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Stanford Research into the Impact of Tobacco Advertising

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Movie Stars – Women – img2154

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, movie stars, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case female movie stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the movie star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball trusts Chesterfield, then it’s good enough for me.” In addition to providing health claims, movie stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, movie stars, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case female movie stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the movie star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball trusts Chesterfield, then it’s good enough for me.” In addition to providing health claims, movie stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Directors and Producers – img2565

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Popular directors and producers did not escape the grasp of the tobacco companies. In the late 1920s and early 1930s, famous Broadway producers Florenz Ziegfeld, and George M. Cohan endorsing Lucky Strikes, along with popular Hollywood directors King Victor and Cecil B. de Mille. In the late 1940s, Philip Morris capitalized on the appeal of the director, while Winston jumped on the bandwagon in 1956 with its ads featuring photographers. The image of the handsome, seductive director persists in modern tobacco advertising, including the depiction of a director in a 2004 Camel ad.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2530

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Opera Stars – img17005

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Opera stars had a particular appeal for cigarette advertisers. The emphasis on an opera star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. Opera stars were particularly convincing, because if an opera singer entrusted his voice and throat – his source of revenue – to a cigarette brand, then it seems impossible for the smoke to be irritating or dangerous.

Our earliest endorsement from an opera star is for Tuxedo tobacco in 1915, followed by a generic endorsement from an “opera singer” for Helmar cigarettes in 1916. Old Gold enlisted a few opera singers in the early 1930s, but Lucky Strike dominated the arena in second half of the decade, with a series on stars of the Metropolitan Opera Company. By the late ‘40s and early ‘50s, Camel was on the scene enlisting handfuls of opera singers to endorse their product.

Directors and Producers – img2566

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Popular directors and producers did not escape the grasp of the tobacco companies. In the late 1920s and early 1930s, famous Broadway producers Florenz Ziegfeld, and George M. Cohan endorsing Lucky Strikes, along with popular Hollywood directors King Victor and Cecil B. de Mille. In the late 1940s, Philip Morris capitalized on the appeal of the director, while Winston jumped on the bandwagon in 1956 with its ads featuring photographers. The image of the handsome, seductive director persists in modern tobacco advertising, including the depiction of a director in a 2004 Camel ad.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Newsman – img2627

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case newsmen, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the broadcast journalist’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. If Walter Winchell, for example, trusted his voice and throat – his source of revenue – to a cigarette brand, then it seems less irritating and dangerous. Newsmen also represent a more serious side of the celebrity industry, appealing to hardworking businessmen who may be less swayed by other celebrity endorsements.

Couples & Cast – img2468

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They say that two is always better than one, and this mentality was certainly true for the celebrity testimonials represented in this theme. When tobacco companies could land a celebrity couple in one ad, it could advertise its cigarettes to both males and females in a single blow. Oftentimes, the leading female and male stars of a movie would sit for a single tobacco ad in order to promote their upcoming production. For example, Patricia Morison and Cole Porter both praise Camels in one ad to debut their production “Kiss Me, Kate.” Other times, celebrity couples could promote their motion picture studio in general, rather than a specific film. For example, an ad for Robt. Burns Cigarillos features Humphrey Bogart and his wife, Lauren Bacall, and highlights their co-star positions at Santana Pictures.

Famous voices, in this case actors and actresses, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the celebrity’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actor entrusted his voice and throat – his source of revenue – to a cigarette brand, then it must not be so bad! In addition to providing health claims, movie stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Couples & Cast – img2469

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They say that two is always better than one, and this mentality was certainly true for the celebrity testimonials represented in this theme. When tobacco companies could land a celebrity couple in one ad, it could advertise its cigarettes to both males and females in a single blow. Oftentimes, the leading female and male stars of a movie would sit for a single tobacco ad in order to promote their upcoming production. For example, Patricia Morison and Cole Porter both praise Camels in one ad to debut their production “Kiss Me, Kate.” Other times, celebrity couples could promote their motion picture studio in general, rather than a specific film. For example, an ad for Robt. Burns Cigarillos features Humphrey Bogart and his wife, Lauren Bacall, and highlights their co-star positions at Santana Pictures.

Famous voices, in this case actors and actresses, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the celebrity’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actor entrusted his voice and throat – his source of revenue – to a cigarette brand, then it must not be so bad! In addition to providing health claims, movie stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img14166

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img14165

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Directors and Producers – img2572

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Popular directors and producers did not escape the grasp of the tobacco companies. In the late 1920s and early 1930s, famous Broadway producers Florenz Ziegfeld, and George M. Cohan endorsing Lucky Strikes, along with popular Hollywood directors King Victor and Cecil B. de Mille. In the late 1940s, Philip Morris capitalized on the appeal of the director, while Winston jumped on the bandwagon in 1956 with its ads featuring photographers. The image of the handsome, seductive director persists in modern tobacco advertising, including the depiction of a director in a 2004 Camel ad.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Directors and Producers – img2573

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Popular directors and producers did not escape the grasp of the tobacco companies. In the late 1920s and early 1930s, famous Broadway producers Florenz Ziegfeld, and George M. Cohan endorsing Lucky Strikes, along with popular Hollywood directors King Victor and Cecil B. de Mille. In the late 1940s, Philip Morris capitalized on the appeal of the director, while Winston jumped on the bandwagon in 1956 with its ads featuring photographers. The image of the handsome, seductive director persists in modern tobacco advertising, including the depiction of a director in a 2004 Camel ad.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Racist Ads – img5046

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As World War II came to a close, tobacco companies needed to expand to “new” markets in order to maintain prosperity. At this point, they began issuing mass marketing efforts targeting African Americans as the demographic became urban-centric and earned more wages. Before this mass market expansion in the 1940s and 50s, however, tobacco companies sang a very different tune. Indeed, in the first decades of the twentieth century, the only ads featuring African Americans were racist advertisements that used black caricatures to advertise to white consumers.

An historian of African American history at the University of Wisconsin-Madison, Professor Robert E. Weems, Jr., explains that “when African Americans were perceived to be a group with very limited spending power, many companies employed the derogatory term ‘nigger’ in naming products” (1). Indeed, our collection includes ads for “Nigger Hair Tobacco,” among other racist advertisements.

When advertisers began to realize that the African American market was untapped and potentially lucrative, countless articles were printed offering businessmen and admen advice on how to attract African American consumers. One article from 1943, written by the “Negro market expert,” David J. Sullivan, actually alerted advertisers of racist techniques which should be avoided in order to prevent pushing away African American consumers. The essay, entitled “Don’t Do This—If You Want to Sell Your Products to Negroes!,” urged advertisements to avoid racist caricatures, such as “buxom, broad-faced, grinning mammies and Aunt Jemimas” or “the ‘Uncle Mose’ type … characterized by kinky hair and as a stooped, tall, lean and grayed sharecropper, always in rags.” (2)

1. Weems, Jr., Robert E. “African American Consumers since World War II.” Kusmer, Kenneth L. and Koe W. Trotter, eds. “African American Urban History Since World War II.” Chicago:The Univeristy of Chicago Press. 2009:359-375.

2. Sullivan, David J. “The American Negro—An ‘Export’ Market at Home!” Printer’s Ink; 208:3. 21 July 1944:90.

TV Stars – img2533

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2534

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Sex Sells – img21009

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Tobacco companies know as much as anybody that “sex sells,” and they have no qualms with making use of phallic symbols or with objectifying women to sell their products.

Blu, the leading brand of electronic cigarettes (e-cigs), placed an advertisement for its product in February 2014. The ad featured the Blu logo front and center on an itsy bitsy bikini bottom of a shapely model. On the online version of the ad you could even zoom in on the picture. You don’t see the woman’s face only her belly button to her legs. Accompanying the ad was the slogan “Slim. Charged. Ready to Go.” The obvious sexual reference of the slogan is hard to miss. Blu also sponsored parties at Playboy’s top party schools that allowed partygoers to meet the Playmates. Playboy itself got into the act by creating its own Playboy e-cigs. Some of the ads for the Playboy e-cigs with the trademarked bunny symbol advertised free condoms with the purchase of the vapor device.

Phantom Smoke is a brand that in their advertising is shameless in its objectification of women. Many of the ads feature skimpily clothed women in subservient positions to men. An ad for PhatomSmoke has a woman suggestively sitting in the bathtub with the e-hookah between her teeth. Her lingerie is carelessly discarded on the rim of the bathtub. In another ad, a woman wearing racy black lingerie is on the floor holding onto an out stretched leg of a man sitting on a couch with an e-cig in his hand. An ad for Krave e-cigs has a woman dressed in a bodysuit sitting on a side of a sofa her legs slightly apart as she gazes towards the viewer.

Other tobacco ads exploit the “sex sells” market through innuendo and subliminal messaging. Many ads use phallic imagery.

Apart from online and print advertisements that exploit sex to sell the product, online videos are replete with sexual innuendo. An online video for Blu exploits sex to promote a cessation message. An ad for VIP e-cig featured a sultry-looking woman saying: “I want you to get it out. I want to see it. Feel it. Hold it. Put it in my mouth. I want to see how great it tastes.” The online and TV ad, which ran in Britain, attracted 937 complaints about its “overtly sexual” tone.

TV Stars – img2535

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Mouth & Throat – img13245

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One of the most common anti-smoking advertisement approaches is featuring smoking-related diseases as the consequence of smoking. Ads in this “disease” category stress the long-term and short-term consequences of smoking. They are meant to inform people about the risks of smoking and counter the tobacco industry’s portrayal of smoking as glamorous and healthy.

These advertisements range from gruesome pictures of pain and suffering to images that would seem completely unrelated to smoking if it were not for the captions. Many show what smoking-related diseases look like and what they do to specific parts of the human body. The most graphic ads are meant to evoke feelings of disgust and fear that will discourage people from continuing to smoke or will prevent people from beginning to smoke in the first place.

According to the current literature, the effectiveness of these ads is ambiguous and varies among target groups. Several studies have found that ads that show long-term health consequences of smoking, such as cancers and heart disease, are less effective among youth than adults. One study suggests that adolescents are not responsive to these ads because they are already aware of the potential dangers of smoking, and these consequences seem so far in the future that they feel immune to them, believing they can quit before they contract the diseases in question (1). Adults, however, seem to be much more receptive to fear and threat, and rises in calls to quitlines and public health departments demonstrate increases in quit attempts as a result of exposure to antismoking campaigns (1).

Another reason these ads may be ineffective is because threatening information can induce defensive biases that cause the audience to stop processing the information (2). Fear, specifically, activates psychological reactance, which is a response that may lead to rejection of the message because a person’s freedom is threatened (3).

However, another study shows contrasting results and suggests that ads with higher emotional intensity, such as those that feature graphic disease or suffering, lead to reduced intention to smoke (3). These ads are more likely to be recalled, which means that they are cost-effective because they don’t have to be distributed as often to be effective.

An explanation for these conflicting results may come from another study, which examines the closely tied feelings of fear and empathy, sentiments that can both arise from seeing images of people suffering from diseases (4). The findings of this study suggest that the feeling of empathy that often comes from seeing people suffer from these diseases can increase the persuasiveness of the message, while, fear may decrease the persuasiveness of the ads by activating psychological reactance, leading to rejection of a message when freedom is threatened (4).

The effectiveness of disease-related ads may also vary between smokers and nonsmokers. Anit-tobacco advertisements are often processed in an attitude-consistent fashion. This means non-smokers tend to agree with the ads and retain the messages better, while smokers tend to avoid negative-self implications, disagree with the messages, and become less responsive to them. Repeatedly showing these advertisements to people who look upon these messages unfavorably may even strengthen these initially defensive responses(5). Similarly, fatigue by repetition may desensitize any audience to these messages.

Some methods of using disease to discourage smoking behaviors may be more effective than others. For youth audiences, highlighting their vulnerability to these diseases may be much more important than stressing the severity of the potential problems(6). In the context of low perceived vulnerability, emphasizing health risks could increase the symbolic value of smoking as a risk-seeking, rebellious, and thus attractive behavior(6). These ads appear to work better if youth know how to refuse cigarettes from peers. Thus, to enhance the effectiveness of these ads, they should be supplemented with in-school programs that teach youth these skills.

As mentioned above, ads that evoke empathy, instead of fear, can increase the persuasiveness of disease ads for youth(4). The youth audience has to be able to personally relate to the ads in order to respond to the messages. Ads that feature the long-term effects of smoking are more influential on adolescents who have personal experience with the disease represented in the ads, such as a friend or family member who has suffered or is suffering from the condition(1).

However, for youth who do not have personal experience with smoking-related diseases, the presence of a peer or someone slightly older in age that can act as a role model in the ad can increase responsiveness and help the young audience relate to the message. Anti-smoking ads that feature attractive models also lower smoking intent more than ads with unattractive models (7). Many studies have stressed the importance of testing the effectiveness of ads on focus groups to ensure that they work on their target audience before distributing them.

REFERENCES:

1. Goldman LK, Glantz SA. Evaluation of Antismoking Advertising Campaigns. JAMA 1998; 279: 772-777.

2. Agostinelli G, Grube JW. Tobacco Counter-Advertising: A Review of the Literature and a Conceptual Model for Understanding Effects. Journal of Health and Communication 2003; 8: 107-127.

3. Biener L, Wakefield M, Shiner CM, Siegel M. How Broadcast Volume and Emotional Content Affect Youth Recall of Anti-Tobacco Advertising. Am J Prev Med 2008; 35 (1).

4. Shen L. The Effectiveness of Empathy- Versus Fear-Arousing Antismoking PSAs. Health Communication 2011; 26: 404-415.

5. Leshner G, Bolls P, Wise K. Motivated Processing of Fear Appeal and Disgust Images in Televised Anti-Tobacco Ads.

6. Pechmann C, Zhao G, Goldberg ME, Reibling ET. What to Convey in Antismoking Advertisements for Adolescents: The Use of Protection Motivation Theory to Identify Effective Message Themes. Journal of Marketing 2003; 67: 1-18.

7. Shadel WG, Fryer CS, Tharp-Taylor S. Uncovering the most effective active ingredients of antismoking public service announcements: The role of actor and message characteristics. Nicotine & Tobacco Research; 11 (5); 547-552

Couples & Cast – img2478

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They say that two is always better than one, and this mentality was certainly true for the celebrity testimonials represented in this theme. When tobacco companies could land a celebrity couple in one ad, it could advertise its cigarettes to both males and females in a single blow. Oftentimes, the leading female and male stars of a movie would sit for a single tobacco ad in order to promote their upcoming production. For example, Patricia Morison and Cole Porter both praise Camels in one ad to debut their production “Kiss Me, Kate.” Other times, celebrity couples could promote their motion picture studio in general, rather than a specific film. For example, an ad for Robt. Burns Cigarillos features Humphrey Bogart and his wife, Lauren Bacall, and highlights their co-star positions at Santana Pictures.

Famous voices, in this case actors and actresses, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the celebrity’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actor entrusted his voice and throat – his source of revenue – to a cigarette brand, then it must not be so bad! In addition to providing health claims, movie stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2536

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2549

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2537

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2538

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2539

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2540

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2541

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img10146

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2542

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2543

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Couples & Cast – img2481

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They say that two is always better than one, and this mentality was certainly true for the celebrity testimonials represented in this theme. When tobacco companies could land a celebrity couple in one ad, it could advertise its cigarettes to both males and females in a single blow. Oftentimes, the leading female and male stars of a movie would sit for a single tobacco ad in order to promote their upcoming production. For example, Patricia Morison and Cole Porter both praise Camels in one ad to debut their production “Kiss Me, Kate.” Other times, celebrity couples could promote their motion picture studio in general, rather than a specific film. For example, an ad for Robt. Burns Cigarillos features Humphrey Bogart and his wife, Lauren Bacall, and highlights their co-star positions at Santana Pictures.

Famous voices, in this case actors and actresses, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the celebrity’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actor entrusted his voice and throat – his source of revenue – to a cigarette brand, then it must not be so bad! In addition to providing health claims, movie stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Couples & Cast – img2482

by

They say that two is always better than one, and this mentality was certainly true for the celebrity testimonials represented in this theme. When tobacco companies could land a celebrity couple in one ad, it could advertise its cigarettes to both males and females in a single blow. Oftentimes, the leading female and male stars of a movie would sit for a single tobacco ad in order to promote their upcoming production. For example, Patricia Morison and Cole Porter both praise Camels in one ad to debut their production “Kiss Me, Kate.” Other times, celebrity couples could promote their motion picture studio in general, rather than a specific film. For example, an ad for Robt. Burns Cigarillos features Humphrey Bogart and his wife, Lauren Bacall, and highlights their co-star positions at Santana Pictures.

Famous voices, in this case actors and actresses, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the celebrity’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actor entrusted his voice and throat – his source of revenue – to a cigarette brand, then it must not be so bad! In addition to providing health claims, movie stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2544

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2545

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Couples & Cast – img2483

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They say that two is always better than one, and this mentality was certainly true for the celebrity testimonials represented in this theme. When tobacco companies could land a celebrity couple in one ad, it could advertise its cigarettes to both males and females in a single blow. Oftentimes, the leading female and male stars of a movie would sit for a single tobacco ad in order to promote their upcoming production. For example, Patricia Morison and Cole Porter both praise Camels in one ad to debut their production “Kiss Me, Kate.” Other times, celebrity couples could promote their motion picture studio in general, rather than a specific film. For example, an ad for Robt. Burns Cigarillos features Humphrey Bogart and his wife, Lauren Bacall, and highlights their co-star positions at Santana Pictures.

Famous voices, in this case actors and actresses, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the celebrity’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actor entrusted his voice and throat – his source of revenue – to a cigarette brand, then it must not be so bad! In addition to providing health claims, movie stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2546

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Couples & Cast – img2484

by

They say that two is always better than one, and this mentality was certainly true for the celebrity testimonials represented in this theme. When tobacco companies could land a celebrity couple in one ad, it could advertise its cigarettes to both males and females in a single blow. Oftentimes, the leading female and male stars of a movie would sit for a single tobacco ad in order to promote their upcoming production. For example, Patricia Morison and Cole Porter both praise Camels in one ad to debut their production “Kiss Me, Kate.” Other times, celebrity couples could promote their motion picture studio in general, rather than a specific film. For example, an ad for Robt. Burns Cigarillos features Humphrey Bogart and his wife, Lauren Bacall, and highlights their co-star positions at Santana Pictures.

Famous voices, in this case actors and actresses, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the celebrity’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actor entrusted his voice and throat – his source of revenue – to a cigarette brand, then it must not be so bad! In addition to providing health claims, movie stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2547

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Couples & Cast – img2485

by

They say that two is always better than one, and this mentality was certainly true for the celebrity testimonials represented in this theme. When tobacco companies could land a celebrity couple in one ad, it could advertise its cigarettes to both males and females in a single blow. Oftentimes, the leading female and male stars of a movie would sit for a single tobacco ad in order to promote their upcoming production. For example, Patricia Morison and Cole Porter both praise Camels in one ad to debut their production “Kiss Me, Kate.” Other times, celebrity couples could promote their motion picture studio in general, rather than a specific film. For example, an ad for Robt. Burns Cigarillos features Humphrey Bogart and his wife, Lauren Bacall, and highlights their co-star positions at Santana Pictures.

Famous voices, in this case actors and actresses, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the celebrity’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actor entrusted his voice and throat – his source of revenue – to a cigarette brand, then it must not be so bad! In addition to providing health claims, movie stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the show business elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2548

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2564

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2550

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2551

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img14167

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2552

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2553

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2554

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2555

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img2556

by

The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

TV Stars – img10145

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The 1920s and 1930s saw the heyday of celebrity endorsement, with celebrities hawking everything from soap and pantyhose to canned beans and cars. Tobacco companies were especially fond of celebrity testimonials, enlisting hundreds upon hundreds of celebrities to endorse their tobacco products well into the 1960s. In these advertisements, actors, famous singers, athletes, and even socialites graced the pages of popular magazines, editorials, and newspapers printed across the country.

Famous voices, in this case television stars, had a particular appeal for cigarette advertisers. The emphasis on a healthy, clear voice in the TV star’s line of work was an ideal avenue for portraying cigarettes as healthful, rather than harmful. The concept was that if a famous actress entrusted her voice and throat – her source of revenue – to a cigarette brand, then it must not be so bad! For example, a consumer might see an ad and muse, “If Lucille Ball and Desi Arnez trust Chesterfield, then it’s good enough for me.” In addition to providing health claims, television stars were also glamorous and represented a walk of life attractive to consumers who were already invested in tabloids and the lives of the Hollywood elite.

It wasn’t until 1964 that tobacco companies were banned from using testimonials from athletes, entertainers, and other famous personalities who might be appealing to consumers under 21 years of age.

Feminine Glamour – img22409

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There are an enormous variety of female images in electronic cigarette (e-cig) advertising, ranging from pictures of a frumpily dressed older woman, to macho women on powerful machines, to thoroughly sexualized and eroticized depictions. These ads target women who envy the advertised image and aspire to be that person and they also target men who want to be with the women in the advertisements.

As often seen with the female form in ads, the images of women in many of the e-cig ads are of highly idealized body forms. These women are tall and thin with flawless skin and a perfect body that most women envy. In an ad for NutriCigs slim, a skinny woman showcasing her perfectly flat belly rests on the beach. The text of the ad reads, “Eat Less and Satisfy your Cravings.”

In some of these ads the female form is broken down to focus on a specific “perfect” body part. In ads for e-cigs the most common body part focused on are the lips. In many of these ads the lips are clearly defined with brightly colored lipstick that serves to bring into sharper focus the vapor that surrounds the lips. An ad for Hookah Portable focuses on a glittery jewel crusted lip of a woman who is seen vaping. To show the woman as one belonging to elite society, she is seen wearing a white glove. The image in a Vype Vapor ad is of dark red lips and a small stream of vapor. The woman in the ad transmits sensuality and desire. The message is very clear: if you want to be sensuous like that woman, all you have to do is buy the e-cig. It is not only ads but also packaging that focus on a woman’s lips as her most desirable attribute. One of the packs for Alchemy e-cigs has the image of red lips blowing out vapor.

There are also frequent images of female body parts such as the hands, legs or awkwardly attached body parts. An ad for Sky cigarette focuses primarily on the hands of a woman holding the e-cig, her face has been cut-off the ad. The ad seems to imply that what truly matters about the woman is the e-cig in her hand. In a Fin ad, a woman stands on a beach near an old two-seater glider. One of her hands is holding an e-cig while her other arm seems oddly disconnected from the body.

Of course, there are several sexualized and erotic images of women. An ad for PhatomSmoke has a woman suggestively sitting in the bathtub with the e-hookah between her teeth. Her lingerie is carelessly tossed on the rim of the bathtub. An ad for Krave e-cigs has a woman dressed in a bodysuit sitting on a side of a sofa her legs slightly apart as she gazes towards the viewer.

To appeal to women, many of the e-cigs are produced in pastel colors. For instance, Njoy, Vapor Couture, Bloog, V2Cigs, Lady and Super Cigarette are all available in shades of pink. Vapor Couture offers jewel tipped e-cigs especially made for women. To gain the trust and respect of consumers who have increasingly grown to view the tobacco industry as deceptive and lethal, the e-cig industry has supported charitable institutions and issues that are of importance to women. For instance, SouthBeach Smoke as well as Eversmoke donated funds for breast cancer awareness. However, corporate social responsibility sponsorships from e-cig manufacturers to improve public perception ring hollow especially as they e-cig manufacturers use manipulative techniques and misleading claims to lure consumers.