as that advancement. The brand names are supported by advertising images of e-cigs with variable voltage batteries, chargers and blue-tooth compatibility.

Connected eCigs – img19668

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In a nation increasingly absorbed in its gadgets, more and more communications is taking place through technology than in-person. Especially for adolescents, a large fraction of their life is played out through social media channel. Since smoking is often described as a social activity; an excuse to spend a break with coworkers, a chance to grab some “fresh air” with friends, or a reason to strike up a conversation with that cute stranger outside the bar, it makes sense that hi-tech e-cig companies are also promoting social connectedness through their device.

Some e-cig manufacturers have created hi-tech devices that allow individuals to connect their device to their phone- to track usage, tweet usage information, and promote social connectedness.
Smokio, which claims to be the “first connected electronic cigarette,” contains a small microchip that transmits data to an app available for both Android and iOS platforms. The e-cig can then be connected to a Smartphone through Bluetooth. The device tracks usage, giving the user updates on the number of times they vape as well as the cost of the habit. And to provide a social incentive, Smokio lets users post updates about their progress to Twitter and Facebook. Even the way that the brand name is written (SMOKiO) is very similar to the way that Apple’s operating system is written iOS.

Kosmo is a start-up e-cig company that also offers individuals the opportunity to track their usage. The Kosmo dashboard allows the individuals to set personal goals, including cessation goals, which can be tracked over time. A LED light on the device allows the user to know when he/she has consumed the equivalent of a conventional cigarette. As is the trend with hi-tech devices these days, the product allows for social integration thus allowing users to connect with family and friends.

There are also a number of e-cig apps including e-cig usage calculators and do-it-yourself juice calculators. The DYI juice calculators enable consumers to become their own vapologist and mix their own unique flavors and create their own recipes. In addition to this, there are also several apps that aggregate e-cig coupons and promote the best deal of the day.

For young non-smokers as well as social smokers, e-cigs are also positioned as socially attractive devices. Blu e-cigs recently launched a “smart pack” that alerts users of Blu to others users of the e-cig within 50 meters. The reusable packs, which serve as a charger for the cigarettes, can be set to exchange information about their owners, like contact information on social networking sites, that can be downloaded onto personal computers. The e-cig pack is a new age way to promote social smoking in an era of social networking.

Print ads and video promotions for these products highlight the technological advancements of the devices. The ads show Bluetooth devices as well as USB wall chargers, and battery packs.

Accessories – img19694

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The Electronic cigarette (e-cig) industry has spawned a lucrative e-cig accessories market. Like most other fashion accessories, e-cig brands and retailers, promote the accessories as an opportunity for individuals to emphasize their personal taste and freedom. Accessories being sold include carriers for e-cigs including handbags, pouches, and lanyards; crystals stickers for the metallic body of the e-cig; removable wrapper covers in a range of designs from the ever popular Hello Kitty to the more obscure image of multi-colored Geckos; and decorative drip tips for Advanced Personalized Vapor devices.

Some e-cig companies such as Vapor Couture and White Cloud sell a number of branded accessories including crystal tips, lanyards, handbags, and even promote them as “necessary,” “everyday” fashion items through online boards such as Pinterest. In promotions, targeted specifically to women through Facebook and Pinterest, the two brands have even created a fashion board that puts together different kinds of dresses, shoes, and of course e-cig accessories and e-cigs.

While many companies sell an array of e-cig accessories, Vapor Jacket exclusively markets adhesive-backed e-cig wrappers. The site provides instructions to users on how they can use the product. Wrapper themes range from religious to sexy to plain.

Feminine Glamour – img18670

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There are an enormous variety of female images in electronic cigarette (e-cig) advertising, ranging from pictures of a frumpily dressed older woman, to macho women on powerful machines, to thoroughly sexualized and eroticized depictions. These ads target women who envy the advertised image and aspire to be that person and they also target men who want to be with the women in the advertisements.

As often seen with the female form in ads, the images of women in many of the e-cig ads are of highly idealized body forms. These women are tall and thin with flawless skin and a perfect body that most women envy. In an ad for NutriCigs slim, a skinny woman showcasing her perfectly flat belly rests on the beach. The text of the ad reads, “Eat Less and Satisfy your Cravings.”

In some of these ads the female form is broken down to focus on a specific “perfect” body part. In ads for e-cigs the most common body part focused on are the lips. In many of these ads the lips are clearly defined with brightly colored lipstick that serves to bring into sharper focus the vapor that surrounds the lips. An ad for Hookah Portable focuses on a glittery jewel crusted lip of a woman who is seen vaping. To show the woman as one belonging to elite society, she is seen wearing a white glove. The image in a Vype Vapor ad is of dark red lips and a small stream of vapor. The woman in the ad transmits sensuality and desire. The message is very clear: if you want to be sensuous like that woman, all you have to do is buy the e-cig. It is not only ads but also packaging that focus on a woman’s lips as her most desirable attribute. One of the packs for Alchemy e-cigs has the image of red lips blowing out vapor.

There are also frequent images of female body parts such as the hands, legs or awkwardly attached body parts. An ad for Sky cigarette focuses primarily on the hands of a woman holding the e-cig, her face has been cut-off the ad. The ad seems to imply that what truly matters about the woman is the e-cig in her hand. In a Fin ad, a woman stands on a beach near an old two-seater glider. One of her hands is holding an e-cig while her other arm seems oddly disconnected from the body.

Of course, there are several sexualized and erotic images of women. An ad for PhatomSmoke has a woman suggestively sitting in the bathtub with the e-hookah between her teeth. Her lingerie is carelessly tossed on the rim of the bathtub. An ad for Krave e-cigs has a woman dressed in a bodysuit sitting on a side of a sofa her legs slightly apart as she gazes towards the viewer.

To appeal to women, many of the e-cigs are produced in pastel colors. For instance, Njoy, Vapor Couture, Bloog, V2Cigs, Lady and Super Cigarette are all available in shades of pink. Vapor Couture offers jewel tipped e-cigs especially made for women. To gain the trust and respect of consumers who have increasingly grown to view the tobacco industry as deceptive and lethal, the e-cig industry has supported charitable institutions and issues that are of importance to women. For instance, SouthBeach Smoke as well as Eversmoke donated funds for breast cancer awareness. However, corporate social responsibility sponsorships from e-cig manufacturers to improve public perception ring hollow especially as they e-cig manufacturers use manipulative techniques and misleading claims to lure consumers.

Macho Men – img18710

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The use of macho men in advertisements has been a successful strategy used by the tobacco industry to capture the male market. In fact till date, the idea of rugged masculinity brings to mind the “Marlboro Man.” The concept of the Marlboro Man was introduced by Philip Morris, the manufacture of the filtered brand of cigarettes, in an attempt to change brand perception that filtered cigarettes were meant only for “sissies.” The ad was so well received that the relationship between masculinity and smoking quickly caught on national conscience. The concept was successfully used in the United States from 1954 to 1999 and in developing countries for even longer.

Leading electronic cigarette (e-cig) manufacturer Blu has recreated the machismo of the “Marlboro Man” in its advertisements featuring actor Stephen Dorff. Much like the campaign that it is inspired by, the ads seem to project and celebrate the success of a mature, rugged person, who worked hard for his success. In these ads, Stephen Dorff espouses themes of freedom, independence, success and adventure; concepts that are very appealing to men. In one of the ads, Stephen Dorff asks other men to “Rise from the Ashes.” “After 20 years of smoking, I’ve taken back my freedom…. C’mon guys, we’re all adults. Isn’t it time to rise from the ashes,” he asks?

An ad for V2 Cigs has the image of a cowboy riding the desert alone in his motorbike. Bull Smoke e-cig’s website has the image of a cattle rancher kicking up a dust storm as he gallops along the dry desert, with a rifle in his hand. While the rancher does not have an e-cig in his mouth, it is patently obvious that the brand is being marketed to rugged, masculine men.

In most advertisements featuring macho men, the size of the vapor plume from the e-cig seems to be central to some of the ads but women occupy a secondary position if at all they appear in the ad.

Targeting Teens – img20124

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Sponsorship of music and sporting events and the free distribution of cigarette products to lure teenagers to try the product was a technique often used by cigarette companies till tobacco branded sponsorship and the associated distribution of free samples were banned by the Tobacco Control Act. However, in the absence of regulation, electronic cigarette (e-cig) companies are adopting this ploy to target teens. For instance, the top 6 e-cig companies in 2012 to 2013, provided free samples at 348 events, many of which appear geared toward youth.

In order to lure youth to try the product, samples are distributed at popular music concerts, outside stores that are obviously teen-oriented, and even during the Superbowl. Various props are used to make the sampling more appealing. For instance, Vita Cigs offered free samples to passersby outside a store of the retail apparel giant “Forever 21.” The roadshow van closely resembled an ice-cream truck. Logic offered free samples along with free macaroons, and NJOY had a slew of sexy, well-toned, beach boys handing out their samples. The offer of free samples is well promoted through e-cig brands’ social media channels. Photos of the sampling events are posted on the various social media channels.

The deeming regulations proposed by the FDA in early 2014, proposed a ban on the distribution of free samples. However, given that the regulations may not come into effect for at least a year or two, it gives e-cig companies several opportunities to continue to get yet another generation of teens nicotine addicted.

Games – img23305

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As the Internet becomes the primary source of information and entertainment to most adolescents, electronic cigarette (e-cig) companies are cleverly exploiting their online presence to appeal to teen consumers. Aside from their websites, the majority of e-cig companies are also heavily invested in social media sites that allow them to interact with potential consumers, create brand evangelists, and shape consumers views of their brands.

White Cloud Cigarettes, a leading brand, leads the way in consumer engagement for brand promotion as well as consumer engagement. One of the unique ways in which White Cloud Cigarettes promotes its product is through a free online game, that is highly engaging and interactive.

The game, which is heavily promoted in the brands ads as well as social media posts, is called “Fling A Friend.” It comprises of two characters- a large strongman and a smaller diminutive person. A person gains points that can be used towards a free e-cig, discounts, or merchandise by having the strongman “fling” the smaller person as far as possible. The animation is very cartoon-like, imitating a Saturday morning television show.

While White Cloud contends that its game is aimed at adults, specifically office workers seeking a “mental break”, one has to note that video games almost defines today’s teenager. A study by Pew Research and Internet Project noted that 97 percent of American teenagers play video games, and of those, 73 percent of them play video games on their computers and online. (1) With so many teenagers playing video games, it becomes apparent that White Cloud’s advertisement heavily targets young people.

1. Pew Research and Internet Project. Teens Video Games and civics. Retrieved from http://www.pewinternet.org/2008/09/16/teens-video-games-and-civics/ on August 29,2014.

Age Verification – img23314

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While it is very hard for youth to buy a combustible tobacco product from stores or online because of stringent regulation, the same cannot be said of their access to electronic cigarettes (e-cigs). While no national regulation as yet exists that regulates e-cig sales to minors (the Food and Drug Administration proposed minimum age limits in April 2014 deeming regulations), many states have imposed state laws that prohibit the sale of e-cigs to minors.

However, e-cig companies continue to target youth by following the regulation in letter and not in spirit. Most e-cig brand websites flash age verification pop-ups as a barrier to the site. But the process is farcical and extremely easy to bypass. For many brand sites, getting this “adult-only” product is literally as easy as a click of a button. Some age verifications simply ask the user to choose between an “Enter” and “Exit’ button while others ask that the user enter a birth date before entering. For instance, Green Smart Living has an age verification pop up with the two buttons for enter and exit. However, the age restriction for the site is written in much smaller letters at the bottom of the pop-up window. Most consumers will miss the fact that the product is intended only for adults. That by entering the website, the user certifies that he/she is of legal age to buy e-cigs in the state that they live in.

The two brands that have the most stringent restrictions to access their site and buy their products are MarkTen and Vuse, both of which are subsidiaries of large tobacco companies- Altria and RJ Reynolds respectively. To access these companies websites, individuals have to provide their social security number and verify questions that confirm age and address authenticity. One of the reasons for such stringency maybe that the e-cig brands of these leading tobacco companies want to portray themselves as responsible market leaders and thereby distance themselves from any blame that could have been assigned to them because of their manufacturers tarnished reputation. It could also be simply a ploy for e-cig brands to collect useful demographic information about their customers.

Vape Goddess – img18753

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Like most consumer products, many electronic cigarette (e-cig) companies create products and advertisements specifically targeted to women. Many of these ads follow stereotypes associated with gender targeted ads and are either overly feminine (in shades of pink or with floral designs) or target insecurities.

< Even in their brand names, these brands target women by speaking to their desires. For instance, brands names such as Vape Goddess, Vaping Vamps, She Vapes, and Lady all speak to specific images of women. The e-cig devices for most brands under this category are available in pastel colors such as pink and peach. The slim design, very reminiscent of the slim cigarettes of popular women cigarette brands such as Virginia Slims and Max, are crystal tipped to appeal to the modern woman.

In addition to creating sleekly designed devices, many brands have also created a whole line of fashionable accessories from e-cig lanyards to e-cig handbags. Cottien, which brands itself as the “most feminine electronic cigarette in the world,” has an artistic rendition of a fashion model on each device. Through blogs, Pintrest boards and Facebook posts, these e-cig companies reach out to women, including adolescent girls, and provide them with tips on how to be stylish and trendy. For instance, Pintrest board for Vapor Couture teaches women how to coordinate their dress with Vapor Couture accessories. The board for Cottien has images of pink frosted cupcakes and girly, floral, sneakers as must-have items for this summer.

Many of the e-cig brands through their descriptors, ads, and messages on social media boards also provide a subliminal message that vaping their brand will result in the smoker obtaining or maintaining a slim figure.

Vaping Vamps – img18828

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Like most consumer products, many electronic cigarette (e-cig) companies create products and advertisements specifically targeted to women. Many of these ads follow stereotypes associated with gender targeted ads and are either overly feminine (in shades of pink or with floral designs) or target insecurities.

Even in their brand names, these brands target women by speaking to their desires. For instance, the brand Vogue, brands it as “new lifestyle.” The e-cig devices for most brands under this category are available in pastel colors such as pink and peach. The slim design, very reminiscent of the slim cigarettes of popular women cigarette brands such as Virginia Slims and Max, are crystal tipped to appeal to the modern woman. An ad for Luli e-cigs has the image of the product on a vanity table by the side of an elegant and beautiful tiara made of pearls and in front of a vintage bottle of perfume. The presence of the product on the vanity case is intended to convey that it is just another element in making you look and feel beautiful.

In addition to creating sleekly designed devices, many brands have also created a whole line of fashionable accessories from e-cig lanyards to e-cig handbags. Cottien, which brands itself as the “most feminine electronic cigarette in the world,” has an artistic rendition of a fashion model on each device. Through blogs, Pinterest boards and Facebook posts, these e-cig companies reach out to women, including adolescent girls, and provide them with tips on how to be stylish and trendy. For instance, Pinterest board for Vapor Couture teaches women how to coordinate their dress with Vapor Couture accessories. The board for Cottien has images of pink frosted cupcakes and girly, floral, sneakers as must-have items for this summer.

Many of the e-cig brands through their descriptors, ads, and messages on social media boards also provide a subliminal message that vaping their brand will result in the smoker obtaining or maintaining a slim figure. An ad for Luli disposable e-cigs contains the image of the product along with the call out, “new improved formula, brand new design.” The ad is intended to encourage women to believe that a product was redesigned to better suit their needs.

Lady – img18846

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Like most consumer products, many electronic cigarette (e-cig) companies create products and advertisements specifically targeted to women. Many of these ads follow stereotypes associated with gender targeted ads and are either overly feminine (in shades of pink or with floral designs) or target insecurities.

Even in their brand names, these brands target women by speaking to their desires. For instance, brands names such as Vape Goddess, Vaping Vamps, She Vapes, and Lady all speak to specific images of women. The e-cig devices for most brands under this category are available in pastel colors such as pink and peach. The slim design, very reminiscent of the slim cigarettes of popular women cigarette brands such as Virginia Slims and Max, are crystal tipped to appeal to the modern woman.

In addition to creating sleekly designed devices, many brands have also created a whole line of fashionable accessories from e-cig lanyards to e-cig handbags. Cottien, which brands itself as the “most feminine electronic cigarette in the world,” has an artistic rendition of a fashion model on each device. Through blogs, Pinterest boards and Facebook posts, these e-cig companies reach out to women, including adolescent girls, and provide them with tips on how to be stylish and trendy. For instance, Pinterest board for Vapor Couture teaches women how to coordinate their dress with Vapor Couture accessories. The board for Cottien has images of pink frosted cupcakes and girly, floral, sneakers as must-have items for this summer.

Many of the e-cig brands through their descriptors, ads, and messages on social media boards also provide a subliminal message that vaping their brand will result in the smoker obtaining or maintaining a slim figure.

Vapor Girl – img18853

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Like most consumer products, many electronic cigarette (e-cig) companies create products and advertisements specifically targeted to women. Many of these ads follow stereotypes associated with gender targeted ads and are either overly feminine (in shades of pink or with floral designs) or target insecurities.

Even in their brand names, these brands target women by speaking to their desires. For instance, brands names such as Vape Goddess, Vaping Vamps, She Vapes, and Lady all speak to specific images of women. The e-cig devices for most brands under this category are available in pastel colors such as pink and peach. The slim design, very reminiscent of the slim cigarettes of popular women cigarette brands such as Virginia Slims and Max, are crystal tipped to appeal to the modern woman.

In addition to creating sleekly designed devices, many brands have also created a whole line of fashionable accessories from e-cig lanyards to e-cig handbags. Cottien, which brands itself as the “most feminine electronic cigarette in the world,” has an artistic rendition of a fashion model on each device. Through blogs, Pinterest boards and Facebook posts, these e-cig companies reach out to women, including adolescent girls, and provide them with tips on how to be stylish and trendy. For instance, Pinterest board for Vapor Couture teaches women how to coordinate their dress with Vapor Couture accessories. The board for Cottien has images of pink frosted cupcakes and girly, floral, sneakers as must-have items for this summer.

Many of the e-cig brands through their descriptors, ads, and messages on social media boards also provide a subliminal message that vaping their brand will result in the smoker obtaining or maintaining a slim figure.

Luli – img18865

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Like most consumer products, many electronic cigarette (e-cig) companies create products and advertisements specifically targeted to women. Many of these ads follow stereotypes associated with gender targeted ads and are either overly feminine (in shades of pink or with floral designs) or target insecurities.

Even in their brand names, these brands target women by speaking to their desires. For instance, the brand Vogue, brands it as “new lifestyle.” The e-cig devices for most brands under this category are available in pastel colors such as pink and peach. The slim design, very reminiscent of the slim cigarettes of popular women cigarette brands such as Virginia Slims and Max, are crystal tipped to appeal to the modern woman. An ad for Luli e-cigs has the image of the product on a vanity table by the side of an elegant and beautiful tiara made of pearls and in front of a vintage bottle of perfume. The presence of the product on the vanity case is intended to convey that it is just another element in making you look and feel beautiful.

In addition to creating sleekly designed devices, many brands have also created a whole line of fashionable accessories from e-cig lanyards to e-cig handbags. Cottien, which brands itself as the “most feminine electronic cigarette in the world,” has an artistic rendition of a fashion model on each device. Through blogs, Pinterest boards and Facebook posts, these e-cig companies reach out to women, including adolescent girls, and provide them with tips on how to be stylish and trendy. For instance, Pinterest board for Vapor Couture teaches women how to coordinate their dress with Vapor Couture accessories. The board for Cottien has images of pink frosted cupcakes and girly, floral, sneakers as must-have items for this summer.

Many of the e-cig brands through their descriptors, ads, and messages on social media boards also provide a subliminal message that vaping their brand will result in the smoker obtaining or maintaining a slim figure. An ad for Luli disposable e-cigs contains the image of the product along with the call out, “new improved formula, brand new design.” The ad is intended to encourage women to believe that a product was redesigned to better suit their needs.

Vapor Couture – img23145

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Unsurprisingly, electronic cigarette (e-cig) companies have followed in the footsteps of the combustible tobacco industry by creating a distinct market pool for women. Vapor Couture is one of two e-cig brands operated and managed by VMR Products. Unlike the marketing of its sister brand, V2 Cigs, Vapor Couture exclusively targets women and markets its product via glamour and femininity.

In it product design, advertising and marketing, Vapor Couture follows in the footsteps of Virginia Slims and Camel 9. The product is slender, with a crystal tip, and is often packaged in a sleek box that resembles a make-up accessory rather than a traditional cigarette case. Additionally, Vapor Couture advertisements attempt to epitomize a woman-only product by emphasizing fashion, accessories, and makeup – all adorned in hot pink, royal purple, and crystal backgrounds. The e-cigs themselves and come in atypical flavor names such as “Bomb Shell” and “Rodeo Drive”. As is well known, “Bomb shell” is a term used to describe attractive women and Rodeo Drive is known as the embodiment of the glam, high-fashion lifestyle in Beverly Hills, California.

Ads for Vapor Couture often feature images of independent and successful women. The ads are accompanied by catchy slogans such as, “Womanly Vaping Experience” and “Made for Women” or “ Your Life. Your Style” and “What’s Your Style?” The slogans suggest the empowerment of women as well as feminine individuality. Vapor Couture’s marketing obviously tries to play off of a certain desired woman’s figure and social image. For Vapor Couture, its e-cigs serve as a chic fashion accessory.

Cottien – img23154

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Unsurprisingly, electronic cigarette (e-cig) companies have followed in the footsteps of the combustible tobacco industry by creating products targeted solely at women. Cottien is one such e-cig brand. The brand exclusively targets women and markets its product via glamour and femininity. In fact, the brand’s tagline reads,
“The Most Feminine E-Cigarettes In the World.”

The branding and marketing of Cottien is very similar to the marketing of a high-end retailer. The homepage for the website consists of a photograph four fun loving women obviously enjoying themselves on a day of shopping. The entire homepage is tinted pink to reinforce the fact that the product is intended only for women. To further the illusion of the e-cig as a fashion accessory, the website as well as the e-cigs themselves contain a figure drawing of a stylish woman in pink. Again the illustration is strikingly similar to the sketch that fashion designers use to illustrate their ideas.

In its product design, advertising and marketing, Cottien follows in the footsteps of Virginia Slims and Camel 9. The product is slender and is often packaged in a sleek box that resembles a make-up accessory rather than a traditional cigarette case.

Ads for Cottien are in shades of pink and purple and accompanied by either the illustrations of fashionable models or beautiful flowers. It is obvious that in its marketing, it tries to play off of a certain desired woman’s figure and social image. For Cottien, its e-cigs are to be seen as a chic fashion accessory essential to a fashionable woman.

Children – img17861

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Children have played a huge role in tobacco advertising over the decades and now appear in a number of electronic cigarette (e-cig) advertisements. The images of children fulfill multiple purposes for e-cig advertisers.

Depictions of children with their mothers or fathers in cigarette ads reinforced the respectability of smoking as a part of normal family life, a perception often promulgated by the tobacco industry. Further, the images of youngsters tended to send a reassuring message to consumers about the healthfulness of the product. For instance an ad for Flavor Vapes has the image of a mother blowing vapor from her e-cig into her baby’s carriage. The ad is intended to represent the purity and safety of the product- concepts, which can be dangerous when tied to e-cig products.

Finally, these depictions of children are an obvious ploy to attract females to smoking as part of the industry's campaign to expand the pool of women smokers. An ad for EverSmoke has a mother smoking in front of two children alongside the slogan, “ The Better Smoking Choice. Keep Yourself & Family Healthy.”

African Americans & Multiracial – img17943

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The tobacco industry has a long history of targeting the African-American community. It has successfully marketed its product to African-Americans through market research, aggressive advertising with special products, imagery and themes, and sampling.

The “industry’s investment” in the community has led to this population suffering the greatest burden of tobacco related mortality of any ethnic or racial group in the United States. 1

While electronic cigarette (e-cig) companies have not yet developed specific campaigns targeting this population, there are a number of ads that feature African-Americans. In many of these ads, African-Americans are shown as successful individuals and leaders.

The ads also feature critical moments in the history of America. For instance, an ad for Fin, is of an empty diner that is an eerie reminder of a time of segregation. In February 1960 a group of black students from A&T North Carolina College were refused service because they sat in seats reserved for white people. The slogan accompanying the ad says, “Welcome Back?” An ad for Green Smoke contains the image of Martin Luther King as he prepared to give his famous, “I have a Dream” speech.

Another way that e-cigs are following in the step of combustible tobacco companies in targeting African Americans is through the sales and promotion of mentholated products. Almost all the major e-cig companies offer mentholated cartridges and vape juices.

1. U.S. Department of Health and Human Services. Tobacco Use Among U.S. Racial/Ethnic Minority Groups — African Americans, American Indians and Alaska Natives, Asian Americans and Pacific Islanders, and Hispanics: A Report of the Surgeon General. 1998.

Cheaper Than Cigarettes – img16985

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One of e-cigarettes biggest advantage over traditional cigarettes is its price. Because e-cigs don’t contain any tobacco, they are currently only subject to sales tax instead of the hefty cigarette tax and state tax to which conventional cigarette products are subject. As e-cig manufacturers try to lure consumers away from conventional cigarette products and create new consumers, they hard sell the lower cost of vaping on their packs, displays, and in their promotional materials.

E-cigs are sold in the following pack sizes: single disposables, pack of 3 disposables, a pack of 5 e-cigs, and starter packs that includes a rechargeable pack, rechargeable batteries and at least 5 flavor cartridges. Manufacturers claim that each e-cig is equivalent to 1-3 packs of conventional cigarettes. An advertisement for Metro e-cigarettes suggests savings by stating that an e-cig is equal to three packs of conventional cigarettes. A blog for Blu e-cigs claim that those who switch from conventional cigarettes to e-cigs can over the long term see a savings of 50% with e-cigs. 21st Century Smoke claims that a 6 pack of Express cartridges is equivalent to 6 packs (each pack containing 20 cigarettes) of traditional cigarettes. According to the website, the cost of 6 packs of traditional cigarettes is approximately $ 300 while a six-pack cartridge of 21st Century Smoke is $ 15.99._

To encourage customers to discover their savings, many e-cig manufacturers and retailers offer a cost comparison between traditional cigarettes and e-cigs and some even have a savings calculator that lets the individual determine savings after taking into account how much the individual pays for a pack of cigarettes and how much they smoke a day. There are also several Apps that consumers can download on their phones that will estimate their savings by switching to e-cigs. However, these savings calculators do not provide a complete picture. For instance, they do not calculate the cost that vapors spend every month on buying vape juice, batteries or accessories.

The e-cig industry is built on the dynamics of the razor/razorblade model. As per this business model, the industry offers consumers their starter-kits and rechargeable packs at a lower rate but makes money by keeping consumers coming back for e-nicotine juices, batteries and specialized accessories. It is in selling these flavored cartridges, replacement batteries and accessories that e-cig manufacturers make the most money. For instance, a pack of five cartomizers from NJOY costs $ 21.99 while the total cost of 5 NJOY cigarettes is only slightly more at $ 29.99. A Fin e-cig starter case, which consists of a rechargeable battery, a flavored cartomizer, and a USB charger costs $ 15.99, the same cost as a pack of 5 Fin cartomizers. In employing this strategy and charging a premium for flavored cartridges, e-cig manufacturers are basing their pricing strategy on the premise of brand loyalty. Of course, for many this is a winning strategy.

But e-cigs are designed to accept flavor cartridges and vape juice prepared by any manufacturer. The downfall to using the razor/razor blade strategy as has been seen in the printer-ink business (people often buy cheaper ink cartridges for brand- named printers) consumers can choose to fill their more expensive Blu or NJOY e-cig cartridge with cheaper vape juices.

Some other unique ways in which e-cig manufacturers advertise savings include a “home delivery” service. In this service, just as you would order monthly refills for household staples, you can pre-order monthly refills of e-cigarette cartridges. SouthBeach Smoking and Eversmoke, two e-cigarette manufacturers that offer this program, offer a 20% discount to customers for sign up for this loyalty program. Of course, while it offers savings for the individual, it is also a great ploy to build brand loyalty and gain the higher margins from repeated sales of the more expensive e-cig cartridges. _

Other savings that e-cig manufacturers promote in their promotional materials include the savings incurred by not having to buy room fresheners to remove smoke odor from indoor spaces, money saved by not having to buy chewing gum to freshen a smoker’s breath, and gas savings because e-cigarettes last longer than a conventional cigarette.

Eco-Friendly – img18033

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At a time when everyone’s mantra is to “go green,” it is no surprise to see the e-cigarette industry’s marketing machine clamor to announce that its products are environmentally conscious and much better for an individual’s health and the environment than conventional cigarette products.

First, most e-cigs companies point to the fact that since their products do not produce any smoke but only emit a vapor, it is less polluting than conventional tobacco products. For instance, Green Smoke says it “aspires to create a greener planet” by offering a cigarette that has no second-hand smoke, no ash and no risk of fire.” SouthBeach Smoke also equates the healthier, i.e. no carcinogens and no smoke aspect of e-cigs to being a more eco-friendly product.

To promote the image of being an earth-friendly product, e-cigarettes are appropriately branded with subliminal brand names such as Green Smoke, Eco-Cigs, Ever Smoke, EverGreen Vapor, Enviro, and Green Nicotine. Many of the ads for these products also use terms such as “additive-free,” “organic” and “eco-friendly” to imply that the ingredients are “pure” and not harmful to the individual or the environment. For instance, Green Nicotine e-cig manufacturer’s claim to being environmentally friendly comes from the fact that its manufacturing processes uses green techniques by restricting the use of “hazardous materials” and incorporating “pure” materials. However, it is important to note that since e-cigs are unregulated, there is no standard definition of the purity of nicotine or flavoring ingredients used in these products.

To further suggest, the green nature of the product, the packaging is plastered with green leaf symbols and shades of green predominate the advertisement and e-cig package. In a Green Smoke advertisement, a woman with apple green colored lips is seen holding an e-cigarette near her lips. The ad seems to suggest that the e-cig is as safe as a lipstick for a woman. In another ad for Green Smoke, a man is seen enjoying the freshness and pure air of a mountaintop with an e-cig between his lips. The text of the advertisement reads, “Enjoy your nicotine. No Lighter. No Fire. No Mess.” An advertisement for EverSmoke that showcases the company’s diverse products has the following text, “Healthy for You. Green for the Environment.” A Green Nicotine advertisement shows a single e-cig against the backdrop of a lush green moss lawn.

E-cig companies are also eager to make the point that since its products are mostly reusable they aren’t thrown away like traditional cigarette butts that pile up in landfills and pollute the environment. However, the eco-friendly nature of e-cigs warrants a closer investigation. E-cigs contain several plastic and metal components that need to be properly disposed. In addition to this, the nickel-cadmium or lithium batteries used in e-cigs need to be properly disposed in e-waste recycling bin instead of the general trash. While some e-cig manufacturers offer “recycling programs” to promote proper disposal of e-waste, it is unclear how many consumers take the time to invest in such programs. When e-cigs don’t get properly disposed they are as much a pollutant as traditional cigarettes.

Natural – img22996

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If you think about it, there is really nothing natural about an electronic cigarette (e-cig). The device contains plastic and metal and the nicotine used in the cartridges and vape juices is highly processed. Yet, many e-cigs companies market their devices as “natural” and “additive free.” The term “natural” is used in a positive manner and although the term is not related to “organic” there are studies to show that people imagine that natural products are regulated in a manner similar to organic products.

Advertisements for some e-cig brands such as Dekang and Vapor From Nature much like their tobacco predecessors promote the “naturalness” of the product.
An image for Vapor From Nature simply states “100% All Natural” in white font over a black backdrop. Then in smaller font it includes, “No artificial colors, no artificial flavors, no artificial sweeteners, and no propylene glycol.” In a vivid advertisement by Dekang e-cigs, the image is of a white waterfall with a giant leaf extending out from it and a bottle of e-liquid off to the side. Colorful fruit, a vanilla flower, and a hummingbird surround the e-liquid while a vine wraps around it. On the bottom half of the image is the phrase “nature’s gift,” and written below that in much smaller font it says, “Absolutely natural components vapor flavor”. This ad is very suggestive of the purity of the product.

There is concern that e-cig packages and advertisements with descriptors such as “additive-free” and “natural” are more appealing to teenagers and are also perceived by youth as being healthier than “regular” e-cigs.

Recycling – img23017

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If you think about it, there is really nothing natural about an electronic cigarette (e-cig). The device contains plastic and metal and the nicotine used in the cartridges and vape juices is highly processed. Yet, many e-cigs companies market their devices as “natural” and “additive free.” The term “natural” is used in a positive manner and although the term is not related to “organic” there are studies to show that people imagine that natural products are regulated in a manner similar to organic products.

Electronic Cigarettes differ from traditional combustible cigarettes by material makeup. Cigarettes contain over 4,000 chemicals in which about 50 of them are carcinogenic and 400 other toxic materials. Some of the well-known toxins are nicotine, tar, acetone, butane and carbon monoxide. None of which are earth friendly or recyclable. The actual materials that hold in these chemicals are composed of fibers that can be derived organically or manufactured. Examples include, clear cellulose, chalk, gum, starch, citrate, flax, rice hemp or cotton. It has been documented that cigarette butts make up 38% of the worlds litter and approximately 4.5 trillion cigarette butts are discarded each year.

Electronic cigarettes are comprised of completely different materials. A modern e-cig consists of a lithium battery, cartomizer, LED Lights, mouthpiece. Materials that make these elements are not environmentally friendly because of the non-compostable material makeup.

Industry Organizations – img19330

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As e-cigarettes (eCigs) grow in popularity, the federal government as well as state governments are in the process of regulating the manufacture and use of these products. The eCig industry is responding to threats of regulation through industry organizations.

There are two large industry sponsored organizations that represents the interests of the eCig industry- Smoke-Free Alternatives Trade Association (SFATA) and Electronic Cigarette Industry Group (ECIG). Both organizations work to block all eCig regulations and frequently issue “Calls to Action” to warn the industry and concerned consumers about potentially threatening legislation.

On its website, ECIG says that it is “working to prevent state and local municipalities from including electronic cigarette use in indoor smoking bans….” SFATA claims to offer “members valuable training so that they can effectively participate in SFATA “Fly-Ins” to Capitol Hill. These events provide an opportunity for members to meet their representatives, share business concerns and plans and establish relationships.”

In addition to both these organizations as well as many smaller industry based groups, there is also a consumer based organization- Consumer Advocates for Smokefree Alternatives Association (CASAA)- that advocates for eCigs. The group claims to be a grassroots consumer membership organization that is working to represent consumers who use or someday might use low-risk smoke-free alternatives to smoking, including e-cigarettes and smokeless tobacco.

Disclaimers – img23548

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Some electronic cigarette (eCig) manufacturers have voluntarily added warning labels to product packages and advertising images. However, since the eCig industry is not yet mandated to include warning labels, there is a lack of uniformity in the warning labels, which could potentially be very confusing to consumers.

For instance, Mark Ten eCig, which is manufactured by Altria, has a black box warning label on eCig packages. A black box warning in pharmaceutical products is analogous to death. The warning label, describes nicotine as “very toxic.” In fact, it is surprising to note that the warning on the eCig product is more stringent than the government mandated warning label that Altria has on the package of its combustible tobacco product. The warning label on Green Smoke eCig website, a brand also owned by Altria, is far less threatening. It just states that nicotine is “addictive.”

Warning labels included by most eCig brands are generally mild. Eonsmoke’s warning is: “SURGEON GENERAL'S WARNING: Quitting Smoking Now Greatly Reduces Serious Risks to Your Health. NOT TO BE SOLD TO MINORS!” Blu eCig’s has already adopted the proposed warning label proposed by the FDA, which states, “WARNING: This product contains nicotine derived from tobacco. Nicotine is an addictive chemical.”

Warning labels were first required on cigarettes by the Federal Cigarette Labeling and Advertising Act of 1965, and the Tobacco Control Act expanded FDA’s authority to also prohibit false and misleading labeling and advertising for cigarettes, such as claims that a product reduces harm.

No Nicotine – img19803

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Most electronic cigarettes (eCIgs) and vape juices are available in a variety of flavors in a range of nicotine strengths from 0 mg/ml to astoundingly high levels of 56 mg/ml. These e-liquids and eCigs are marketed online with bright and colorful images and dispensed in similarly colorful bottles. It is quite evident that these are designed to appeal to teens. The numerous sweet flavored varieties are also attractive to younger children.

Many of the brands which produce “nicotine-free” devices advertise themselves as an alternative to traditional combustible cigarettes as well as a cessation product. For instance, Novus, which brands itself as a tobacco free, nicotine free, all natural alternative to traditional cigarettes, promotes itself with the following tagline: “When you Crave a smoke….but not the nicotine… Novus twigs satisfy. Try the NOVUS System! A new approach to going “Cold Turkey.”

Other ads suggest that the nicotine-free devices are healthier than traditional combustible products. An ad for Phantom Smoke has a scantily dressed woman, sitting provocatively on a red wheelchair. The slogan accompanying the ad says, “No Nicotine No Tar No Tobacco.” Interestingly, the way in which the woman’s leg is positioned across the wheelchair also creates the word “NO.”

While the no-nicotine eCigs are healthier than traditional cigarettes or the nicotine containing eCigs, public health advocates are concerned that vaping these products could lead to youth initiation. In addition, a recent study found that even some of the solutions labeled “nicotine-free” contained trace amounts of the addictive substance.1

1. Goniewicz ML, Kuma T, Gawron M, Knysak J, Kosmider L (2012) Nicotine Levels in Electronic Cigarettes. Nicotine Tob Res Apr 22.

Nicotine – img20657

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Electronic cigarettes, which are often advertised as an alternative to conventional cigarettes and sometimes advertised as a cessation product, are available in a variety of nicotine levels. Based on the nicotine level of the eCig, a single eCig can have as much nicotine as a whole pack of cigarettes. It is the highly addictive nature of nicotine that makes smokers crave another cigarette and keeps many from quitting.

The nicotine in eCigs is usually mixed with solvents such as propylene glycol and glycerin. To this base solution is added a number of sweetened flavorings such as peach schnapps, root beer, cotton candy, and chocolate to make the product more palatable to its consumers. The liquid nicotine is available to consumers as prefilled cartridges or small refill bottles (think of this in terms of printer ink refills).

Many ads for liquid nicotine highlight the pleasant fruity taste of the liquid. For instance, an ad for NicQuid contains the image of circle sliced up and each segment filled with lushly colored fruits and vegetables. Another ad for NicQuid contains no image of liquid nicotine solution. Instead the central image is of a glass of strawberry and peach smoothie and the title “Southern Freeze”. These images are obviously intended to subliminally convey the healthfulness of the product. An ad for NicVape contains the image of small bottles of liquid nicotine and fresh fruits slicing through the water. This image is very similar to ads used by the food industry to promote flavored waters and electrolytes. Again the image is used to connote the freshness of the product and its purity.

Bottles and cartridges of vape juice are usually labeled according to their nicotine content per milliliter. Products labeled as “extra strong/very high” contain 36mg of nicotine, “strong/high” contain 24 mg of nicotine, “regular/medium” contain 16 mg of nicotine, “light/ low” contains 11 mg of nicotine, “ultra light/very low” contains 8 mg of nicotine or “zero/no nicotine” if they are nicotine free.

While it is true that eCigs deliver nicotine with much lower levels of many of the toxins found in conventional cigarette products, since it is not yet regulated by the FDA the chemicals found in these products and the purity of the nicotine vary widely. Some recent studies have also found that there was a significant difference between the advertised and true levels of nicotine in the cartridges and refill solutions. A study1 also found traces of nicotine in products labeled as “no nicotine.” The lack of regulation and wrongly labeled products can mislead consumers looking to kick their smoking addiction by vaping eCigs.

References:
1. Goniewicz ML, Kuma T, Gawron M, Knysak J, Kosmider L (2012) Nicotine Levels in Electronic Cigarettes. Nicotine Tob Res Apr 22.

High Nicotine Flavors – img23696

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Electronic cigarette liquid (ejuice) is available in a variety of nicotine strengths ranging as high as 36 mg/ml and even 54 mg/ml. Nicotine levels of 16mg/ml are usually advertised by the electronic cigarette industry as “full flavored” while nicotine levels of 36 mg/ml are described as “super high” or “unfiltered”.

Super high nicotine concentrations are available in youth appealing flavors such as Peppermint Party, Banana Split, Marshmallow, Tutti Fruti Gumballs, My Birthday Cake, Carnival Cotton Candy, Totally Toffee, Strawberrylicious, Chocolate, and Energy Drink. These e-liquids are marketed online with bright and colorful images and dispensed in similarly colorful bottles. It is quite evident that these are designed to appeal to teens. The numerous sweet flavored varieties are also attractive to younger children.

As measured by Calafat and co-workers, Marlboro has 0.92 mg nicotine per cigarette. A 10 cc bottle of 36mg/ml chocolate e-liquid has the nicotine equivalent of 391 cigarettes. This volume of concentrated nicotine is sufficient to kill a sizable number of kindergartners.

The Centers for Disease Control and Prevention warns on its website that the fatal human dose has been estimated to be about 50 to 60 mg for a 150 pound adult. The lethal dose in a child is a small fraction of this.

The development of Advanced Personal Vaporizers, or Mods, has also dramatically increased the volume of vapor inhaled per puff, which further increases potential nicotine absorption. The large clouds of exhaled vapor raises the risk of second hand nicotine exposure.

1. Centers for Disease Control and Prevention. Nicotine. Centers for Disease Control and Prevention, May 1994. Web. 26 June 2014.

2. Calafat AM, Polzin GM, Saylor J. et. Al Determination of tar, nicotine, and carbon monoxide yieds in the mainstream smoke of selected international cigarettes. Tob Control 2004; 13: 45-51

Music – img19442

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Many e-cigarette (eCig) companies are using music as a medium of promotion and taking advantage of music’s ability to target select demographics and create strong cultural and emotional connections. By holding promotional events in nightclubs and sponsoring musical events for those 18 and older, eCig companies are simultaneous able to fend off criticism about targeting teenagers while at the same time marketing their product to the youth demographic at these events as an urban party essential.

Blu eCigs, a leading sponsor of music events, has sponsored at least half a dozen high profile musical festivals and parties in 2013 including the Governors Ball Music Festival, SXSW, Bonnaroo Music Festival, and the Sasquatch Music Festival. Speaking the language of music on its website, Blu has links to its sponsored events, images of consumers partying at these events, and interesting articles on the culture of music. It also has several videos of the events and over hundreds of photos of individuals enjoying themselves at the events. Other eCig brands too have sponsored musical events although none of them to the extent of Blu eCigs. NJOY sponsored 2013’s Coachella Music Festival and Bloog sponsored a 3-day musical event at Camp Bisco.

Apart from creating strong cultural ties with teenagers through these sponsorships, the events also serve as an opportunity to gain more consumers as eCig companies often offer “free samples” to consumers attending these events. According to a report by a group of Senators, in 2013, the six leading eCig manufacturers distributed free samples at atleast 348 events. 1

By popularizing cigarettes in the party environment, the tobacco industry is seeking to liken eCigs to drinks, something to use have fun with during a party. This social accessory image of the eCigs misleads teens by making them think that the product is safe. Of course, what the eCig marketing companies fail to promote is the nicotine addiction that use of eCigs promote.

1. Gateway to Addiction? A Survey of Popular Electronic Cigarette Manufacturers and Marketing to Youth. Available at http://www.durbin.senate.gov/public/index.cfm/pressreleases?ID=06acef25-48b0-4d9a-857a-74f7b4fcd4d5

Auto Racing – img19831

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The growing popularity of e-cigarettes has led its manufacturers to leave no stone unturned
in marketing to consumers. Taking a page out of the tobacco advertising playbook used in the mid 20th century, e-cigarette (eCig) manufacturers are using celebrity endorsements to drum up enthusiasm for their products and hook teenagers. With celebrities endorsing eCigs, billed as the “healthier alternative to traditional cigarettes,” smoking or in this case vaping of eCigs has become a fashion statement once again.

As there are no marketing restrictions on eCigs, slick television ads of celebrities puffing away on their personal vaporizers frequently bombard the airwaves. In Blu’s campaign, Stephen Dorff and Jenny McCarthy urge people to take back their independence with the slogan “Rise from the Ashes.” The Blu ads featuring Dorff are so popular that he has become synonymous with the brand. In a recent interview, he said that people come up to him all the time and ask about the Blu e-cigarette. “I’m like the Blu man group,” Dorff said in the interview. In the ad featuring McCarthy, black and white shots of her exhaling smoke, highlight the blue tip of Blu eCigs and make the entire experience look cool. In the ad, she goes on to say the best part of her e-cigarette is that she can use it ‘‘without scaring that special someone away’’ and can avoid kisses that ‘‘taste like an ashtray’’ when she’s out at her favorite club. Ads for eCig manufacturer NJOY feature rocker Courtney Love, in an expletive-laced ad, in which supporters of indoor smoking bans are portrayed as “stuffy” and “stuck-up,” while
the rocker is portrayed as free-spirited and independent. eCig companies have even photoshopped ysteryear celebrities such as Marilyn Monroe, James Dean, John Lennon using their products in ads.

Apart from direct endorsements by celebrities, there have also been subtle attempts by
celebrities to promote eCigs in movies and television shows. In an appearance on the David
Letterman show, Katherine Heigl was seen vaping a Smokestik and proclaiming that she was
addicted to the product, but it “wasn’t bad for you”. When CBS’s Two Broke Girls accosted their new, noisy upstairs neighbor, they were greeted at the door by Jennifer Coolidge with an eCig in
hand. Sean Penn was seen vaping an Njoy while talking about his work at Haiti at the Clinton Global
Initiative.

Much like big tobacco in the past, eCig companies are exploiting their association with Hollywood. eCig manufacturers waste no opportunity in posting pictures of celebrities and films that use their products through their social media channels and websites. For instance, Blu eCig’s Facebook page has a picture of Leonardo DiCaprio smoking what they claim is a Blu eCig while filming Django Unchained. Blu eCig’s website asks its customers to take a look at a film called “Plurality” because of the use of their eCig in the film and provide a web link to the film’s trailer as well as a synopsis.

The insidious practice by big tobacco companies to use celebrity endorsements and testimonials for hawking their products was the norm during the 1920s to 1960s. The practice ended only in 1964 when the FDA banned it.

1. Eliott, S. (2013, August 29). E-Cigarette Makers’ Ads Echo Tobacco’s Heyday. New York Times.
Available at http://www.nytimes.com/2013/08/30/business/media/e-cigarette-makers-ads-
echo-tobaccos-heyday.html.

2. Johnson, G.A. (2013, October 16). Stephen Dorff: Actor a hot commodity in ads, films. San
Francisco Chronicle. Available at http://www.sfgate.com/movies/article/Stephen-Dorff-Actor-a-
hot-commodity-in-ads-films-4901477.php

Vape Festivals – img19884

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With electronic cigarettes (eCigs) gaining in popularity, vape festivals are occurring all over the country. According to the organizers of these events, the festivals provide an opportunity for manufacturers as well as consumers to be “educated” about the products.

The vape festivals are also a huge attraction for individuals seeking to try the electronic devices as most manufacturers at the events offer free samples as well as plenty of giveaways. The practice of free samples and competitions has been a marketing ploy long used by the tobacco industry to target new consumers, primarily youth.

In addition to having booths that display eCig devices and related accessories, many of the vape festivals also hold “Cloud Chasing” competitions. These competitions have become immensely popular with a section of vaping enthusiasts. The contestants at these competitions take turns in exhaling gigantic clouds of vapor. Some of these competitions have been called by the vaping community as “Vape Olympics” and “X-Games of Vaping.” Videos of these competitions as well as pictures and videos of vape tricks and vape events posted on social media sites make the use of eCigs cool and trendy, a disturbing trend as it may encourage youth to try the product.

Skoal – img18924

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Smokeless tobacco product use and promotions are on the rise in the United States. Several factors have contributed to the growth in the smokeless tobacco market including availability of flavors, attractive pricing and availability to use anywhere.1

Skoal, which is owned by US Smokeless Tobacco Co., is the third most popular smokeless tobacco product in the US with a market share of 19.8%. Skoal is available in several flavors apart from natural tobacco including mint, wintergreen, peach, vaniall, berry, apple, and cherry. Internal tobacco documents show that as early as 1968, Skoal representatives understood the appeal of flavors among adolescents. A meeting summary quotes a Skoal representative commenting on the addition of candy flavoring to skoal. “Cherry Skoal is for somebody who likes the taste of candy, if you know what I mean.” “Starter” products are the first step on the so-called “graduation” process from beginner-strength to stronger smokeless products.”2

Skoal ads commonly appealed to sociability, masculinity, and individuality. The ads were marketed towards males. Even when the ads included women, the female models were there to attract men. Examples of such ads include the 12 pages of advertising that Skoal purchased in Playboy that had scantily dressed female models lying on cans of skoal.

A content analysis of Skoal ads found that many of the ads emphasized pleasure and were targeted to young boys. These ads featured young men relaxing by a campfire or taking thrill rides on ATVs – themes and images likely to appeal to teenage boys. The message of these ads were that in order to have fun you need to chew skoal.2 The Skoal ads appeared in recent issues of publications popular among young men and teen boys, including Sports Illustrated, Car and Driver and Maxim.

1. Delnevo, Cristine D., et al. “Examining market trends in the United States smokeless tobacco use: 2005–2011.” Tobacco Control 23.2 (2014): 107-112.
Tobacco Free Kids.(1997) Tobacco-Free Kids Questions U.S. Tobacco Decision to Remove Skoal Name from Rock Concert Ads. Available at http://www.tobaccofreekids.org/press_releases/post/id_0105

Copenhagen – ing23670

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Copenhagen is a brand of smokeless tobacco owned by Altria. Similar to other brands of chewing tobacco, advertisements for Copenhagen are primarily aimed at rugged, outdoorsy men and young boys. The ads feature rural and outdoor settings, men in cowboy hats, or macho men taking on tough tasks. An example includes a Copenhagen ad featuring an image of a cowboy working in the rain. “Some men never compromise. They Cope.” Another ad features the rough hands of a man dipping into a can of Copenhagen. The text reads, “”Real men know you don't just count the years, but make the years count.”

Grizzly – ing20917

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In 2015, 25.3% of high school students reported current use of any tobacco product and 6% reported use of smokeless tobacco. Among middle school students, 7.4% reported use of any tobacco product and 1.8% reported use of a smokeless tobacco.1

Grizzly, owned by Reynolds American Inc, has the largest market share of moist smokeless brands.2 It is the most popular brand of moist snuff among adolescents.3Grizzly products are available in natural, mint, and wintergreen flavors. The 1.2-ounce Grizzly Long-Cut Wintergreen rang up the most dollar and unit sales in large chain stores. 2

Most Grizzly ads are targeted at men. The ads refer to outdoor adventures such as hunting and fishing. Use of models are limited in these ads. The main focus of the ad is on the Grizzly cans and the accompanying slogan. In this section, you will find Grizzly ads targeted at teens that send the message that you can’t be a real man without chewing Grizzly. Example includes, “May cause the urge to act like a man,” and “Coasters are for people who put their drink down.”

Recently, Grizzly has run a series of advertisements with the tagline “tellin’ it like it is.” This series of ads uses sarcastic phrases as advice about how to be “manly” or “macho.” Examples of ads from this campaign include, “Out here, firewood does not come pre-bundled.” Another ad states, “Women have shoes. Men have miter saws.”

1. Singh T, Arrazola RA, Corey CG, et al. Tobacco Use Among Middle and High School Students — United States, 2011–2015. MMWR Morb Mortal Wkly Rep 2016;65:361–367. DOI: http://dx.doi.org/10.15585/mmwr.mm6514a1.
2. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
3. Tobacco Free Kids. (2015). Still Seeking Replacements: How Big Tobacco Targets Kids Today. Available at http://www.tobaccofreekids.org/microsites/replacements/assets/2015_03_17_marketing_report.pdf

You've Come A
Long Way, Baby – img10463

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Virginia Slims is a cigarette brand developed by Philip Morris in 1968 and marketed exclusively to women. Its early advertising campaigns exploited civil rights movements of the ‘60s with the slogan, “You’ve come a long way, baby,” a slogan which has lasted into modern times. The brand’s advertising methods continue to present Virginia Slims as the choice for strong, independent, liberated women. The 1990s slogan “It’s a woman thing” and the slogan of the 2000s, “Find Your Voice,” both signify that empowerment and feminism remain key leveraging mechanisms for the brand. An ad from 1995, for example, features a man wearing an apron and preparing a meal in the kitchen as a woman hugs him, cigarette in hand; the text reads, “Equality comes with no apron strings attached.” Often, these ads distract from the position of power Big Tobacco itself holds over both sexes, by pitting women against society instead of against the tobacco industry.

Additionally, marketing for Virginia Slims harnesses the power of fashion. Many print advertisements portray women in fashion-forward outfits and make references to fashion: “I’m a skyhigh pair of platforms in a closet full of flats,” an ad from 2001 boasts. The cigarettes themselves are longer and narrower than average cigarettes, reflected by the name “Slims.” This adoption of the word “slim” and indeed, sometimes even “superslim,” is a clear reference to a woman’s figure. A slim, slender figure is often presented as more desirable in women’s fashion magazines and by models in the fashion industry. The Virginia Slims brand portrays a subliminal, indirect message that Virginia Slims cigarettes will result in its smokers obtaining or maintaining a slim figure.

Eve – img19804

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Liggett & Myers created Eve cigarettes in 1971 as a direct competitor of Philip Morris’ Virginia Slims, which had been introduced three years prior in 1968. However, advertising for Eve took a different approach than Virginia Slims. Whereas Virginia Slims were marketed as the cigarette for the empowered, liberated woman, Eve was marketed as the cigarette for the feminine woman. In the 20th century, both the Eve cigarettes themselves and the packages containing them featured a floral design, prompting some ads to describe the cigarette as having “Flowers on the outside. Flavor on the inside.” As of 2002, the floral pattern has been replaced by butterflies, an updated graphic that appears less old fashioned and would appeal to younger audiences.

Advertising for Eve urges women to embrace their femininity. Like Virginia Slims, Eve hopes to attract women by harnessing the power of fashion. Many print advertisements across the decades portray women in fashionable, ladylike outfits, notably more conservative than their Virginia Slims counterparts. Some Eve slogans made direct reference to physical appearance, such as “Farewell to the ugly cigarette pack” (1970s), and “Eves of the world you are beautiful” (1970s). Both slogans tell women that they will be beautiful if they smoke a beautiful cigarette. Like Virginia Slims, Eve cigarettes themselves are longer and narrower than average cigarettes, a clear reference to a woman’s figure. A slim, slender figure is often presented as more desirable in women’s fashion magazines and by models in the fashion industry. Thus Eve joins Virginia Slims in providing a subliminal, indirect message that their brand will result in its smokers obtaining or maintaining a slim figure. Eve also takes advantage of its extra length (commonly 120 mm as opposed to the 85 mm of an average cigarette); a 1980s slogan, “every inch a lady,” drives home the connection between long cigarettes and sophisticated, ladylike women.

Marlboro – img42977

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This is an example of one of the earlier Marlboro ads, which marketed Marlboro cigarettes as being “Mild as May” to attract a female audience. This advertisement takes the next step by actually illustrating a fashionable woman smoking elegantly. In large letters, this ad mentions that Marlboros have “Ivory Tips” to “protect the lips,” targeting women who are concerned with protecting their lipstick. The woman pictured wears very dark lipstick, but her absurdly large cigarette is clean from any lipstick stains. Marlboro, the brand associated today with the rugged manliness of the “Marlboro Man” cowboy of later decades, was actually introduced to the market in 1927 as a woman’s cigarette. It wasn’t until 1954, after the war, that Marlboro underwent a sex change to compete with the three other top cigarette manufacturers.

Virginia Slims Modern Ads – img45506

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Virginia Slims is a cigarette brand developed by Philip Morris in 1968 and marketed exclusively to women. Its early advertising campaigns exploited civil rights movements of the ‘60s with the slogan, “You’ve come a long way, baby,” a slogan which has lasted into modern times. The brand’s advertising methods continue to present Virginia Slims as the choice for strong, independent, liberated women. The 1990s slogan “It’s a woman thing” and the slogan of the 2000s, “Find Your Voice,” both signify that empowerment and feminism remain key leveraging mechanisms for the brand. An ad from 1995, for example, features a man wearing an apron and preparing a meal in the kitchen as a woman hugs him, cigarette in hand; the text reads, “Equality comes with no apron strings attached.” Often, these ads distract from the position of power Big Tobacco itself holds over both sexes, by pitting women against society instead of against the tobacco industry.

Additionally, marketing for Virginia Slims harnesses the power of fashion. Many print advertisements portray women in fashion-forward outfits and make references to fashion: “I’m a skyhigh pair of platforms in a closet full of flats,” an ad from 2001 boasts. The cigarettes themselves are longer and narrower than average cigarettes, reflected by the name “Slims.” This adoption of the word “slim” and indeed, sometimes even “superslim,” is a clear reference to a woman’s figure. A slim, slender figure is often presented as more desirable in women’s fashion magazines and by models in the fashion industry. The Virginia Slims brand portrays a subliminal, indirect message that Virginia Slims cigarettes will result in its smokers obtaining or maintaining a slim figure.

Future Shadow Faces – img1139

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Modified to remove the word sweet in response to threats of litigation from the confection industry.

The firm which marketed Lydia Pinkham’s (1819 – 1883) Vegetable Compound perhaps has received too little credit as a pioneer in marketing to women. They coined such unforgettable slogans as “a baby in every bottle.” As indicated, the 1891 Pinkham slogan “Reach for a Vegetable Instead of a Sweet” has been cited as the inspiration for the Hill/Lasker 1928 slogan “Reach for a Lucky Instead of a Sweet.”

 

What I could not find mentioned in the literature was that Pinkham also originated the key slogan of Luckies follow on campaign “Coming events cast their shadows before” in 1891. Using this quote from Thomas Campbell 1777 – 1844, Pinkham’s Vegetable compound alleged their product would “dispense all of those shadows.”

 

Earlier, I has assumed that Lasker’s team, in response to the candy industry’s protests, had cleverly created this follow on campaign as a new means of communicating the weight loss theme without explicitly mentioning “sweets.” It now seems that Pinkham’s inspiration of Lasker was more extensive previously thought.

 

Hill claimed to have created the “Reach for a Lucky instead of a sweet” idea seeing a heavy women next to a slender women smoking on a street corner. However, as both campaigns so explicated borrowed from the Pinkham company slogans of some 40 years earlier, it seems clear that his stories were apocryphal.

 

It also raises the possibility that the “Reach for a Lucky” and “The coming shadows” we part of a planed campaign from the outset. Someone in the Lasker shop, recognizing the great success of Pinkham’s marketing, decided that ripping off their proven method was more expedient that writing new copy of their own.

 

In the tobacco archives, I also came across a 1949 Lucky Strike proposal, by the MH Hackett Company, to resurrect the weight loss theme using the slogan “When tempted to nibble, remember your middle” and “Be smart/Be slender.” Evidently, nothing came of it.

(http://legacy.library.ucsf.edu/tid/fkf41a00/pdf)

 

 

Avoid the Future Shadow Campaign:

 

“Coming events cast their shadows before” (Thomas Campbell 1777 – 1844)

(appears on most ads)

 

“The shadow which pursues us all” (John Greenleaf Whittier, 1807-1892)

“And O’er his heart a shadow fell.” Edgar Allen Poe (1809-1849)

“Shadows huger than the shapes that cast them” (Alfred Lord Tennyson 1809-1892)

“Condemning shadows” (Shakespeare 1564-1616)

“First a shadow, then a sorrow” (Henry Wadsworth Longfellow 1807 – 1882)

School Days – img3835

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The ads in this theme target young people by featuring high school or university students hawking cigarettes. Graduates in cap and gown, holding cigarettes (as in an ad for Chesterfield from 1940), were used none too subtly to portray smoking as a proud badge of adulthood. All of the leading cigarette brands, including Old Gold, Chesterfield, Cavalier, Winston, Camel, and Lucky Strike, took part in advertising to students. To this day, tobacco companies place point-of-sale advertisements in and around corner stores near high schools, where 3/4 of students reportedly stop by every day.

Ads for Old Gold from the 1920s claim that Yale and Princeton students found Old Golds to be the best of four leading cigarette brands in a blind taste test and that Harvard students liked Old Golds second-best. Decades later, in 1953, Cavalier ran a similar campaign, claiming that “87% of college women” and “83% of Princeton Seniors who were interviewed said ‘Cavaliers are Milder than the brand I had been smoking!’”

Some Chesterfield ads in the 1940s printed college football schedules, one included a smiling young college man with two books tucked under his arm and a caption reading, “the largest selling cigarette in America’s colleges,” and another Chesterfield ad from the period featured a young female model wearing “Chesterfield’s own graduation cap.” Old Gold continued targeting college students in the 1940s with its “Something New Has Been Added” campaign; one of these ads depicted a college man whistling as he walks by a group of co-eds, a shining “G” for Gold on his letterman’s sweater. Winston jumped on the bandwagon in the ’40s, too – an ad depicts two college students sitting on school steps amidst stacks of books as their professor walks by to correct their English, but not their smoking habits. Camel was by no means exempt, featuring a model holding up a college pennant which reads “CAMELS” instead of the name of the alma mater in 1942. In 1959, Lucky Strike was sponsoring and advertising “Campus Jazz Festivals.”

Tobacco companies, which continue to target vulnerable young people today, have a long-standing investment in hooking the teen market. As one R.J. Reynolds internal industry document from 1984 explains, “younger adult smokers have been the critical factor in the growth and decline of every major brand and company over the last 50 years. They will continue to be just as important to brands/companies in the future…” (1). Young smokers are crucial for tobacco industry success for two reasons: First, the vast majority of smokers begin smoking between the ages of 13 and 21, and almost nobody picks up the habit over the age of 24, thus, as another RJR document explains, “younger adults are the only source of replacement smokers” once older adult smokers pass away (2).

Even after harsh criticism from activists and policy makers, tobacco companies continue to advertise to the youth market. While they claim they target only “informed adults” of at least 21 years of age, recent ad campaigns tell a different story. Take a look at some of our other themes, including “Flavored Tobacco,” “Joe Camel,” “Newport Teases Teens,” and “Recent Menthol” to discover Big Tobacco’s ongoing teen marketing campaigns.

1. Teague, Claude E. “Research Planning Memorandum on Some Thoughts About New Brands of Cigarettes for the Youth Market.” R.J. Reynolds. 2 Feb 1973. http://legacy.library.ucsf.edu/tid/mqu46b00/pdf

2. Burrows, D.S. “Younger Adult Smokers: Strategies and Opportunities.” R.J. Reynolds. 29 February 1984. http://legacy.library.ucsf.edu/tid/tqq46b00/pdf

Be Happy, Go Lucky – img3889

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This theme features Lucky Strike ads from the “Be Happy – Go Lucky!” campaign of the early 1950s and ads from British brand Kensitas, which followed with its “Kensitas – that’s good!” campaign a year later. These ads are appealing to people of all ages, especially teens and young adults, with their vibrant colors, youthful models, fun fonts and carefree messages.

From 1935 to 1959, Lucky Strike sponsored a popular radio show and subsequent TV show, “Your Hit Parade,” which associated Lucky Strike cigarettes and smoking with fun, music, dancing, and friends. “Your Hit Parade” featured popular songs and musicians of the day alongside copious advertisements for the cigarette brand. When the show first aired on television, the program opened up with the following Lucky Strike jingle composed by Raymond Scott:

“Be happy, go Lucky,

Be happy, go Lucky Strike,

Be happy, go Lucky,

Go Luck-y Strike to-DAY!”

At the same time, Lucky Strike began rolling out print advertisements in popular magazines bearing the “Be Happy – Go Lucky” slogan. This followed on the heels of the 1949 campaign, “Smoke a Lucky to Feel your Level Best!” Both slogans suggested that smoking Luckies resulted in emotional and physical benefits, and both campaigns were colorful and youthful, featuring young, predominantly female models having the times of their lives. These ads presented Lucky smokers as young, attractive, vibrant, athletic, happy, and full of vitality. Without claiming health benefits outright, Lucky Strike portrayed its brand as healthy and enticing through these campaigns.

Today's Youth – img4025

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Young people have been (and remain today) a key marketing target for tobacco companies. It is easy to assume that tobacco companies have discontinued advertising to teens in recent decades, as tobacco companies vehemently claim that they target adult audiences and do not market to people under the age of 21. Though we have many ads from decades past which clearly target teens, children, students, and young adults, we also have a wide selection from recent decades which target youth in more subtle ways.

In particular, older models are featured in ads behaving like children – in this way, the ads appear to target older audiences because the models are older, but their actions speak to younger audiences. For example, a group of friends plays together on a swing or sleds down a snowy slope (Salem), friends eat ice cream sundaes or practice hand stands on the beach (Newport). More extreme cases still can be seen in ads from overseas, which face less stringent regulations than those in the U.S. Ads from Russian brand Kiss, for example, feature young female models dressed in pink, enjoying lollipops and ice cream cones like little girls.

Tobacco companies also use the opposite technique to attract youth, featuring young adults in “adult-only” scenarios. For example, young men and women mingle in a nightclub, meet at a bar, or play billiards (Kool). Teens who see these ads see smoking as a gateway to mature actions which are normally off-limits but desirable.

Most smokers do not begin smoking as adults. Almost all new smokers, the lifeblood of the industry, are teens and young adults aged 13 to 21. An R.J. Reynolds document from 1973 reveals the long-seeded emphasis on targeting teens with cigarette ads: “Realistically, if our Company is to survive and prosper, over the long term, we must get our share of the youth market” (1). In the 1980s, RJR places a stronger emphasis on the necessity of hooking teens early, claiming that “younger adult smokers have been the critical factor in the growth and decline of every major brand and company over the last 50 years. They will continue to be just as important to brands/companies in the future…” (2). Later in this same document, the company literally refers to its smokers as if they assets, claiming that a young smoker “appreciates in value over time because of increased consumption.” Decades later, the sentiment that youth must be targeted remains prevalent. A more recent R.J. Reynolds document from 1998 explains that because only 31% of smokers begin smoking after age 18, and only 5% after age 24, “younger adults are the only source of replacement smokers” once adult smokers pass away (3).

The emphasis on targeting teens was by no means restricted to R.J. Reynolds. An internal Philip Morris document from 1981 explains that the teen market is “particularly important,” because “today’s teenager is tomorrow’s potential regular customer, and the overwhelming majority of smokers first begin to smoke while still in their teens” (4). Even after harsh criticism from activists and policy makers, tobacco companies continue to advertise to the youth market. While they claim they target only “informed adults” of at least 21 years, recent ad campaigns tell a different story. Take a look at some of our other themes, including “Flavored Tobacco,” “Joe Camel,” “Newport Teases Teens,” and “Recent Menthol” to discover Big Tobacco’s ongoing teen marketing campaigns.

1. Teague, Claude E. “Research Planning Memorandum on Some Thoughts About New Brands of Cigarettes for the Youth Market.” R.J. Reynolds. 2 Feb 1973. http://legacy.library.ucsf.edu/tid/mqu46b00/pdf

2. Burrows, D.S. “Younger Adult Smokers: Strategies and Opportunities.” R.J. Reynolds. 29 February 1984. http://legacy.library.ucsf.edu/tid/tqq46b00/pdf PERFORMING ARTS PAGE 36

3. “The Importance of Younger Adults.” R.J. Reynolds. 27 Feb 1998. http://legacy.library.ucsf.edu/tid/eyn18c00/pdf

4. Johnston, M.E. “Young Smokers Prevalence, Trends, Implications and Related Demographic Trends.” Philip Morris. 31 March 1981. http://legacy.library.ucsf.edu/tid/fts84a00/pdf

Flavored Tobacco – img4051

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Flavored cigarettes and flavored tobacco have long been held to be gateway products for children, teens, and young adults. Sweet flavors like Camel’s limited edition “Warm Winter Toffee” or Kool’s “Midnight Berry” mask the harsh, unusual flavors of tobacco by overpowering the tobacco flavor with taste sensations that first-time users would find more predictable. Flavored cigarettes continued to be sold well into the 2000s, and didn’t leave U.S. shelves until 2009, when President Obama granted the FDA authority to regulate tobacco products. Finally, the FDA was able to ban the sale of flavored cigarettes, citing studies which showed “that 17-year-old smokers are three times as likely to use flavored cigarettes as smokers over the age of 25” (1).

Unfortunately, the 2009 ban on flavored cigarettes did not extend to menthols, the most popular flavor added to cigarettes, nor did it extend to cigars, cigarillos, or smokeless tobacco products. And here is where the tobacco companies have been making their biggest marketing pushes recently. Chewing and dipping tobacco brands like Skoal and Klondike continue to sell tobacco flavored with apple, berry, peppermint, and more, while Camel makes serious inroads on smokeless tobacco products as well as menthol cigarettes. The Camel Crush line clearly targets youth as a flavored cigarette, which allows the user to release a refreshing “burst” of menthol flavor with just a pinch of the cigarette, while Camel Snus, a smokeless tobacco “pouch” provides an alternative to smoking with little packets of sweetened tobacco that can be tucked discreetly under the lip during class or in front of parents.

The FDA does have the power to instill further bans on menthol cigarettes and/or flavored smokeless tobacco. It remains to be seen what actions will be taken in the future.

Salem Shows Spirit – img4300

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In 1982, Salem rebranded their product toward a younger demographic and launched a new campaign, “Salem Spirit.” The new campaign served to rival Newport’s ongoing efforts targeting youth and attempted to steal Kool’s declining young customer base. In “Salem Spirit,” groups of young men and women bond together over fun, youthful activities, ranging from sledding and hot air ballooning to picnicking and frolicking in the ocean.

Internal R.J. Reynolds documents described the Salem smoker as “self-confident, up-to-date,” and as “younger adult smokers (18-23) who are characterized as social leaders/catalysts since they uniquely possess that sense of humor/wit, spontaneity, warmth and unpretentious style that makes them fun and exciting to be with” (1, 2).

The ads were constructed carefully in order to target this very specific demographic in many ways. One way was the use of what R.J. Reynolds referred to as “refreshment communicators.” Used to reflect the potentially unknown sensations of menthol to new smokers, refreshment communicators included “greenery, water, snow, and outdoor situations” (2).

Another method for attracting youth was through the campaign’s use of young, fun-loving models: “Model attitudes should continue to advance the campaign’s imagery through a warmth/caring focus as a vehicle to reflect a sense of group belonging and peer group acceptance,” one document explains, citing the equivalent of peer pressure as a primary method for hooking youth. “This is an important element differentiating the Spirit campaign from Newport’s exclusive ‘coupling.’ Model closeness will be emphasized to gain social smoking acceptability” (2). Another result of “model closeness” is that the activities all feel younger and almost child-like. Indeed, sharing a big drink at a picnic, sledding together, swinging on a tree swing, or playing “chicken” at the beach are all childish activities which contrast strikingly with any claims that the ads target solely adult audiences.

Young people have been (and remain today) a key marketing target for Salem cigarettes. In the 1980s, R.J.R. placed a strong emphasis on the necessity of hooking teens early, claiming that “younger adult smokers have been the critical factor in the growth and decline of every major brand and company over the last 50 years. They will continue to be just as important to brands/companies in the future…” (3). Later in this same document, the company literally refers to its smokers as if they assets, claiming that a young smoker “appreciates in value over time because of increased consumption.” Decades later, the sentiment that youth must be targeted remains prevalent. A more recent R.J. Reynolds document from 1998 explains that because only 31% of smokers begin smoking after age 18, and only 5% after age 24, “younger adults are the only source of replacement smokers” once adult smokers pass away (4).

1. Neher, WK. “Refined Positioning Statement for Salem.” R.J. Reynolds. 2 July 1984. http://legacy.library.ucsf.edu/tid/qoe95d00/pdf

2. Hatheway, GM; William Esty. “Salem Spirit DAR Research Perspective.” R.J. Reynolds. 19 July 1984. http://legacy.library.ucsf.edu/tid/koe95d00/pdf

3. Burrows, D.S. “Younger Adult Smokers: Strategies and Opportunities.” R.J. Reynolds. 29 February 1984. http://legacy.library.ucsf.edu/tid/tqq46b00/pdf

4. “The Importance of Younger Adults.” R.J. Reynolds. 27 Feb 1998. http://legacy.library.ucsf.edu/tid/eyn18c00/pdf

Young Smokers – img8669

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The ads in this theme, featuring attractive, smiling, young models, blatantly target teens and young adults. This theme spans decades of cigarette ads targeting youth, from the 1920s Fatima cigarettes slogan, “the younger crowd,” to the 1930s and ’40s Old Gold slogan, “for young ideas,” to the 1950s Philip Morris slogan “for those with keen, young tastes.” Internal industry documents show that young people have been (and remain today) a key marketing target for tobacco companies.

Most smokers do not begin smoking as adults. Almost all new smokers, the lifeblood of the industry, are teens and young adults aged 13 to 21. An R.J. Reynolds document from 1973 reveals the long-seeded emphasis on targeting teens with cigarette ads: “Realistically, if our Company is to survive and prosper, over the long term, we must get our share of the youth market” (1). In the 1980s, R.J.R. placed a stronger emphasis on the necessity of hooking teens early, claiming that “younger adult smokers have been the critical factor in the growth and decline of every major brand and company over the last 50 years. They will continue to be just as important to brands/companies in the future…” (2). Later in this same document, the company literally refers to its smokers as if they assets, claiming that a young smoker “appreciates in value over time because of increased consumption.” Decades later, the sentiment that youth must be targeted remains prevalent. A more recent R.J. Reynolds document from 1998 explains that because only 31% of smokers begin smoking after age 18, and only 5% after age 24, “younger adults are the only source of replacement smokers” once adult smokers pass away (3).

The emphasis on targeting teens was by no means restricted to R.J. Reynolds. An internal Philip Morris document from 1981 explains that the teen market is “particularly important,” because “today’s teenager is tomorrow’s potential regular customer, and the overwhelming majority of smokers first begin to smoke while still in their teens” (4). Even after harsh criticism from activists and policy makers, tobacco companies continue to advertise to the youth market. While they claim they target only “informed adults” of at least 21 years, recent ad campaigns tell a different story. Take a look at some of our other themes, including “Flavored Tobacco,” “Joe Camel,” “Newport Teases Teens,” and “Recent Menthol” to discover Big Tobacco’s ongoing teen marketing campaigns.

Abroad, where regulation is less strict, flagrant targeting of youth in cigarette ads remains rampant. Bright pink ads for Kiss cigarettes in Russia, using fresh-faced girls enjoying lollipops and ice cream cones, exemplify the dangers of tobacco advertising with next to zero regulations.

1. Teague, Claude E. “Research Planning Memorandum on Some Thoughts About New Brands of Cigarettes for the Youth Market.” R.J. Reynolds. 2 Feb 1973. http://legacy.library.ucsf.edu/tid/mqu46b00/pdf

2. Burrows, D.S. “Younger Adult Smokers: Strategies and Opportunities.” R.J. Reynolds. 29 February 1984. http://legacy.library.ucsf.edu/tid/tqq46b00/pdf

3. “The Importance of Younger Adults.” R.J. Reynolds. 27 Feb 1998. http://legacy.library.ucsf.edu/tid/eyn18c00/pdf

4. Johnston, M.E. “Young Smokers Prevalence, Trends, Implications and Related Demographic Trends.” Philip Morris. 31 March 1981. http://legacy.library.ucsf.edu/tid/fts84a00/pdf

Babies – img4319

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It is shocking to see the plethora of tobacco brands which incorporated images of infants in their advertisements, but these images had multiple values to tobacco advertisers. For one, depictions of babies in cigarette ads reinforced the respectability of smoking as a part of normal family life, a perception often promulgated by the tobacco industry. Further, the images of youngsters tended to send a reassuring message to consumers about the healthfulness of the product. Babies, especially, represent purity, vibrancy, and life – concepts which can be dangerous when tied to tobacco products. Finally, these depictions of infants were an obvious ploy to attract females to smoking as part of the industry’s campaign to expand the pool of women smokers.

Children – img4336

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Children have played a huge role in tobacco advertising over the decades, and images of children fulfill multiple purposes for tobacco advertisers. Particularly in the Baby Boomer era, depictions of children with their mothers or fathers in cigarette ads reinforced the respectability of smoking as a part of normal family life, a perception often promulgated by the tobacco industry. Further, the images of youngsters tended to send a reassuring message to consumers about the healthfulness of the product, representing purity, vibrancy, and life – concepts which can be dangerous when tied to tobacco products. Finally, these depictions of children were an obvious ploy to attract females to smoking as part of the industry’s campaign to expand the pool of women smokers.

Santa Puffing – img4438

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Cherished Icons can be found in a number of Tobacco Ads. Indeed, the tobacco industry has made every effort to associate itself with noble institutions, patriotic themes, and cultural icons that connote respectability. Among the innumerable examples are George Washington, Mt. Rushmore, British royalty, the US flag, the Statue of Liberty, soldiers, astronauts, and even the beloved family pet. Even more prevalent were cultural symbols which brought to mind happy times and celebration, particularly Santa Claus; Our collection includes numerable examples of ads featuring jolly old Saint Nick puffing away with obvious pleasure on a cigarette, cigar or pipe.

Christmas – img4470

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Cherished Icons can be found in a number of Tobacco Ads. Indeed, the tobacco industry has made every effort to associate itself with noble institutions, patriotic themes, and cultural icons that connote respectability. Among the innumerable examples are George Washington, Mt. Rushmore, British royalty, the US flag, the Statue of Liberty, soldiers, astronauts, and even the beloved family pet. Even more prevalent were cultural symbols which brought to mind happy times and celebration, particularly Santa Claus; Our collection includes numerable examples of ads featuring jolly old Saint Nick puffing away with obvious pleasure on a cigarette, cigar or pipe.

Clowns – img4479

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Cherished Icons can be found in a number of Tobacco Ads. Indeed, the tobacco industry has made every effort to associate itself with noble institutions, patriotic themes, and cultural icons that connote respectability. Among the innumerable examples are George Washington, Mt. Rushmore, British royalty, the US flag, the Statue of Liberty, soldiers, astronauts, and even the beloved family pet. Even more prevalent were cultural symbols which brought to mind happy times and celebration, especially Santa Claus. Interestingly, the figure of the clown continues to crop up in tobacco ads over the decades. Simultaneously scary, funny, and perhaps cool, clowns creatively represent cigarettes in a desirable light, and may work particularly well in attracting children.

Joe Camel Cartoons – img17794

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In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf