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Home / Archives for Youth

Youth

Joe Camel Cartoons – img17940

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17932

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17926

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17927

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17928

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17898

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17899

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17900

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Cigars – ing11062

June 4, 2021 by sutobacco

Cigars are often advertised directly to men, and, indeed, are represented as highly masculinized and often genteel. An ad from the Cigar Institute of America in 1963, for example, lets men know that if they “wear a cigar,” they will “look smart.” Masculinity is sometimes approached through sexualization of the cigar, as in the Don Diegos ad from the 1990s featuring a woman sucking on a cigar or the Celesitino Vega ad from the same period, which features a Hawaiian surfer posing at the beach with a giant, phallic surfboard painted to resemble a cigar. Other times, masculinity is portrayed through a more reserved route, as in the 1950s ad from the Cigar Institute of America, which claims that “In the eyes of his own family, every father is a success. And the father who knows cigars knows a very special kind of success.” The family unit and the fatherly figure are referenced often in cigar ads.

In addition, cigars are seen as a means to celebrate. An ad for Antonio y Cleopatra cigars says, “When a moment is worth remembering enjoy a cigar that’s hard to forget.” In the same vein, pink or blue candy cigars are often given to a new father to celebrate the birth of a child.

Beyond these approaches, many cigar ads focus on throat ease, since unlike cigarette smoke, cigar smoke cannot be inhaled due to its high alkalinity. Though these ads advertise health benefits for cigar smoking – Girard says its smoke is mild, so doctors recommend it, and Mell-O-Well calls its smoke “the health cigar” — cigar smoking is associated with higher incidences of oral cancers than cigarette smoking, and nicotine is absorbed in higher levels as well. Still, and ad for White Owl cigars tells you to switch to cigars or pipes “when you can’t give up smoking.” The main reason? No need to inhale. Most misleading, perhaps, is a 1964 ad from the Cigar Institute of America, which proclaims, incorrectly, “Cigar smokers start young and stay young!”

Joe Camel Cartoons – img17901

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17902

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17903

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17904

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17905

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17906

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17907

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17908

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17909

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17910

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17911

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17912

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17913

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17914

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17915

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17942

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17953

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17954

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17949

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17950

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17955

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17959

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17851

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17852

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17853

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17854

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17855

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17810

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17856

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17857

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17858

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17859

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17860

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17861

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17867

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17916

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17917

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17919

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17920

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17929

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17930

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17933

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17934

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17937

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17938

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17941

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17885

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17897

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17892

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17895

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17896

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17943

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17944

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17945

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17946

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17947

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17948

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17951

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17952

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17956

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17957

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17958

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17960

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img8110

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17961

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img1933

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17962

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img1920

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17971

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img8128

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17963

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img8123

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17966

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Joe Camel Cartoons – img17967

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img1922

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17968

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img8115

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17969

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img1924

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17970

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img8114

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17870

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img8129

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17972

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img8113

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17935

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img8125

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img17936

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img8124

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

Joe Camel Cartoons – img20104

May 25, 2021 by sutobacco

In a transparent effort to greatly increase their market share of young smokers, R.J. Reynolds initiated the now infamous Old Joe Camel campaign for the Camel brand in 1988. The campaign, which ran continuously for 9 years until 1997, featured a cool dromedary cartoon character and faced almost immediate criticism from the public for influencing children to smoke.

From the campaign’s inception, young people were primary targets. The first Joe Camel ad in the United States was released to celebrate Camel’s 75th “birthday” and was based on a French advertisement for Camel filters from 1974 (1). The original French Joe Camel was reported to be a “smash” because “it’s about as young as you can get, and aims right at the young adult smoker Camel needs to attract” (2). (The term “young adult smoker” is industry jargon for the youngest spectrum of customers legally targeted through cigarette ads.)

Studies published in the Journal of the American Medical Association (JAMA) confirmed that Joe Camel is attractive to children. Indeed, a 1991 article published in JAMA reveals that the Old Joe Camel advertisements “are far more successful at marketing Camel cigarettes to children than to adults” based on kids’ ability to recall the character and find him appealing (3). More shocking still is another JAMA publication from 1991 which revealed that 91.3% of 6-year-old children were able to correctly match Old Joe with a picture of a cigarette, nearly the same number of children as were able to match Mickey Mouse with the Disney Channel logo (4).

Internal documents reveal that young people were further targeted with the ads through appropriation of youth slang. The “smooth character” slogan associated with the Old Joe campaign was reportedly intended to impart a “dual meaning,” indicating that the product itself was literally a smooth, non-irritating smoke, and, in youth slang terms, that the smoker himself had a “smooth (slick or cool) personality” (5).

Additionally, in order to attract young males, Joe was intended to be hyper-masculine, as is evidenced by his face, which closely resembles male reproductive organs. “Reinforcement of masculinity is an important want among a large percentage of males,” another internal document says, “and this is particularly true among less educated and younger adult males (i.e., Camel’s prime prospect)” (6).

Indeed, R.J. Reynolds goes on to reveal the exact target demographic for Camel: “Increasing RJRT’s share among younger adult smokers is a key corporate objective. Within the established RJRT product line, the highest priority has been placed behind Camel as the best short and long-term opportunity to penetrate younger adult smokers … Younger adult smokers are critically important to RJRT long term: They have been critical factor in growth/decline of every major brand/company in past 50 years. They will continue to be important in future, as market renewal stems almost entirely from 18 year old smokers“ (6).

By 1994, many groups, including the American Medical Association, the American Cancer Society, the American Heart Association, the American Lung Association, the Surgeon General, 27 state attorneys general, and more had urged the Federal Trade Commission (FTC) to take action against R.J.R.’s Joe Camel campaign. At the time, the FTC decided there was not enough evidence to ban the campaign, but it reopened the case in 1997, when R.J.R. pulled the Joe Camel campaign, seemingly voluntarily. Though the smooth camel eventually left the scene, his 9-year stint in magazines, phone booths, and billboards guaranteed that he was repeatedly introduced to children, adolescents and young adults for almost a decade. Additionally, Old Joe freebies and prizes, ranging from boxer briefs and baseball caps to fishing lures and card games guarantee that Joe remains immortalized.

1. “Regional News from Art Direction: The Magazine of Visual Communication, June 1975.” RJ Reynolds. June 1975. http://legacy.library.ucsf.edu/tid/mmx62d00/pdf

2. Blackmer, Dana. “Memo to Rich McReynolds from Dana Blackmer Re: French Camel Filter Ad.” RJ Reynolds. 7 Feb 1974. http://legacy.library.ucsf.edu/tid/eve76b00/pdf

3. DiFranza, Joseph R., MD, et al. “RJR Nabisco’s Cartoon Camel Promotes Camel Cigarettes to Children.” JAMA 1991;266:33149-3153.

4. Fischer, Paul M., MD, et al. “Brand Logo Recognition by Children Aged 3 to 6 years.” JAMA 1991;266:3145-3148.

5. “Camel General Market Campaign Focus Group Research. French Camel.” RJ Reynolds. 1987. http://legacy.library.ucsf.edu/tid/dtf44d00/pdf

6. Caufield, R.T. “Camel New Advertising Campaign Development.” 12 March 1986. http://legacy.library.ucsf.edu/tid/vkm76b00/pdf

Modern Menthol – img8122

May 19, 2021 by sutobacco

This theme contains ads which represent a variety of the leading menthol brands, particularly Salem and Kool. A few recent ads for the mentholated versions of Winstons, Vantage, Marlboro, and Camel are also included. These ads are clearly marketed toward a younger, urban demographic. Additionally, many of the ads feature models of a variety of ethnicities, and African Americans are particularly targeted. The ads reveal the ludicrous targeting techniques employed by menthol brands and the lengths to which they will go in order to gain a stronger market share over youths and African Americans, the leading consumers of menthol cigarettes.

Recent Salem ads from the 2000s feature the slogan, “Stir the senses,” and each ad depicts a model smoking in green, mentholated ecstasy. Other Salem ads from the 2000s reveal clear youth targeting through a risk-taking appeal. For example, one of the ads presents an “underground” party, another presents a couple with an intertwining, extreme tattoo, and a third presents a scantily clad woman riding on the back of a man’s motorcycle – all in urban settings. The 1990s saw Salem’s “Refreshest” campaign, which targeted teens and adolescents with mind-boggling images like a woman relaxing on a pool floatie inside of a grand piano filled with water, or, similarly, a couple lounging in the pick-up of a truck, also filled with water. Earlier Salem ads (“Salem Spirit”) from the 1980s used a technique largely reminiscent of Newport’s long-lived “Pleasure” campaign, spotlighting groups of young friends having fun in athletic, outdoorsy settings. All of these ads blatantly target youth.

Kool’s advertisements from 2005 used the slogan “Be True,” which urged consumers to not only be true to themselves, but also to be true and loyal to the brand. Accompanying the “Be True” slogan was a variety of phrases such as “Be Passionate,” “Be Original,” “Be Smooth,” and “Be Bold,” all of which appeal to adolescents and young adults trying to “find themselves” and develop a sense of self. The “Be True” ads largely feature musicians, ranging from guitar players to disc jockeys, and their ethnicities are also noticeably diverse. In our collection, Asians, African Americans, and Caucasians are all represented in the “Be True” ad campaign. Other Kool campaigns from the 2000s, like “House of Menthol,” are more transparently urban-oriented, featuring boom boxes, speaker systems, microphones, graffiti, or skyscrapers. A subset of these ads features the “Kool Mixx” which claims to “celebrate the soundtrack to the streets” through limited edition cigarette packs. Urban youth were clearly a priority.

As of 2011, almost half of all 12- to 17-year-old smokers prefer menthols, while the total market share of menthols claims only 30% of all smokers (1). Additionally, according to one study conducted in 2006, 62.4% of middle school students who had smoked for less than a year tended to smoke menthols (2). Data like this has lead many experts, including the Tobacco Products Scientific Advisory Committee (TPSAC), to believe that the presence of menthols on the market increase the rate of smoking initiation. Additionally, government surveys in 2011 revealed that menthol cigarettes dominate 30% of the overall market, and over 80% of black smokers prefer menthol as opposed to 22% of non-Hispanic white smokers (1).

Wilson, Duff. “Advisory Panel urges F.D.A. to re-examine menthol in cigarettes.” The New York Times. 18 March 2011. .

Hersey J.C. et al. “Are menthol cigarettes a starter product for youth?” Nicotine & Tobacco Research. June 2006. 8:3;403-413. .

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