SRITA

Stanford Research into the Impact of Tobacco Advertising

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We Don't Make Medical Claims – img5155

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Towards the end of the era in which false medical claims were endemic (early 1950s) the Old Gold brand had a prolonged campaign – with more than 50 variations on this theme – in which they touted: “We Don’t Try to Scare You with Medical Claims.” Ironically, many of these ads in their fine print make outlandish statements that Old Golds were less irritating and thus safer than the competition. Somehow they calculated that the public would not see this obvious hypocrisy.

Note the white box strangely reminiscent of the Surgeon General’s warning introduced years later. In what can only be characterized as rank hypocrisy, they claim Old Gold’s are less irritating and easier on the throat.

Freshness – img3511

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Tobacco ads are notorious for broadcasting what can only be called the “Big Lie” – how else could the inhalation of smoke of any kind be compared to breathing in “mountain air?” In these advertisements, smoke is presented to consumers as “fresh” and “clean,” and particular brands are advertised as “springtime fresh” or even “the refreshest.” Ads offering freshness continued well beyond the 1950s, portraying verbal or visual themes of outdoor recreation, mountain air, clean rushing streams, and more.

Early on, the freshness theme became grist for the industry’s “tit for tat” advertising. Indeed, while The American Tobacco Company advertised that Lucky Strikes were better because they were “toasted,” R.J. Reynolds countered that their Camels were superior because they were “naturally fresh: never parched, never toasted!” Camel also offered an alternative meaning of the word “fresh” by heavily promoting its cellophane wrapper, intended to keep cigarettes from going stale on store shelves.

Freshness was also commonly used as a kind of code-word for healthfulness. Slogans used in tobacco ads called to mind the “cool” of ice or the fresh healing virtues of springtime mountain pastures. “Kool” and other menthol brands were also supposed to deliver a kind of hospital-like sense of sanitary safety, and one company implied cleanliness in its very name. “Sano” cigarettes didn’t last very long: they didn’t deliver as much in the way of tar or nicotine as more popular brands and their marketing skill lagged behind that of the bigger players. By contrast, menthol brands grew in popularity after the postwar “health scare,” and many other forms of “health reassurance” were offered (space-age filters of myriad sorts, promises of low-tar and/or nicotine deliveries, eventually “lights,” etc.).

Be Happy, Go Lucky – img3901

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This theme features Lucky Strike ads from the “Be Happy – Go Lucky!” campaign of the early 1950s and ads from British brand Kensitas, which followed with its “Kensitas – that’s good!” campaign a year later. These ads are appealing to people of all ages, especially teens and young adults, with their vibrant colors, youthful models, fun fonts and carefree messages.

From 1935 to 1959, Lucky Strike sponsored a popular radio show and subsequent TV show, “Your Hit Parade,” which associated Lucky Strike cigarettes and smoking with fun, music, dancing, and friends. “Your Hit Parade” featured popular songs and musicians of the day alongside copious advertisements for the cigarette brand. When the show first aired on television, the program opened up with the following Lucky Strike jingle composed by Raymond Scott:

“Be happy, go Lucky,

Be happy, go Lucky Strike,

Be happy, go Lucky,

Go Luck-y Strike to-DAY!”

At the same time, Lucky Strike began rolling out print advertisements in popular magazines bearing the “Be Happy – Go Lucky” slogan. This followed on the heels of the 1949 campaign, “Smoke a Lucky to Feel your Level Best!” Both slogans suggested that smoking Luckies resulted in emotional and physical benefits, and both campaigns were colorful and youthful, featuring young, predominantly female models having the times of their lives. These ads presented Lucky smokers as young, attractive, vibrant, athletic, happy, and full of vitality. Without claiming health benefits outright, Lucky Strike portrayed its brand as healthy and enticing through these campaigns.

eCigars – img19455

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Currently, alternative cigarette products such as e-cigarettes, e-cigars and e-hookahs are in vogue. Vigorously marketed online and through sponsorships and celebrity endorsements as the safer, wiser and healthier alternative to conventional cigarette products, these products have caught the fancy of the public, especially teenagers.

E-cigars are marketed as products of refinement to powerful, and successful men who want to set themselves apart from the rest of the crowd. In its promotional materials, Veppo suggests that consumers who buy an e-cigar share a common bond with “powerful icons” such as Che Guvera, Winston Churchill, J.F.Kennedy, Mark Twain and interestingly enough actor Jack Nicholson. Because the feel of a cigar is so important to its consumers, e-cigar manufacturers have tried to mimic the soft tip and papery feel of the cigar in their products. Veppo e-cigars have a full paper wrap and are textured to feel like a traditional cigar. Totally Wicked and Veppo products have a “soft-tip” that mimics the chewable texture that consumers appreciate in a cigar.

Antonio Villard Premium Electronic Cigars, which brands its cigars as “elegance -redefined” operates on a unique promotional strategy. The cigar company trains cigar girls and offers nightclubs, restaurants and private parties, the service of these cigar girls to add flair to the event and push through the company’s cigar.

As with the advertising of e-Cig products, the manufacturers of e-Cigars are keen to promote the fact that their product looks and feels like a cigar.

E-Cigars – ibg19455

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Currently, alternative cigarette products such as e-cigarettes, e-cigars and e-hookahs are in vogue. Vigorously marketed online and through sponsorships and celebrity endorsements as the safer, wiser and healthier alternative to conventional cigarette products, these products have caught the fancy of the public, especially teenagers.

E-cigars are marketed as products of refinement to powerful, and successful men who want to set themselves apart from the rest of the crowd. In its promotional materials, Veppo suggests that consumers who buy an e-cigar share a common bond with “powerful icons” such as Che Guvera, Winston Churchill, J.F.Kennedy, Mark Twain and interestingly enough actor Jack Nicholson. Because the feel of a cigar is so important to its consumers, e-cigar manufacturers have tried to mimic the soft tip and papery feel of the cigar in their products. Veppo e-cigars have a full paper wrap and are textured to feel like a traditional cigar. Totally Wicked and Veppo products have a “soft-tip” that mimics the chewable texture that consumers appreciate in a cigar.

Antonio Villard Premium Electronic Cigars, which brands its cigars as “elegance -redefined” operates on a unique promotional strategy. The cigar company trains cigar girls and offers nightclubs, restaurants and private parties, the service of these cigar girls to add flair to the event and push through the company’s cigar.

As with the advertising of e-Cig products, the manufacturers of e-Cigars are keen to promote the fact that their product looks and feels like a cigar.