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Home / Archives for flavor

flavor

Snus – ing5878

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3378

May 24, 2021 by sutobacco

Cigalikes – img21366

June 2, 2021 by sutobacco

There are two different styles of e-cigarettes available in the market. E-cigs that look like technologically advanced pens and smart phones and e-cigs that look and feel much like a traditional cigarette. It is under this latter category that brands such as NJOY, Premium Ecigs, Play Vapor and Real Feel belong.

For many heavy smokers, every detail of the smoking experience from the way the cigarette feels in their hand, to the taste and smell of the product, to the way it burns the throat, to how they ash it contributes to their smoking pleasure. Some studies have shown that if these sensations are removed that smoking satisfaction decreases.

In tempting these heavy smokers to switch over to e-cigs, many eCig brands are trying to mimic as much of the taste and feel of conventional cigarettes as they can. For instance both Real and NJOY are so closely designed to imitate a traditional cigarette that they include a faux gold ring, cartridge color and a tip that resembles glowing embers. NJOY and Metro eCigs are also designed to be the same size as a conventional cigarette. NJOY manufacturers are also working to get the eCig to weigh the same as a conventional cigarette.

For many heavy smokers, eCigs miss the mark because they don’t produce a throat hit, the burn at the back of your throat when you smoke. While eCig manufacturers are getting better at imitating this feature of conventional cigarettes too, for the moment it still isn’t there.

Merit – img3397

May 24, 2021 by sutobacco

Merit – img3355

May 24, 2021 by sutobacco

Less Nicotine – img9578

May 19, 2021 by sutobacco

Camel’s “28% Less Nicotine” campaign ran from 1940-1944, most predominantly in 1941 and 1942. The campaign claimed that Camels had “extra mildness, extra coolness, extra flavor“ as well as “extra freedom from nicotine in the smoke.” It was clear that Camel was tying nicotine content to mildness, and thereby healthfulness, but no direct health claims were made. Rather, it was implied that cigarettes containing less nicotine were inherently better for you than other cigarettes. Of course, it has since been proven that if a brand of cigarettes does indeed contain less nicotine, smokers will merely smoke more cigarettes in order to get the same nicotine “kick” they would normally receive, thereby negating any possible health benefits.

The ads in the “28% Less” campaign cite “independent scientific tests” as the source for their facts and figures. Along with the claim of 28% less nicotine, R.J. Reynolds also claimed Camels burned 25% slower “than the average of the 4 other largest-selling brands tested.” The other brands tested were Lucky Strike, Chesterfield, Philip Morris, and Old Gold. The scientific report, conducted by New York Testing Labs, Inc., can be found in the UCSF Tobacco Legacy Archives, and is documented specifically as a “report made for William Etsy & Company,” R.J. Reynolds’ advertisement agency (1). The experiment was clearly sponsored by R.J. Reynolds with the intent of promoting Camel cigarettes. Toward the end of the report, the figures in question are reported specifically to facilitate ad copy writing: “Camel % less than average of 4 other brands by – 28.1%” and “Camel cigarettes burned slower than the average of other brands by a percentage of 25.5.”

The scientific report discloses that its methods were experimental in nature, and, in fact, a subsequent follow-up report from 1942 demonstrates much different results, with Camel coming in at only 4.9% slower-burning and 11.9% less nicotine. Clearly, the methods used were not reliable. As we now know, because this experiment was conducted on a smoking machine, its results are inconsequential; smoking machines are incapable of mimicking the variety of smoking patterns and the “smoking topography” of human smokers.

Also of note, particularly relevant to one advertisement, is a photograph of two technicians operating the “standardized automatic smoking apparatus” used for the experiment. The first ad of this theme contains the photograph. It is indeed the same machine used from the experiment, as it accurately matches the diagram provided in the scientific report accessible through the UCSF Tobacco Legacy Archives (1). The inclusion of the photograph in the advertisements is a clear indicator that the tests were hardly “independent” in nature, and that they were indeed sponsored generously by William Etsy & Company, and thus by R.J. Reynolds.

NY Testing Laboratories, Prvitz GJ, Jack GB JR. “An Investigation of the Ultimate Components, Nicotine in Smoke, and Burning Time of 5 Popular Brands of Cigarettes.” 31 July 1940. RJ Reynolds. http://legacy.library.ucsf.edu/tid/zic19d00

Merit – img3356

May 24, 2021 by sutobacco

Snus – ing5879

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3358

May 24, 2021 by sutobacco

Snus – ing5872

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3359

May 24, 2021 by sutobacco

Snus – ing5873

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3360

May 24, 2021 by sutobacco

Snus – ing5874

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3361

May 24, 2021 by sutobacco

Snus – ing5880

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3363

May 24, 2021 by sutobacco

Merit – img3364

May 24, 2021 by sutobacco

Snus – ing5881

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3365

May 24, 2021 by sutobacco

Snus – ing11100

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3366

May 24, 2021 by sutobacco

Snus – ing11097

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3385

May 24, 2021 by sutobacco

Snus – ing11098

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3386

May 24, 2021 by sutobacco

Snus – ing11099

June 4, 2021 by sutobacco

Camel snus is the market leader among snus products in the US.1 Snus is a form of chewing tobacco that is placed between the lip and the gum. The tobacco is pasteurized and not fermented. It contains less moisture than moist snuff and does not require the use to spit it out.2

The Camel snus ads shifted the focus from traditional smokeless tobacco ads (i.e. blue collar workers) to urban sophisticates.3 Examples of the advertisements include ads with messages such as “hunting-friendly; fishing-friendly” and “haven’t seen a deer in hours-friendly.” The ads also subliminally suggested that individuals could use snus where smoking is restricted (e.g., freedom from smokers, enjoy taxicabs, subways, and bar-hopping, NYC smokers enjoy freedom without the flame.)

In 2009, Camel introduced a new series of snus ads with the slogan “Break Free.” Examples of such ads are“before, during, and after boldly go everywhere; one size should never fit all.” The break free ads were ambiguous in their message. A content analysis of the Camel Snus break free campaign suggested that some of the messages could be taken to refer to a change in use of smokeless tobacco while other messages could be a call for an adolescent to act independently from parents or from the mainstream youth or adult population.” For instance, some adolescents may readily relate to the rebellious tone of advertisements, such as “Keep making noise” or “Be hear not hearded.”3

1. CSP daily. (2016). Where the gains are. Available at http://www.cspdailynews.com/category-data/cmh/tobacco/tobacco-smokeless-2016
2. Winston-Salem Journal. (2013). R.J. Reynolds unveils larger pouch for Camel Snus. Available at http://www.journalnow.com/business/business_news/local/r-j-reynolds-unveils-larger-pouch-for-camel-snus/article_6b32ac68-1431-11e3-b6c1-0019bb30f31a.html
3. Timberlake, David S., et al. “A content analysis of Camel Snus advertisements in print media.” Nicotine & Tobacco Research (2011): ntr020.

Merit – img3388

May 24, 2021 by sutobacco

Merit – img3389

May 24, 2021 by sutobacco

Merit – img3390

May 24, 2021 by sutobacco

Pink eCigs – img22835

June 2, 2021 by sutobacco

Electronic Cigarette (e-cig) companies are targeting women through female only brands such as Vapor Couture and Luli, as well as through dual sex brands such as V2 Cigs, Veppo, and Fin. In the case of the latter, some e-cig companies resort to advertisements that feature highly successful and independent women carrying out activities that have for long been considered the bastion of men. In the case of the former, e-cig companies market to women through advertisements that suggest girly, playful and stylish themes.

In these ads it is common to see pink e-cigs placed next to a bunch of red roses, or lipstick tubes, and compact containers. The intent of the imagery is to allow women to associate e-cigs as a harmless fashion accessory that is as important and essential as a makeup mirror or a tube of lipstick.

A common ploy adopted by many of the e-cig companies is to co-opt social /health causes for their own advantage. In 1992, the pink ribbon became the official symbol for breast cancer awareness. Since the adoption of the pink ribbon, the color pink has is often associated with support of breast cancer survivors, as well as women solidarity. By using the prink ribbon on their advertisements, many e-cig companies are attempting to earn goodwill from the public as well as suggest to potential consumers that there is nothing harmful about the product. For instance, an EverSmoke ad shows the torso of a woman with her breast covered by her hand and the pink breast cancer ribbon. The slogan reads “Save a Life. Save a Lung. Save a Boob.” At a time when no research had been done into the health effects of e-cigs this is a highly immoral advertising tactic, designed to play on people's fears of an often-fatal disease.

Merit – img3391

May 24, 2021 by sutobacco

Merit – img3392

May 24, 2021 by sutobacco

Merit – img3393

May 24, 2021 by sutobacco

Merit – img3394

May 24, 2021 by sutobacco

Merit – img3395

May 24, 2021 by sutobacco

Merit – img3396

May 24, 2021 by sutobacco

Pink eCigs – img22844

June 2, 2021 by sutobacco

Electronic Cigarette (e-cig) companies are targeting women through female only brands such as Vapor Couture and Luli, as well as through dual sex brands such as V2 Cigs, Veppo, and Fin. In the case of the latter, some e-cig companies resort to advertisements that feature highly successful and independent women carrying out activities that have for long been considered the bastion of men. In the case of the former, e-cig companies market to women through advertisements that suggest girly, playful and stylish themes.

In these ads it is common to see pink e-cigs placed next to a bunch of red roses, or lipstick tubes, and compact containers. The intent of the imagery is to allow women to associate e-cigs as a harmless fashion accessory that is as important and essential as a makeup mirror or a tube of lipstick.

A common ploy adopted by many of the e-cig companies is to co-opt social /health causes for their own advantage. In 1992, the pink ribbon became the official symbol for breast cancer awareness. Since the adoption of the pink ribbon, the color pink has is often associated with support of breast cancer survivors, as well as women solidarity. By using the prink ribbon on their advertisements, many e-cig companies are attempting to earn goodwill from the public as well as suggest to potential consumers that there is nothing harmful about the product. For instance, an EverSmoke ad shows the torso of a woman with her breast covered by her hand and the pink breast cancer ribbon. The slogan reads “Save a Life. Save a Lung. Save a Boob.” At a time when no research had been done into the health effects of e-cigs this is a highly immoral advertising tactic, designed to play on people's fears of an often-fatal disease.

Pink eCigs – img22845

June 2, 2021 by sutobacco

Electronic Cigarette (e-cig) companies are targeting women through female only brands such as Vapor Couture and Luli, as well as through dual sex brands such as V2 Cigs, Veppo, and Fin. In the case of the latter, some e-cig companies resort to advertisements that feature highly successful and independent women carrying out activities that have for long been considered the bastion of men. In the case of the former, e-cig companies market to women through advertisements that suggest girly, playful and stylish themes.

In these ads it is common to see pink e-cigs placed next to a bunch of red roses, or lipstick tubes, and compact containers. The intent of the imagery is to allow women to associate e-cigs as a harmless fashion accessory that is as important and essential as a makeup mirror or a tube of lipstick.

A common ploy adopted by many of the e-cig companies is to co-opt social /health causes for their own advantage. In 1992, the pink ribbon became the official symbol for breast cancer awareness. Since the adoption of the pink ribbon, the color pink has is often associated with support of breast cancer survivors, as well as women solidarity. By using the prink ribbon on their advertisements, many e-cig companies are attempting to earn goodwill from the public as well as suggest to potential consumers that there is nothing harmful about the product. For instance, an EverSmoke ad shows the torso of a woman with her breast covered by her hand and the pink breast cancer ribbon. The slogan reads “Save a Life. Save a Lung. Save a Boob.” At a time when no research had been done into the health effects of e-cigs this is a highly immoral advertising tactic, designed to play on people's fears of an often-fatal disease.

Pink eCigs – img22846

June 2, 2021 by sutobacco

Electronic Cigarette (e-cig) companies are targeting women through female only brands such as Vapor Couture and Luli, as well as through dual sex brands such as V2 Cigs, Veppo, and Fin. In the case of the latter, some e-cig companies resort to advertisements that feature highly successful and independent women carrying out activities that have for long been considered the bastion of men. In the case of the former, e-cig companies market to women through advertisements that suggest girly, playful and stylish themes.

In these ads it is common to see pink e-cigs placed next to a bunch of red roses, or lipstick tubes, and compact containers. The intent of the imagery is to allow women to associate e-cigs as a harmless fashion accessory that is as important and essential as a makeup mirror or a tube of lipstick.

A common ploy adopted by many of the e-cig companies is to co-opt social /health causes for their own advantage. In 1992, the pink ribbon became the official symbol for breast cancer awareness. Since the adoption of the pink ribbon, the color pink has is often associated with support of breast cancer survivors, as well as women solidarity. By using the prink ribbon on their advertisements, many e-cig companies are attempting to earn goodwill from the public as well as suggest to potential consumers that there is nothing harmful about the product. For instance, an EverSmoke ad shows the torso of a woman with her breast covered by her hand and the pink breast cancer ribbon. The slogan reads “Save a Life. Save a Lung. Save a Boob.” At a time when no research had been done into the health effects of e-cigs this is a highly immoral advertising tactic, designed to play on people's fears of an often-fatal disease.

Kool Modern – img6147

May 25, 2021 by sutobacco

Recent Kool ads are clearly marketed toward a younger, urban demographic. Many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers “be true” to themselves and to “be true” and loyal to the brand. The “Be True” slogan was accompanied by variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse; Asians, African Americans, and Caucasians are all represented in the campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

Kool utilized music in general (particularly jazz music in the 1980s and hip hop in the 2000s) as “an idea or symbol that was truly Pan-Racial… an idea that transcended the color of a smoker’s skin” (1). In a National Sales Meeting speech, a B&W exec explained their music-oriented approach as “not advertising for Blacks or Whites or Hispanics,” but rather as “advertising for everyone who likes music. And how many people do you know who don’t like music?” The exec goes on to explain, “Black smokers are very important to Kool, as you well know, and we could, like Salem, create a separate ad campaign to run in Black publications… with Black models only. But why should we? We don’t have to do that, we’re going to own the world of music, where the subject of Black and White don’t matter because the only real issue is one of pleasure. Musical enjoyment…linked to smoking satisfaction” (2).

1. Cunningham & Walsh Advertising Agency. “Kool: The Revitalization of an Image.” B&W. 1 July 1981. http://legacy.library.ucsf.edu/tid/leb91d00

2. Lewis, LR. “Speech for National Sales Meeting.” B&W. Oct 1981. http://legacy.library.ucsf.edu/tid/crj40f00

Modern Menthol – img1914

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Modern Menthol – img1915

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Modern Menthol – img1916

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Modern Menthol – img1917

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

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