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Stanford Research into the Impact of Tobacco Advertising

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Canada – img12757

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It is known that smoking cigarettes has numerous harmful effects on people’s health, and one tactic used to dissuade people from smoking is explicitly stating these effects on cigarette boxes via warning labels. People are more likely to see an anti-smoking message if it is present in the form of a label right on the outside of the cigarette box they are holding, which is why these pack warning labels can be an effective form of advertising.1

They can be text-only, like the ones on Winston cigarettes boxes in the UK that say “Smoking seriously harms you and others around you,” or also include graphic images, such as the ones in Brazil that include images ranging from a stillborn baby to a dismembered and blackened foot. One study “found that 50 percent of subjects remembered the text-only warning label, while 83 percent correctly recalled the label that contained a graphic image,” so it is a more effective advertising strategy to incorporate pictures on labels because the message will then be more memorable. In fact, “research on pictorial warnings show that they are: (i) more likely to be noticed than text-only warning labels; (ii) more effective for educating smokers about the health risks of smoking and for increasing smokers’ thoughts about the health risks; and (iii) associated with increased motivation to quit smoking.”2 Pictorial labels are also more effective at raising awareness of the health effects of smoking in areas with low literacy rates.2

However, a study on the effectiveness of Canadian warning labels shines light on the big issue of whether or not people stop to read and think about the warning labels, as people who do so are the ones who are “significantly more likely to either quit, attempt to quit, or reduce their smoking.”3 Another issue that is often brought up is the defensive and avoidant behavior that pictorial images may elicit, but in reality, “such reactions are actually indicators of positive impact” caused by the presence of graphic images.2

Resources:

1. http://www.cbsnews.com/news/study-graphic-tobacco-warning-labels-more-effective-at-delivering-anti-smoking-message/

2. http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2733253/

3. http://tobaccocontrol.bmj.com/content/12/4/391.full.html

Canada – img12759

by

It is known that smoking cigarettes has numerous harmful effects on people’s health, and one tactic used to dissuade people from smoking is explicitly stating these effects on cigarette boxes via warning labels. People are more likely to see an anti-smoking message if it is present in the form of a label right on the outside of the cigarette box they are holding, which is why these pack warning labels can be an effective form of advertising.1

They can be text-only, like the ones on Winston cigarettes boxes in the UK that say “Smoking seriously harms you and others around you,” or also include graphic images, such as the ones in Brazil that include images ranging from a stillborn baby to a dismembered and blackened foot. One study “found that 50 percent of subjects remembered the text-only warning label, while 83 percent correctly recalled the label that contained a graphic image,” so it is a more effective advertising strategy to incorporate pictures on labels because the message will then be more memorable. In fact, “research on pictorial warnings show that they are: (i) more likely to be noticed than text-only warning labels; (ii) more effective for educating smokers about the health risks of smoking and for increasing smokers’ thoughts about the health risks; and (iii) associated with increased motivation to quit smoking.”2 Pictorial labels are also more effective at raising awareness of the health effects of smoking in areas with low literacy rates.2

However, a study on the effectiveness of Canadian warning labels shines light on the big issue of whether or not people stop to read and think about the warning labels, as people who do so are the ones who are “significantly more likely to either quit, attempt to quit, or reduce their smoking.”3 Another issue that is often brought up is the defensive and avoidant behavior that pictorial images may elicit, but in reality, “such reactions are actually indicators of positive impact” caused by the presence of graphic images.2

Resources:

1. http://www.cbsnews.com/news/study-graphic-tobacco-warning-labels-more-effective-at-delivering-anti-smoking-message/

2. http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2733253/

3. http://tobaccocontrol.bmj.com/content/12/4/391.full.html

It is known that smoking cigarettes has numerous harmful effects on people’s health, and one tactic used to dissuade people from smoking is explicitly stating these effects on cigarette boxes via warning labels. People are more likely to see an anti-smoking message if it is present in the form of a label right on the outside of the cigarette box they are holding, which is why these pack warning labels can be an effective form of advertising.1

They can be text-only, like the ones on Winston cigarettes boxes in the UK that say “Smoking seriously harms you and others around you,” or also include graphic images, such as the ones in Brazil that include images ranging from a stillborn baby to a dismembered and blackened foot. One study “found that 50 percent of subjects remembered the text-only warning label, while 83 percent correctly recalled the label that contained a graphic image,” so it is a more effective advertising strategy to incorporate pictures on labels because the message will then be more memorable. In fact, “research on pictorial warnings show that they are: (i) more likely to be noticed than text-only warning labels; (ii) more effective for educating smokers about the health risks of smoking and for increasing smokers’ thoughts about the health risks; and (iii) associated with increased motivation to quit smoking.”2 Pictorial labels are also more effective at raising awareness of the health effects of smoking in areas with low literacy rates.2

However, a study on the effectiveness of Canadian warning labels shines light on the big issue of whether or not people stop to read and think about the warning labels, as people who do so are the ones who are “significantly more likely to either quit, attempt to quit, or reduce their smoking.”3 Another issue that is often brought up is the defensive and avoidant behavior that pictorial images may elicit, but in reality, “such reactions are actually indicators of positive impact” caused by the presence of graphic images.2

Resources:

1. http://www.cbsnews.com/news/study-graphic-tobacco-warning-labels-more-effective-at-delivering-anti-smoking-message/

2. http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2733253/

3. http://tobaccocontrol.bmj.com/content/12/4/391.full.html

Canada – img12760

by

It is known that smoking cigarettes has numerous harmful effects on people’s health, and one tactic used to dissuade people from smoking is explicitly stating these effects on cigarette boxes via warning labels. People are more likely to see an anti-smoking message if it is present in the form of a label right on the outside of the cigarette box they are holding, which is why these pack warning labels can be an effective form of advertising.1

They can be text-only, like the ones on Winston cigarettes boxes in the UK that say “Smoking seriously harms you and others around you,” or also include graphic images, such as the ones in Brazil that include images ranging from a stillborn baby to a dismembered and blackened foot. One study “found that 50 percent of subjects remembered the text-only warning label, while 83 percent correctly recalled the label that contained a graphic image,” so it is a more effective advertising strategy to incorporate pictures on labels because the message will then be more memorable. In fact, “research on pictorial warnings show that they are: (i) more likely to be noticed than text-only warning labels; (ii) more effective for educating smokers about the health risks of smoking and for increasing smokers’ thoughts about the health risks; and (iii) associated with increased motivation to quit smoking.”2 Pictorial labels are also more effective at raising awareness of the health effects of smoking in areas with low literacy rates.2

However, a study on the effectiveness of Canadian warning labels shines light on the big issue of whether or not people stop to read and think about the warning labels, as people who do so are the ones who are “significantly more likely to either quit, attempt to quit, or reduce their smoking.”3 Another issue that is often brought up is the defensive and avoidant behavior that pictorial images may elicit, but in reality, “such reactions are actually indicators of positive impact” caused by the presence of graphic images.2

Resources:

1. http://www.cbsnews.com/news/study-graphic-tobacco-warning-labels-more-effective-at-delivering-anti-smoking-message/

2. http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2733253/

3. http://tobaccocontrol.bmj.com/content/12/4/391.full.html

Mixed Races – img8910

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Although tobacco companies had been marketing their products to specific ethnic groups for decades, it wasn’t until late in the 20th century that they began “integrationist” advertising. Previously, tobacco ads placed in African American magazines featured strictly African American models, and those in mainstream magazines featured primarily white models. However, beginning in the 1980s and gaining ground in the early 2000s, tobacco companies began featuring groups of mixed ethnicities in both minority and mainstream (“general audience”) publications.

In 1979, in an internal document researching market strategies for More cigarettes, R.J. Reynolds generalized about “the new generation of blacks,” claiming that more than previous generations, “they are more comfortable with the notion of co-existing and working side-by-side with Whites” (1). Furthermore, the document reveals RJR’s primary marketing concern at the time: “A balance must be arrived at,” the document says, “between providing depicted situations and people reflective of Black self-pride and ethnocentrism – and at the same time, confirming the extent to which Blacks have become integrated into the ‘Establishment.’”

Lorillard came to the same conclusion in 2001 for their Newport brand, which has since used models of different ethnicities in single ads. The 2001 Lorillard document makes the following conclusion: “Newport should seek to incorporate more multi-ethnic visuals in the creative mix. Smokers reacted positively to visuals that included people from mixed ethnic groups. They indicated that they have diverse circles of friends and mixed ethnicity situations are their reality. The idea of mixed ethnicity couples however, was not as readily accepted. The multi-ethnic scenarios should include settings where multi-ethnic groups would naturally come together, such as parties or group events” (2). Thus, many of the couples in recent Newport ads are of the same ethnicity, but the larger “friend” groups are mixed.

Brown & Williamson similarly moved away from segregated advertising in the 1980s for its KOOL brand, but instead of using mixed race groups in ads, it utilized jazz music and music in general as “an idea or symbol that was truly Pan-Racial… an idea that transcended the color of a smoker’s skin” (3). In one internal document, B&W’s advertising agency explains, “The print media, due to segmentation, provide the option of 'segregated' brand communication (for example, see Salem campaigns). However, this approach was avoided since it encouraged a split personality, or dual image, for the brand. It was concluded that a split personality was not viable in an image-sensitive category. Further, we believe that Black smokers increasingly will 'see through' this approach and possibly resent what essentially amounts to a 'separate but equal' dual campaign strategy” (3). In a National Sales Meeting speech, a B&W exec explained their music-oriented approach: “That’s not advertising for Blacks or Whites or Hispanics, that’s advertising for everyone who likes music. And how many people do you know who don’t like music? […] Black smokers are very important to KOOL, as you well know, and we could, like Salem, create a separate ad campaign to run in Black publications… with Black models only. But why should we? We don’t have to do that, we’re going to own the world of music, where the subject of Black and White don’t matter because the only real issue is one of pleasure. Musical enjoyment…linked to smoking satisfaction” (4).

“General Background – Black Consumer Market Demographic Trend & Marketing Implications.” RJR. 31 Dec 1979. http://legacy.library.ucsf.edu/tid/sup76b00

2. “Jacksonville and Pittsburgh one-on-one research findings/recommendations.” Lorillard. April 2001. http://legacy.library.ucsf.edu/tid/sqa42i00

3. Cunningham & Walsh Advertising Agency. “Kool: The Revitalization of an Image.” B&W. 1 July 1981. http://legacy.library.ucsf.edu/tid/leb91d00

4. Lewis, LR. “Speech for National Sales Meeting.” B&W. Oct 1981. http://legacy.library.ucsf.edu/tid/crj40f00